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Magzoid Magazine - Luxury Magazine in the Creative Space | February 2024 |

People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love. — Claude Monet Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression. In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.

People discuss my art and pretend to understand as if it were necessary to understand, when it’s simply necessary to love.

— Claude Monet

Dive into the vibrant canvas of Magzoid Magazine's February edition, "The Red Edition," as we usher in the month of love with a celebration of passion, creativity, and design. Redefine your senses with the cover story unveiling the depth and intensity of the color red, a symbolic ode to love and artistic expression.

In the realm of art, our exclusive interview features Pouran Jinchi, unraveling her exhibition "Fly like a Dandelion" at Third Line, exploring themes of migration. Kamran Samimi takes center stage with "Before Nature (I Am Both Created and Destroyed)," drawing inspiration from Dubai's natural materials, creating a profound dialogue between creation and destruction.

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UAE<br />

MORE THAN 35,000 ATTEND<br />

QUOZ ARTS FEST <strong>2024</strong>:<br />

11th Edition saw a weekend of over 200 cultural activations and live<br />

music performances from morn<strong>in</strong>g to midnight<br />

More than 35,000 visitors of all ages<br />

and from all walks of life attended<br />

<strong>the</strong> <strong>2024</strong> edition of Quoz Arts Fest,<br />

<strong>the</strong> region’s highly anticipated arts<br />

and culture festival. The 11th edition, supported<br />

by Dubai Culture and Arts Authority<br />

(Dubai Culture) as Strategic Partner, took<br />

place on 27 & 28 January, transform<strong>in</strong>g <strong>the</strong><br />

lanes of Alserkal Avenue and <strong>the</strong> Al Quoz<br />

<strong>Creative</strong> Zone <strong>in</strong>to a bustl<strong>in</strong>g and <strong>in</strong>clusive<br />

hive of arts, culture, food and music.<br />

Quoz Arts Fest <strong>2024</strong> featured more than<br />

30 live performances, 16 art exhibitions, 9<br />

art <strong>in</strong>stallations, over 75 food and retail concepts,<br />

and numerous community activations<br />

and workshops, from morn<strong>in</strong>g till midnight,<br />

creat<strong>in</strong>g an emotionally resonant festival experience<br />

for everyone. S<strong>in</strong>ce its <strong>in</strong>ception<br />

<strong>the</strong> festival has become known for br<strong>in</strong>g<strong>in</strong>g<br />

toge<strong>the</strong>r a wide range of <strong>the</strong> creative communities<br />

of <strong>the</strong> UAE and <strong>the</strong> region and al-<br />

low<strong>in</strong>g <strong>the</strong>m to <strong>in</strong>tersect and create shared<br />

dialogue.<br />

A Celebration of <strong>the</strong> region’s contemporary<br />

art scene<br />

The festival launched on <strong>the</strong> morn<strong>in</strong>g of<br />

27 January with a slew of major public <strong>in</strong>stallation<br />

artworks, <strong>in</strong>clud<strong>in</strong>g French-Tunisian<br />

artist eL Seed’s larger-than-life mural, ‘Collection<br />

of Moments’, on <strong>the</strong> facade of his studio;<br />

‘Red Flags’ by Anahita Razmi, courtesy<br />

of CARBON 12, featur<strong>in</strong>g a series of vividly<br />

colourful banners and flags across various<br />

sites; ‘Every Color is a Shade of Black’ by<br />

Hamra Abbas and curated by Lawrie Shabibi,<br />

explor<strong>in</strong>g colour <strong>in</strong> <strong>the</strong> context of faith,<br />

identity, race, and beauty.<br />

With<strong>in</strong> Concrete, ‘Echoes of Nature’ by<br />

London-based Japanese artist Yuri Suzuki,<br />

<strong>in</strong>vited visitors to play with <strong>the</strong> <strong>in</strong>teractive<br />

sound <strong>in</strong>stallation. Basma Choir’s mesmeris<strong>in</strong>g<br />

celebration of Arabic music and heritage<br />

<strong>in</strong> response to Suzuki’s ambient sound<br />

<strong>in</strong>stallation was much-loved by attendees,<br />

draw<strong>in</strong>g a crowd for each of <strong>the</strong>ir hourly performances.<br />

Ano<strong>the</strong>r popular standout work at Quoz<br />

Arts Fest <strong>2024</strong> was <strong>the</strong> light <strong>in</strong>stallation Still<br />

from Here by PHI Studio, draw<strong>in</strong>g <strong>in</strong>spiration<br />

from knowledge possessed by nomadic<br />

Bedou<strong>in</strong>s and orig<strong>in</strong>ally commissioned for<br />

<strong>the</strong> Noor Riyadh Light Festival. Tanzanian-born<br />

artist Dipesh Pandya’s transformation<br />

of a car <strong>in</strong>to a sonic sculpture through a<br />

site-specific spoken word performance, also<br />

surprised festival visitors, creat<strong>in</strong>g a po<strong>in</strong>t<br />

of artistic connection. Sima Dance Company,<br />

a pioneer<strong>in</strong>g force <strong>in</strong> Arab contemporary<br />

dance, put on a visually stunn<strong>in</strong>g and<br />

emotional performance that stole audiences’<br />

hearts.<br />

www.magzoid.com <strong>February</strong> <strong>2024</strong><br />

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