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The Luxury Network International Magazine Issue 05

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<strong>The</strong> Ultimate<br />

Bird’s Eye View<br />

“I don’t want to<br />

do postcard<br />

pictures, I want<br />

to show the<br />

drama that happens<br />

out there<br />

every day”<br />

- Stephan Romer, one of<br />

the world’s top commercial<br />

photographers.<br />

When he’s not shooting in a far<br />

flung location for the world’s most<br />

iconic luxury car brands; Porsche,<br />

Mercedes Benz, Aston Martin,<br />

Stephan is pushing his own art to the<br />

absolute extreme.<br />

Light is his medium and the landscapes<br />

of the world are his canvas.<br />

Outside of his busy diary of commercial<br />

client work, you’ll often find<br />

Stephan high up in a helicopter edging<br />

on the extreme limit of closeness<br />

to the most spectacular glaciers and<br />

mountain peaks of New Zealand<br />

or on spontaneous reconnaissance<br />

hikes down in the undergrowth of<br />

the wilderness.<br />

All the extreme angles and incredible<br />

perspective add up to a unique<br />

signature style that powerfully connects<br />

with many all over the world<br />

says his wife, Nadine who oversees<br />

three Romer galleries located in<br />

Dusseldorf, Queenstown and now,<br />

Auckland.<br />

“Literally everyone that walks in is<br />

moved and simply blown away by<br />

Stephan’s art – it’s like it’s alive.”<br />

Pieces of his luxury art have been<br />

purchased by all sorts of admirers<br />

from Billionaires to an Arab Sheik<br />

to hard working locals who save up<br />

especially.<br />

Classically trained in industrial design<br />

before becoming a professional<br />

photographer, Romer innately<br />

knows the influence of the golden<br />

ratio on his art however admits that<br />

he doesn’t try to have it looking too<br />

harmonious in his compositions.<br />

What he’s after is stunning contrasts<br />

of light and textures on the ground.<br />

“I’d rather put the camera further<br />

down than what you would normally<br />

do and shoot towards the horizon.<br />

<strong>The</strong> lower the sun, the more<br />

dramatic the outcome” he says.<br />

<strong>The</strong> depth and expanse of the final<br />

result, even in some cases when he<br />

only had 30 seconds of light leaves<br />

many asking “is that a painting or a<br />

real photo?”<br />

“You push your luck a lot” Romer<br />

says admitting sometime sit works,<br />

sometime it doesn’t.<br />

His personal work released catalogues<br />

big intense skies and extraordinary<br />

sights produced by Mother<br />

Nature that most people only dream<br />

about seeing.<br />

Many of his shoot locations are true<br />

wild territories. Like the Mt Aspiring<br />

area, home to interconnecting<br />

glaciers in New Zealand’s Southern<br />

Lakes doesn’t even have a hiking<br />

track or single road.<br />

“<strong>The</strong>re are so many remote valleys<br />

that nobody has been yet, I think<br />

that is very special and something<br />

you hardly get on this planet especially<br />

these days.”<br />

As they say, a picture is worth a thousand<br />

words. Romer’s panoramas are<br />

perspex windows to the world – the<br />

ultimate birds’ eye view that will<br />

leave you literally speechless.<br />

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