Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.
— Claude Monet
Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.
In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
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UAE<br />
INLOCO INITIATIVE UNVEILS<br />
GROUNDBREAKING ARTISTIC<br />
ENDEAVOR IN DUBAI: INLOCO<br />
STORAGE PREMIERES WITH FILIPPO<br />
MINELLI’S “THE IDEALISED CITY”<br />
Inloco Initiative has set <strong>the</strong> stage for a<br />
revolutionary art representation with <strong>the</strong><br />
grand open<strong>in</strong>g of Inloco Storage <strong>in</strong> Dubai.<br />
The <strong>in</strong>augural event <strong>in</strong>troduces an entirely<br />
novel form of artistic expression, headl<strong>in</strong>ed<br />
by <strong>the</strong> first solo exhibition <strong>in</strong> <strong>the</strong> UAE by contemporary<br />
artist Filippo M<strong>in</strong>elli, titled “The<br />
Idealised City.”<br />
M<strong>in</strong>elli’s avant-garde approach, rooted <strong>in</strong><br />
<strong>the</strong> concept of art <strong>in</strong>tervention, promises a<br />
profound exploration of urban and cultural<br />
transformations that shape identity <strong>in</strong> <strong>the</strong><br />
post-globalization era. Draw<strong>in</strong>g <strong>in</strong>spiration<br />
from a culm<strong>in</strong>ation of experiences work<strong>in</strong>g <strong>in</strong><br />
rapidly evolv<strong>in</strong>g landscapes worldwide, M<strong>in</strong>elli<br />
crystallized his vision after <strong>the</strong> <strong>in</strong>sightful<br />
Inloco Talks 2023. This event brought<br />
toge<strong>the</strong>r urbanists, architects, curators, and<br />
o<strong>the</strong>r professionals, provid<strong>in</strong>g M<strong>in</strong>elli with a<br />
platform to deepen his understand<strong>in</strong>g of <strong>the</strong><br />
<strong>in</strong>tersection between identity and space.<br />
“The subject came to me after work<strong>in</strong>g <strong>in</strong><br />
various cities on different cont<strong>in</strong>ents, which,<br />
like <strong>the</strong> place I was born, are rapidly chang<strong>in</strong>g<br />
landscapes that cont<strong>in</strong>ually remix references.<br />
However, I developed <strong>the</strong> <strong>in</strong>stallation<br />
after Inloco Talks 2023, where urbanists,<br />
architects, curators, and o<strong>the</strong>r professionals<br />
shared ideas about identity space and<br />
city-mak<strong>in</strong>g. It was a great opportunity to<br />
deepen my understand<strong>in</strong>g of <strong>the</strong>ir th<strong>in</strong>k<strong>in</strong>g<br />
and f<strong>in</strong>d connections between it and my past<br />
research,” says Filippo M<strong>in</strong>elli.<br />
M<strong>in</strong>elli’s artistic practice challenges <strong>the</strong><br />
conventional construction and deconstruction<br />
of narratives that frame recognition. “The<br />
Idealised City” delves <strong>in</strong>to <strong>the</strong> role of architectural<br />
and urban elements <strong>in</strong> personal and<br />
collective self-formation with<strong>in</strong> <strong>the</strong> context of<br />
our globalized world. The exhibition draws<br />
on historical perspectives, juxtapos<strong>in</strong>g Leon<br />
Battista Alberti’s Renaissance ‘Ideal City’<br />
with Al-Farabi’s ‘Virtuous City’ (Mad<strong>in</strong>at al-<br />
Fadilah), explor<strong>in</strong>g modern urbanism and its<br />
departure from past models.<br />
Influential figures such as Khaled Al Alawadi,<br />
Associate Professor of Susta<strong>in</strong>able<br />
Urbanism at Khalifa University, and George<br />
Katodrytis, Professor of Architecture at <strong>the</strong><br />
American University of Sharjah, <strong>in</strong>spired Inloco<br />
Talks 2023. They explored Dubai’s dynamic<br />
landscape, transformative power, and<br />
leadership <strong>in</strong> shap<strong>in</strong>g modern cityscapes.<br />
“The Idealised City” confronts <strong>the</strong> homogeneity<br />
prevalent <strong>in</strong> urban development<br />
globally, contrast<strong>in</strong>g it with <strong>the</strong> dist<strong>in</strong>ct cultural<br />
and historical identities of ancient city<br />
centers, now relegated to tourist attractions.<br />
This stark dichotomy forms <strong>the</strong> foundation<br />
for question<strong>in</strong>g contemporary <strong>in</strong>terpretations<br />
of ‘au<strong>the</strong>nticity’ and ‘collective identity.’<br />
M<strong>in</strong>elli’s exhibition also reflects on <strong>the</strong> profound<br />
<strong>in</strong>fluence of Bedou<strong>in</strong> traditions and<br />
nomadic practices <strong>in</strong> <strong>the</strong> Gulf Region’s urban<br />
development. These elements emerge<br />
as alternative perspectives to traditional<br />
preservation methods, enrich<strong>in</strong>g <strong>the</strong> contemporary<br />
landscape.<br />
Through <strong>the</strong> medium of photography, video,<br />
and <strong>in</strong>stallation art, Filippo M<strong>in</strong>elli crafts<br />
an immersive environment that seamlessly<br />
extends <strong>in</strong>to <strong>the</strong> digital realm. “The Idealised<br />
City” beckons viewers to engage with<br />
profound <strong>the</strong>mes of <strong>in</strong>trospection, au<strong>the</strong>nticity,<br />
and <strong>the</strong> representation of reality <strong>in</strong> <strong>the</strong><br />
ever-evolv<strong>in</strong>g digital age. Inloco Storage <strong>in</strong><br />
Dubai is a testament to <strong>the</strong> convergence of<br />
art, urbanism, and cultural dialogue, sett<strong>in</strong>g<br />
a new benchmark for <strong>the</strong> global art scene.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
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