07.01.2013 Views

Following Best Practice in the High Art of - (Приволжский ...

Following Best Practice in the High Art of - (Приволжский ...

Following Best Practice in the High Art of - (Приволжский ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

'target doma<strong>in</strong>s', '<strong>in</strong>variance', 'mapp<strong>in</strong>gs', and so forth have become a<br />

common, though not universal, vocabulary for discuss<strong>in</strong>g <strong>the</strong><br />

l<strong>in</strong>guistic and conceptual phenomena <strong>of</strong> metaphor. The f<strong>in</strong>d<strong>in</strong>gs and<br />

pr<strong>in</strong>ciples <strong>of</strong> this framework have been applied <strong>in</strong> numerous studies,<br />

both with<strong>in</strong> and outside <strong>of</strong> <strong>the</strong> field <strong>of</strong> l<strong>in</strong>guistics.<br />

A more recent framework, proposed by Fauconnier and Turner<br />

(1994; 1998) seeks to expla<strong>in</strong> much <strong>of</strong> <strong>the</strong> same l<strong>in</strong>guistic data, and<br />

also to unify <strong>the</strong> analysis <strong>of</strong> metaphor with <strong>the</strong> analysis <strong>of</strong> a variety <strong>of</strong><br />

o<strong>the</strong>r l<strong>in</strong>guistic and conceptual phenomena. This framework, referred<br />

to variously as <strong>the</strong> <strong>the</strong>ory <strong>of</strong> 'blend<strong>in</strong>g', 'conceptual blend<strong>in</strong>g', and<br />

'conceptual <strong>in</strong>tegration', shares many aspects <strong>of</strong> conceptual metaphor<br />

<strong>the</strong>ory (CMT). For <strong>in</strong>stance, both approaches treat metaphor as a<br />

conceptual ra<strong>the</strong>r than a purely l<strong>in</strong>guistic phenomenon; both <strong>in</strong>volve<br />

systematic projection <strong>of</strong> language, imagery and <strong>in</strong>ferential structure<br />

between conceptual doma<strong>in</strong>s; both propose constra<strong>in</strong>ts on this<br />

projection; and so forth.<br />

However, <strong>the</strong>re are also important differences between <strong>the</strong><br />

approaches: CMT posits relationships between pairs <strong>of</strong> mental<br />

representations, while blend<strong>in</strong>g <strong>the</strong>ory (BT) allows for more than<br />

two; CMT has def<strong>in</strong>ed metaphor as a strictly directional<br />

phenomenon, while BT has not; and, whereas CMT analyses are<br />

typically concerned with entrenched conceptual relationships (and <strong>the</strong><br />

ways <strong>in</strong> which <strong>the</strong>y may be elaborated), BT research <strong>of</strong>ten focuses on<br />

novel conceptualizations which may be short-lived. In this article we<br />

explore <strong>the</strong> relationship between BT, CMT and <strong>the</strong> phenomena <strong>the</strong>y<br />

address, argu<strong>in</strong>g that <strong>the</strong> two approaches are complementary. In<br />

particular, <strong>the</strong> cross-doma<strong>in</strong> relationships which have been identified<br />

by CMT researchers shape and constra<strong>in</strong> <strong>the</strong> more complex process<br />

<strong>of</strong> conceptual blend<strong>in</strong>g. The nature <strong>of</strong> this relationship has relevance<br />

for anyone <strong>in</strong>terested <strong>in</strong> <strong>the</strong> conceptual analysis <strong>of</strong> language and,<br />

more broadly, for anyone <strong>in</strong>terested <strong>in</strong> conceptual structure.<br />

Problem Outl<strong>in</strong>e L<strong>in</strong>guistics, def<strong>in</strong>ed as <strong>the</strong> study <strong>of</strong> language,<br />

comprises <strong>of</strong> many different fields <strong>of</strong> <strong>in</strong>vestigation. Some branches<br />

focus on particular languages <strong>in</strong> turn and <strong>the</strong>ir <strong>in</strong>ternal structure, such<br />

as morphology or syntax, whereas o<strong>the</strong>rs attempt a broader placement<br />

<strong>of</strong> language use <strong>in</strong> contexts, such as sociol<strong>in</strong>guistics, focus<strong>in</strong>g on <strong>the</strong><br />

relations between language and society, or psychol<strong>in</strong>guistics, which<br />

<strong>in</strong>vestigates <strong>the</strong> ties between language and <strong>the</strong> human bra<strong>in</strong>. Each <strong>of</strong><br />

<strong>the</strong>se different approaches pursues <strong>the</strong> study <strong>of</strong> language <strong>in</strong> its own<br />

way, and <strong>the</strong>y do not always agree what exactly <strong>the</strong> term 'language'<br />

means.<br />

This apparent confusion is also obvious <strong>in</strong> <strong>in</strong>troductory textbooks on<br />

l<strong>in</strong>guistics, <strong>in</strong> <strong>the</strong> lack <strong>of</strong> def<strong>in</strong>itions given for 'language'. The notion<br />

<strong>of</strong> look<strong>in</strong>g at one particular language and <strong>in</strong>vestigat<strong>in</strong>g <strong>the</strong> patterns <strong>in</strong><br />

which sounds, phonemes, morphemes, words, phrases, and sentences<br />

comb<strong>in</strong>e to form mean<strong>in</strong>gful utterances with<strong>in</strong> <strong>the</strong> framework <strong>of</strong> that<br />

28<br />

деятельности;<br />

(2)смешивание/<br />

сочетание;<br />

(3)образность;(4)логически<br />

выведенный;<br />

(5)укрепленный;<br />

(6)дополнительный/<br />

добавочный;<br />

(7)внутренняя<br />

структура;<br />

(8)содержательные

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!