Furnishing Fabric Fashion March - April 2024
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<strong>Furnishing</strong> <strong>Fabric</strong> <strong>Fashion</strong><br />
Perestü<br />
Designed with a selection of hand embroidery motifs frequently used in the<br />
textiles of the Aegean Region such as oilcloths, circles, loincloths, handkerchiefs,<br />
bundles, sini and hearth covers from the Ottoman period, Perestü draws<br />
attention with its satin texture and shimmering threads. Independent from the<br />
traditional multiculturality of the original embroidery, Perestü was worked in a<br />
single color contrast.<br />
Hyacinth<br />
Inspired by a 17th century Ottoman silk shalwar, Hyacinth stands out with its<br />
eye-catching pattern. The crescent and star motifs accompanying the botanical<br />
flower pattern leave an eye-catching effect with the effect of the dense glitter<br />
yarns used.<br />
Fayiha<br />
The carnation pattern, adapted and stylized from Turkish embroidery, complements<br />
the elegance of the high-density woven satin. Fayiha offers very vivid<br />
color options as well as natural colours.<br />
Osmaneli<br />
Designed by stylizing from the miniature ‘Triple Castle of Sigetvar’ in Ahmed<br />
Feridun Pasha’s miniature work Nüzhet (el-esrar) el ahbar der sefer-i Sigetvar,<br />
written on behalf of Sokullu Mehmed Pasha, Osmaneli is one of the prominent<br />
jacquard fabrics of the collection. Osmaneli, which arouses admiration with its<br />
spectacular details like a painting, was worked both in its original colors and in<br />
soft skin color.<br />
Hünername<br />
Hünername, which is a collage of many miniatures of the period, especially<br />
the miniature taken from Seyid Lokman’s Hünername, has been designed by<br />
modernizing it with contemporary colors. Hünername is a visual feast with its<br />
detailed weaving and magnificent pattern.<br />
Aşiyan<br />
Aşiyan, which is designed with a miniature selected from Nakkaş Osman’s<br />
Surname-İ Hümayun and collaged with selected valuable miniatures, is very<br />
impressive with its design featuring miniature examples of palace architecture<br />
and architectural elements.<br />
Matrakçı<br />
Designed by collaging the miniatures of the cityscapes in Matrakçı Nasuh’s Beyan-ı<br />
Menazil-i Sefer-i Irakeyn, Matrakçı was worked in turquoise, red and straw<br />
colors with a single tone theme.<br />
Bundle / Bundle Combination<br />
Adapted from a 16th century Ottoman period embroidered bundle pattern,<br />
Bohça draws attention with its natural content and multi-colored pattern. Bohça,<br />
which elegantly imitates the silk bundle it is inspired by, is completed with the<br />
Bohça Combination with small flower bouquet motifs taken from Ottoman<br />
archive patterns.<br />
Sevai / Sevai Combination<br />
Named after 18th century traditional savai patterns, Sevai was designed by<br />
adapting the archive patterns of the period. Sevai with geometric arrangement<br />
is accompanied by Sevai Kombin with scattered floral pattern.