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Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |

People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.

People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.

— Claude Monet

Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.

In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.

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Yet, amid <strong>the</strong> avant-garde appeal<br />

of TPES, <strong>the</strong>re is an underly<strong>in</strong>g<br />

message that transcends <strong>the</strong> realm<br />

of fashion. Aga<strong>in</strong>st <strong>the</strong> backdrop of<br />

recent calls for preparedness by authorities<br />

like Sweden’s Civil Defence<br />

M<strong>in</strong>ister and Commander-<strong>in</strong>-Chief,<br />

Obana emphasizes <strong>the</strong> importance<br />

of consider<strong>in</strong>g our situations and responsibilities.<br />

The gray tracksuit and<br />

cargo pants, seem<strong>in</strong>gly ord<strong>in</strong>ary at<br />

first glance, take on new significance<br />

<strong>in</strong> a world where disaster and<br />

emergencies can strike anytime,<br />

anywhere.<br />

Obana’s vision for TPES goes<br />

beyond aes<strong>the</strong>tics; it embraces <strong>the</strong><br />

practicality of military gear designed<br />

for pararescuers. Elements such as<br />

harnesses and padd<strong>in</strong>g, eng<strong>in</strong>eered<br />

to facilitate freedom of movement<br />

and ensure safety <strong>in</strong> challeng<strong>in</strong>g environments,<br />

make a bold statement<br />

on <strong>the</strong> runway. The safety-yellow<br />

hooded topper and tracksuit-<strong>in</strong>spired<br />

looks with adjustable cord<br />

pulls evoke a sense of adventure<br />

and resilience, prompt<strong>in</strong>g onlookers<br />

to question whe<strong>the</strong>r <strong>the</strong> wearer has<br />

just descended from <strong>the</strong> sky or returned<br />

from a dar<strong>in</strong>g mission.<br />

N. Hollywood’s Test Product<br />

Exchange Service challenges<br />

<strong>the</strong> status quo. It transcends <strong>the</strong><br />

boundaries of conventional runway<br />

presentations, offer<strong>in</strong>g a poignant<br />

commentary on <strong>the</strong> importance of<br />

read<strong>in</strong>ess <strong>in</strong> <strong>the</strong> face of uncerta<strong>in</strong>ty.<br />

As Obana brilliantly states, “Yet, <strong>the</strong><br />

best th<strong>in</strong>g is for noth<strong>in</strong>g scary to happen.”<br />

In this unorthodox exploration<br />

of style and substance, TPES stands<br />

as a testament to <strong>the</strong> transformative<br />

power of fashion, urg<strong>in</strong>g us to be not<br />

only trendsetters but also m<strong>in</strong>dful<br />

stewards of our well-be<strong>in</strong>g.<br />

In a statement reflect<strong>in</strong>g <strong>the</strong> ethos<br />

beh<strong>in</strong>d <strong>the</strong> collection, Obana suggests<br />

that it is crucial for viewers to<br />

feel a sense of fear when witness<strong>in</strong>g<br />

TPES. It’s not about spread<strong>in</strong>g panic<br />

but ra<strong>the</strong>r encourag<strong>in</strong>g a thoughtful<br />

contemplation of <strong>the</strong> unpredictable<br />

nature of life. The collection<br />

becomes a canvas for Obana to<br />

advocate for basic knowledge and<br />

understand<strong>in</strong>g, rem<strong>in</strong>d<strong>in</strong>g ord<strong>in</strong>ary<br />

<strong>in</strong>dividuals like us that preparedness<br />

is key.<br />

www.magzoid.com <strong>February</strong> <strong>2024</strong><br />

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