Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.
— Claude Monet
Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.
In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.
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Exclusive<br />
Kamran<br />
Samimi<br />
Step <strong>in</strong>to <strong>the</strong> mesmeriz<strong>in</strong>g world of Kamran Samimi’s upcom<strong>in</strong>g exhibition,<br />
“Before Nature (I Am Both Created and Destroyed),” where <strong>the</strong> artist draws<br />
<strong>in</strong>spiration from Dubai’s natural materials. Delv<strong>in</strong>g <strong>in</strong>to <strong>the</strong> hidden tales of<br />
<strong>the</strong> city’s landscape, Samimi’s work is a dialogue with <strong>the</strong> earth, explor<strong>in</strong>g<br />
<strong>the</strong> ancient history beneath <strong>the</strong> modern metropolis.<br />
From <strong>the</strong> symbolic “Small Monuments (2023)” crafted from stones worldwide<br />
to <strong>the</strong> evocative “Ra<strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>gs (2023)” captur<strong>in</strong>g <strong>the</strong> essence of<br />
childhood memories, each piece is a collaboration between <strong>the</strong> artist and<br />
<strong>the</strong> forces of nature.<br />
In <strong>the</strong> sculpture “Unbroken Column (2023),” Samimi pays homage to ancient<br />
structures, question<strong>in</strong>g <strong>the</strong> endurance of contemporary aspirations<br />
aga<strong>in</strong>st <strong>the</strong> backdrop of Dubai’s modernity. Guided by Zen Buddhism and<br />
Sufi Mysticism, his artistic process delves <strong>in</strong>to <strong>the</strong> relationships and tensions<br />
between human and non-human ancestors, creat<strong>in</strong>g a profound and<br />
immersive experience <strong>in</strong> this exhibition.<br />
www.magzoid.com <strong>February</strong> <strong>2024</strong><br />
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