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Salto <strong>del</strong> Ciervo / Sharon Olds / Traducción de Natalia Leiderman y Patricio Foglia<br />
these days<br />
/Blood, tin, straw, 1999.<br />
Whenever I see large breasts<br />
on a small woman, these days, my mouth<br />
drops open, slightly.<br />
If she’s walking down the street, toward me,<br />
it’s a little painful to let her pass,<br />
once, I heard myself, very quietly,<br />
moan. And on the train, that time--<br />
she couldn’t have been much more than twenty,<br />
tall and willowy-- the motion of the train<br />
jiggled her mammae steadily<br />
like two panfuls of water, I watched them<br />
slosh in their tight skins, and a great<br />
sadness came over me. I am so<br />
tired, and thirsty. I want to suck<br />
sweet, lacteal heat, with the savory<br />
silk of the human woman along<br />
my cheek. I want to be a baby,<br />
I want to be small and naked, or with<br />
a dry diaper, in fond arms<br />
with the nipple in my mouth-- to work it, gently,<br />
in its lax, nursing state with my gums--<br />
I do not want teeth, not even the day<br />
stars of teeth-to-be , I want<br />
to be soft bone, bendable,<br />
a creature who has come out of the womb<br />
maybe not days before,<br />
but a couple of weeks, I want to be a capable baby,<br />
conscious of bliss, of the nourishment<br />
streaming out of the breast like the music<br />
of the spheres. And I don’t<br />
want it to be<br />
my mother. I want to start over.<br />
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