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So there are two reasons to embrace what happens. One is that it’s<br />
happening to you. It was prescribed for you, and it pertains to you. The<br />
thread was spun long ago, by the oldest cause of all.<br />
The other reason is that what happens to an individual is a cause of<br />
well-being in what directs the world—of its well-being, its fulfillment, of its<br />
very existence, even. Because the whole is damaged if you cut away<br />
anything—anything at all—from its continuity and its coherence. Not only<br />
its parts, but its purposes. And that’s what you’re doing when you<br />
complain: hacking and destroying.<br />
9. Not to feel exasperated, or defeated, or despondent because your days<br />
aren’t packed with wise and moral actions. But to get back up when you<br />
fail, to celebrate behaving like a human—however imperfectly—and fully<br />
embrace the pursuit that you’ve embarked on.<br />
And not to think of philosophy as your instructor, but as the sponge and<br />
egg white that relieve ophthalmia—as a soothing ointment, a warm lotion.<br />
Not showing off your obedience to the logos, but resting in it. Remember:<br />
philosophy requires only what your nature already demands. What you’ve<br />
been after is something else again—something unnatural.<br />
—But what could be preferable?<br />
That’s exactly how pleasure traps us, isn’t it? Wouldn’t magnanimity be<br />
preferable? Or freedom? Honesty? Prudence? Piety? And is there anything<br />
preferable to thought itself—to logic, to understanding? Think of their<br />
surefootedness. Their fluent stillness.<br />
10. Things are wrapped in such a veil of mystery that many good<br />
philosophers have found it impossible to make sense of them. Even the<br />
Stoics have trouble. Any assessment we make is subject to alteration—just<br />
as we are ourselves.<br />
Look closely at them—how impermanent they are, how meaningless.<br />
Things that a pervert can own, a whore, a thief.<br />
Then look at the way the people around you behave. Even the best of<br />
them are hard to put up with—not to mention putting up with yourself. In<br />
such deep darkness, such a sewer—in the flux of material, of time, of<br />
motion and things moved—I don’t know what there is to value or to work<br />
for.