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Salto <strong>del</strong> Ciervo / Sharon Olds / Traducción de Natalia Leiderman y Patricio Foglia<br />

crazy<br />

/Stag’s Leap, 2012.<br />

I've said that he and I had been crazy<br />

for each other, but maybe my ex and I were not<br />

crazy for each other. Maybe we<br />

were sane for each other, as if our desire<br />

was almost not even personal—<br />

it was personal, but that hardly mattered, since there<br />

seemed to be no other woman<br />

or man in the world. Maybe it was<br />

an arranged marriage, air and water and<br />

earth had planned us for each other—and fire,<br />

a fire of pleasure like a violence<br />

of kindness. To enter those vaults together, like a<br />

solemn or laughing couple in formal<br />

step or writhing hair and cry, seemed to<br />

me like the earth's and moon's paths,<br />

inevitable, and even, in a way,<br />

shy—enclosed in a shyness together,<br />

equal in it. But maybe I<br />

was crazy about him—it is true that I saw<br />

that light around his head when I'd arrive second<br />

at a restaurant—oh for God's sake,<br />

I was besotted with him. Meanwhile the planets<br />

orbited each other, the morning and the evening<br />

came. And maybe what he had for me<br />

was unconditional, temporary<br />

affection and trust, without romance,<br />

though with fondness—with mortal fondness. There was no<br />

tragedy, for us, there was<br />

the slow–revealed comedy<br />

of ideal and error. What precision of action<br />

it had taken, for the bodies to hurtle through<br />

the sky for so long without harming each other.<br />

67

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