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<strong>The</strong> Ultimate<br />
Bird’s Eye View<br />
“I don’t want to<br />
do postcard<br />
pictures, I want<br />
to show the<br />
drama that happens<br />
out there<br />
every day”<br />
- Stephan Romer, one of<br />
the world’s top commercial<br />
photographers.<br />
When he’s not shooting in a far<br />
flung location for the world’s most<br />
iconic luxury car brands; Porsche,<br />
Mercedes Benz, Aston Martin,<br />
Stephan is pushing his own art to the<br />
absolute extreme.<br />
Light is his medium and the landscapes<br />
of the world are his canvas.<br />
Outside of his busy diary of commercial<br />
client work, you’ll often find<br />
Stephan high up in a helicopter edging<br />
on the extreme limit of closeness<br />
to the most spectacular glaciers and<br />
mountain peaks of New Zealand<br />
or on spontaneous reconnaissance<br />
hikes down in the undergrowth of<br />
the wilderness.<br />
All the extreme angles and incredible<br />
perspective add up to a unique<br />
signature style that powerfully connects<br />
with many all over the world<br />
says his wife, Nadine who oversees<br />
three Romer galleries located in<br />
Dusseldorf, Queenstown and now,<br />
Auckland.<br />
“Literally everyone that walks in is<br />
moved and simply blown away by<br />
Stephan’s art – it’s like it’s alive.”<br />
Pieces of his luxury art have been<br />
purchased by all sorts of admirers<br />
from Billionaires to an Arab Sheik<br />
to hard working locals who save up<br />
especially.<br />
Classically trained in industrial design<br />
before becoming a professional<br />
photographer, Romer innately<br />
knows the influence of the golden<br />
ratio on his art however admits that<br />
he doesn’t try to have it looking too<br />
harmonious in his compositions.<br />
What he’s after is stunning contrasts<br />
of light and textures on the ground.<br />
“I’d rather put the camera further<br />
down than what you would normally<br />
do and shoot towards the horizon.<br />
<strong>The</strong> lower the sun, the more<br />
dramatic the outcome” he says.<br />
<strong>The</strong> depth and expanse of the final<br />
result, even in some cases when he<br />
only had 30 seconds of light leaves<br />
many asking “is that a painting or a<br />
real photo?”<br />
“You push your luck a lot” Romer<br />
says admitting sometime sit works,<br />
sometime it doesn’t.<br />
His personal work released catalogues<br />
big intense skies and extraordinary<br />
sights produced by Mother<br />
Nature that most people only dream<br />
about seeing.<br />
Many of his shoot locations are true<br />
wild territories. Like the Mt Aspiring<br />
area, home to interconnecting<br />
glaciers in New Zealand’s Southern<br />
Lakes doesn’t even have a hiking<br />
track or single road.<br />
“<strong>The</strong>re are so many remote valleys<br />
that nobody has been yet, I think<br />
that is very special and something<br />
you hardly get on this planet especially<br />
these days.”<br />
As they say, a picture is worth a thousand<br />
words. Romer’s panoramas are<br />
perspex windows to the world – the<br />
ultimate birds’ eye view that will<br />
leave you literally speechless.<br />
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