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Salto <strong>del</strong> Ciervo / Sharon Olds / Traducción de Natalia Leiderman y Patricio Foglia<br />

these days<br />

/Blood, tin, straw, 1999.<br />

Whenever I see large breasts<br />

on a small woman, these days, my mouth<br />

drops open, slightly.<br />

If she’s walking down the street, toward me,<br />

it’s a little painful to let her pass,<br />

once, I heard myself, very quietly,<br />

moan. And on the train, that time--<br />

she couldn’t have been much more than twenty,<br />

tall and willowy-- the motion of the train<br />

jiggled her mammae steadily<br />

like two panfuls of water, I watched them<br />

slosh in their tight skins, and a great<br />

sadness came over me. I am so<br />

tired, and thirsty. I want to suck<br />

sweet, lacteal heat, with the savory<br />

silk of the human woman along<br />

my cheek. I want to be a baby,<br />

I want to be small and naked, or with<br />

a dry diaper, in fond arms<br />

with the nipple in my mouth-- to work it, gently,<br />

in its lax, nursing state with my gums--<br />

I do not want teeth, not even the day<br />

stars of teeth-to-be , I want<br />

to be soft bone, bendable,<br />

a creature who has come out of the womb<br />

maybe not days before,<br />

but a couple of weeks, I want to be a capable baby,<br />

conscious of bliss, of the nourishment<br />

streaming out of the breast like the music<br />

of the spheres. And I don’t<br />

want it to be<br />

my mother. I want to start over.<br />

88

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