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doctrine endows it. It is not easy to see why one should pray to a power<br />

whose decisions one can hardly hope to influence, and indeed Marcus<br />

several times seems to admit the possibility that one should not (5.7, 6.44,<br />

9.40).<br />

It is all the more surprising, then, to find Marcus elsewhere suggesting a<br />

more personal concern on the gods’ part. The final entry of Book 1 is the<br />

most obvious example. Here Marcus indicates that the gods have aided him<br />

quite directly “through their gifts, their help, their inspiration,” just as they<br />

have others (cf. 9.11). Their help is curiously concrete. Among the things<br />

for which they are thanked are “remedies granted through dreams,”<br />

including “the one at Caieta” (1.17; the text is uncertain). The gods also<br />

assist other people, he reminds himself, “just as they do you—by signs and<br />

dreams and every other way” (9.27). That Marcus himself did believe<br />

deeply in the gods, not merely as a figure of speech but as a real force in his<br />

own life, is suggested by his refutation of those who doubt their existence:<br />

“I know the gods exist. . . .—from having felt their power, over and over”<br />

(12.28). How was this personal relationship with the divine to be reconciled<br />

with the impersonal logos of the Stoics? The question seems to be played<br />

out in the dialogue at Meditations 9.40. “But those are things the gods left<br />

up to me,” protests one voice, to which another responds, “And what makes<br />

you think the gods don’t care about what’s up to us?” Marcus himself may<br />

not have fully recognized or acknowledged this conflict, but its existence<br />

may point to a half-conscious awareness that the answer Stoicism offered<br />

was not in every respect satisfactory.<br />

Later Influence<br />

How or by whom the Meditations was preserved is unknown. The latefourth-century<br />

Historia Augusta paints a picture of Marcus lecturing on the<br />

Meditations to a spellbound audience at Rome—one of the charming<br />

fantasies in which that peculiar work abounds, but certainly an invention.<br />

The passage does suggest, however, that the text was in circulation by the<br />

fourth century, when it is also mentioned by the orator Themistius. It was<br />

very likely familiar also to a contemporary of Themistius’s, the neo-pagan<br />

emperor Julian (known to later ages as Julian the Apostate), in whose

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