Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.
— Claude Monet
Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.
In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
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“BEFORE NATURE (I AM<br />
BOTH CREATED AND DE-<br />
STROYED)” BY KAMRAN<br />
SAMIMI<br />
ALSERKAAL AVENUE - THE<br />
THIRD LINE, WAREHOUSE 78<br />
11 JANUARY <strong>2024</strong> - 16 FEBRUARY <strong>2024</strong><br />
Kamran Samimi’s debut exhibition at The<br />
Third L<strong>in</strong>e, “Before Nature (I Am Both Created<br />
and Destroyed),” draws <strong>in</strong>spiration from<br />
<strong>the</strong> UAE’s natural materials. Translations<br />
(<strong>2024</strong>) explores Dubai’s architecture through<br />
organic shapes <strong>in</strong>spired by <strong>the</strong> local mounta<strong>in</strong>s.<br />
Small Monuments (2023) features<br />
stones from global locations transformed<br />
<strong>in</strong>to unique canvases, while Ra<strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>gs<br />
(2023) pays homage to Samimi’s Hawai’i<br />
childhood. The centerpiece, Unbroken Column<br />
(<strong>2024</strong>), crafted from limestone, reflects<br />
on ancient religious structures <strong>in</strong> <strong>the</strong> region.<br />
The exhibition delves <strong>in</strong>to <strong>the</strong> <strong>in</strong>terplay between<br />
age-old traditions and modern aspirations,<br />
connect<strong>in</strong>g viewers to hidden forces<br />
shap<strong>in</strong>g <strong>the</strong>ir existence.<br />
“FLY LIKE DANDELIONS” BY POURAN JINCHI<br />
ALSERKAAL AVENUE - THE THIRD LINE, WAREHOUSE 78<br />
11 JANUARY <strong>2024</strong> - 16 FEBRUARY <strong>2024</strong><br />
Pouran J<strong>in</strong>chi’s latest series, “Fly Like Dandelions 9” (2023), draws <strong>in</strong>spiration<br />
from <strong>the</strong> New York Times article “Great Climate Migration.” Depict<strong>in</strong>g landscapes<br />
affected by climate change, J<strong>in</strong>chi uses Persian characters for “trees”<br />
to create fad<strong>in</strong>g depictions of tree trunks, merg<strong>in</strong>g traditional calligraphy with<br />
abstraction. Her color palette reflects devastation <strong>in</strong> black and grey, with blue<br />
embody<strong>in</strong>g hope. Dandelions, symboliz<strong>in</strong>g <strong>the</strong> nuanced nature of migration,<br />
drift across <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs as calligraphic seed pods, represent<strong>in</strong>g resilient migrants<br />
navigat<strong>in</strong>g new paths amid climate change’s profound impact.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
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