Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.
— Claude Monet
Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.
In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
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Yet, amid <strong>the</strong> avant-garde appeal<br />
of TPES, <strong>the</strong>re is an underly<strong>in</strong>g<br />
message that transcends <strong>the</strong> realm<br />
of fashion. Aga<strong>in</strong>st <strong>the</strong> backdrop of<br />
recent calls for preparedness by authorities<br />
like Sweden’s Civil Defence<br />
M<strong>in</strong>ister and Commander-<strong>in</strong>-Chief,<br />
Obana emphasizes <strong>the</strong> importance<br />
of consider<strong>in</strong>g our situations and responsibilities.<br />
The gray tracksuit and<br />
cargo pants, seem<strong>in</strong>gly ord<strong>in</strong>ary at<br />
first glance, take on new significance<br />
<strong>in</strong> a world where disaster and<br />
emergencies can strike anytime,<br />
anywhere.<br />
Obana’s vision for TPES goes<br />
beyond aes<strong>the</strong>tics; it embraces <strong>the</strong><br />
practicality of military gear designed<br />
for pararescuers. Elements such as<br />
harnesses and padd<strong>in</strong>g, eng<strong>in</strong>eered<br />
to facilitate freedom of movement<br />
and ensure safety <strong>in</strong> challeng<strong>in</strong>g environments,<br />
make a bold statement<br />
on <strong>the</strong> runway. The safety-yellow<br />
hooded topper and tracksuit-<strong>in</strong>spired<br />
looks with adjustable cord<br />
pulls evoke a sense of adventure<br />
and resilience, prompt<strong>in</strong>g onlookers<br />
to question whe<strong>the</strong>r <strong>the</strong> wearer has<br />
just descended from <strong>the</strong> sky or returned<br />
from a dar<strong>in</strong>g mission.<br />
N. Hollywood’s Test Product<br />
Exchange Service challenges<br />
<strong>the</strong> status quo. It transcends <strong>the</strong><br />
boundaries of conventional runway<br />
presentations, offer<strong>in</strong>g a poignant<br />
commentary on <strong>the</strong> importance of<br />
read<strong>in</strong>ess <strong>in</strong> <strong>the</strong> face of uncerta<strong>in</strong>ty.<br />
As Obana brilliantly states, “Yet, <strong>the</strong><br />
best th<strong>in</strong>g is for noth<strong>in</strong>g scary to happen.”<br />
In this unorthodox exploration<br />
of style and substance, TPES stands<br />
as a testament to <strong>the</strong> transformative<br />
power of fashion, urg<strong>in</strong>g us to be not<br />
only trendsetters but also m<strong>in</strong>dful<br />
stewards of our well-be<strong>in</strong>g.<br />
In a statement reflect<strong>in</strong>g <strong>the</strong> ethos<br />
beh<strong>in</strong>d <strong>the</strong> collection, Obana suggests<br />
that it is crucial for viewers to<br />
feel a sense of fear when witness<strong>in</strong>g<br />
TPES. It’s not about spread<strong>in</strong>g panic<br />
but ra<strong>the</strong>r encourag<strong>in</strong>g a thoughtful<br />
contemplation of <strong>the</strong> unpredictable<br />
nature of life. The collection<br />
becomes a canvas for Obana to<br />
advocate for basic knowledge and<br />
understand<strong>in</strong>g, rem<strong>in</strong>d<strong>in</strong>g ord<strong>in</strong>ary<br />
<strong>in</strong>dividuals like us that preparedness<br />
is key.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
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