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No. 17 - Its Gran Canaria Magazine

Rutas, recomendaciones y noticias de Gran Canaria. Routes, tips and news about Gran Canaria.

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32<br />

GET TO KNOW GRAN CANARIA I CONOCE GRAN CANARIA Nº <strong>17</strong><br />

Los Letreros de Balos, a book written in stone<br />

In the southeast region of the island is Barranco de Balos,<br />

a geological landmark that provides a natural dividing<br />

line between the municipalities of Santa Lucía de<br />

Tirajana and Agüimes. This ravine contains an archaeological<br />

find of spectacular national interest and, if combined<br />

with a light and pleasant hiking route, can provide<br />

a day in the great outdoors with a very interesting<br />

cultural content than can be done in just a few hours.<br />

The Balos ravine gets its name from the large number<br />

of Balos trees that are present in the area. The balo is a<br />

dense bush species, with fragile and hanging branches,<br />

endemic to the Canary Islands with the exception<br />

of Lanzarote, its height can exceed three metres and<br />

any part of the plant, when squeezed, gives off a rather<br />

unpleasant smell.<br />

Following the creation of the island’s municipalities, all<br />

these lands that make up the Balos ravine were put up<br />

for auction in 1873, being sold for a price of 3,400 silver<br />

reales, which would be equivalent today to approximately<br />

€15,000.<br />

In general, water rarely flows through this natural ravine,<br />

and this area in particular is very arid, with very flat,<br />

sandy soil, except for an interesting meandering basaltic<br />

outcrop almost a kilometre long, 35 metres wide and<br />

15 metres high in the middle of the ravine. There is a<br />

lot of smooth surface on the faces of these completely<br />

naturally formed rocks, so that they appear to visitors<br />

as indelible slates, on which rock paintings have been<br />

made over time, so much so that superimposed compositions<br />

by different authors at different times can be<br />

clearly seen.<br />

The engravings here constitute the largest concentration<br />

of rock engravings on the island and are scattered<br />

all around the gorge, but the most spectacular<br />

are found in the southernmost part of this rocky massif.<br />

The 'signposts', as they are popularly known, are a<br />

unique set of petroglyphs that are undeciphered but<br />

include signs similar to the Tifinagh alphabet. There is<br />

no record of their use today, but they were documented<br />

from the 3rd century BC to the 3rd century AD, indicating<br />

the kinship of the island's ancient inhabitants<br />

with the Libybic-Berber settlers of <strong>No</strong>rth African origin.<br />

Anthropomorphic figures, many of them sexed and<br />

zoomorphic, are also found on the surfaces of these<br />

stones. Most of these figures are reminiscent of lizards,<br />

and even horses and horsemen can be seen, figures<br />

that experts say may be related to the time of the conquest<br />

of the island by the Kingdom of Castile.<br />

Furthermore, there are a large number of drawings<br />

with geometric shapes made up of a vertical line with<br />

several horizontal lines cutting across it, which these<br />

same scholars believe were intended to represent the<br />

meaning of the strength or power of a particular family.<br />

The techniques used to engrave these motifs on the<br />

rocks are highy varied, including scraping or incision<br />

techniques, although the most frequent method is pitting<br />

- both continuous and discontinuous pitting can<br />

be seen. In general, experts have catalogued them as<br />

group identification marks on the territory and symbols<br />

of a ritual and religious nature. There is no doubt that it<br />

is a place that holds an important symbolic significance<br />

for the ancient <strong>Canaria</strong>ns. The most archaic symbols<br />

are at least 1,200 years old.<br />

The most important area of this rocky outcrop is to the<br />

east and is enclosed by an iron fence for security reasons.<br />

Through it, the engravings can be clearly seen,<br />

but touching them is not allowed, in order to prevent<br />

further deterioration, as they are currently in a truly deplorable<br />

state of conservation as a result of the alteration<br />

caused by visitors who have graffitied or engraved<br />

their name and date of visit on the rock, spoiling the<br />

site. Access within the protected perimeter can be requested<br />

from the Historical Heritage Service at the Cabildo<br />

de <strong>Gran</strong> <strong>Canaria</strong> island government.<br />

A curious example of damage caused to this historic-artistic<br />

monument occurred in 1957, when a renowned<br />

British archaeologist made off with a fragment of stone<br />

engraved with a representation of a lizard that had been<br />

discovered only 10 years earlier. This was witnessed by<br />

a person in charge of the supervision and maintenance<br />

of one of the wells in the area. The whereabouts of this<br />

zoomorphic engraving is currently unknown and it is<br />

probably in a private collection.<br />

But without a doubt, the most severe criminal act carried<br />

out on the engravings at this important site took<br />

place in 2007 when certain people, with clearly destructive<br />

intentions, knocked one of the most important<br />

panels to the ground and completely demolished<br />

it; it contained engravings with peculiar geometric<br />

shapes and very clear alphabetic characters that have<br />

taken more than two years to restore. Everyone should<br />

know how to behave when visiting a cultural asset of<br />

this nature so that sites like this can survive for the enjoyment<br />

of future generations.

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