Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.
— Claude Monet
Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.
In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
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UAE<br />
UNRAVEL A MYSTERIOUS STORY OF<br />
ANCIENT EGYPT<br />
The Hatshepsut experience reveals<br />
<strong>the</strong> untold story of <strong>the</strong> woman who<br />
would be k<strong>in</strong>g. In <strong>the</strong>ir newest experience,<br />
kanvas, <strong>the</strong> creative and immersive<br />
hub <strong>in</strong> Dubai’s newest cultural district<br />
<strong>in</strong> Al Quoz 1, transports visitors through<br />
<strong>the</strong> pages of history and lets <strong>the</strong>m step <strong>in</strong>to<br />
<strong>the</strong> world of ancient Egypt <strong>in</strong> <strong>the</strong> first-ever<br />
immersive show to tell <strong>the</strong> story of Hatshepsut,<br />
<strong>the</strong> first female pharaoh of <strong>the</strong> empire.<br />
This extraord<strong>in</strong>ary visual experience, on<br />
show until 18 <strong>February</strong>, blends historical<br />
facts with mesmeriz<strong>in</strong>g storytell<strong>in</strong>g and flies<br />
us back more than 3000 years. Hatshepsut,<br />
<strong>the</strong> audacious pharaoh queen, hail<strong>in</strong>g from<br />
<strong>the</strong> celebrated Eighteenth Dynasty of ancient<br />
Egypt, defied conventions, dared to<br />
transcend traditional roles by stepp<strong>in</strong>g <strong>in</strong>to<br />
<strong>the</strong> shoes of k<strong>in</strong>gs and thus left an <strong>in</strong>delible<br />
mark on <strong>the</strong> legacy of pharaohs.<br />
The ultimate goal of Ram Nath, <strong>the</strong> show’s<br />
producer was to <strong>in</strong>troduce us to <strong>the</strong> once<br />
nearly erased legacy of this trailblaz<strong>in</strong>g pharaoh<br />
queen who has sculpted Egypt <strong>in</strong>to an<br />
era of unprecedented prosperity <strong>in</strong> trade,<br />
culture and architecture.<br />
kanvas, <strong>the</strong> new media art and event hub<br />
<strong>in</strong> Al Khayat Art Avenue serves as <strong>the</strong> perfect<br />
backdrop for this extraord<strong>in</strong>ary experience,<br />
a perfect fusion of enterta<strong>in</strong>ment and<br />
education that unravels <strong>the</strong> enigmatic saga<br />
of <strong>the</strong> queen who dared to be k<strong>in</strong>g.<br />
The groundbreak<strong>in</strong>g Hathsepsut experience<br />
followed a series of exceptional artplugged-<strong>in</strong><br />
exhibitions over <strong>the</strong> past year,<br />
embody<strong>in</strong>g <strong>the</strong> core mission of kanvas: to<br />
become an <strong>in</strong>tegral player on <strong>the</strong> cultural<br />
canvas of <strong>the</strong> Middle East and br<strong>in</strong>g <strong>in</strong>novative<br />
art forms closer to a broader audience.<br />
Build<strong>in</strong>g on <strong>the</strong> narratives of past experiences,<br />
<strong>the</strong>ir upcom<strong>in</strong>g shows promise a visual<br />
feast for art enthusiasts.<br />
First <strong>in</strong> l<strong>in</strong>e is a retrospective solo exhibition<br />
of <strong>the</strong> visionary contemporary visual<br />
artist, Kristel Bechara titled “A Symphony<br />
of Shadows and Light” co<strong>in</strong>cid<strong>in</strong>g with Art<br />
Dubai, <strong>the</strong> region’s largest art fair. In her new<br />
vernissage, Bechara pushes her boundaries<br />
to embrace new dimensions of advanced<br />
technologies.<br />
That will be followed by a trailblaz<strong>in</strong>g<br />
data visualization project titled „What Lies<br />
Beneath” which delves <strong>in</strong>to <strong>the</strong> mysterious<br />
depths of <strong>the</strong> oceans. The unprecedented<br />
visual experience, redesigned and upgraded<br />
for kanvas, is crafted from open-source<br />
datasets of ocean life by talented media artist<br />
and motion graphic designer, Susan Kosti.<br />
The orig<strong>in</strong>al work was commissioned by<br />
NSW Dest<strong>in</strong>ation for Vivid Sydney, one of <strong>the</strong><br />
largest digital art festivals of <strong>the</strong> world.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
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