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Salto <strong>del</strong> Ciervo / Sharon Olds / Traducción de Natalia Leiderman y Patricio Foglia<br />

when it comes<br />

/Blood, tin, straw, 1999.<br />

Even when you’re not afraid you might be pregnant,<br />

it’s lovely when it comes, and it’s a sexual loveliness,<br />

right along that radiant throat<br />

and lips, the first hem of it,<br />

and at times, the last steps across the bathroom,<br />

you make a dazzling trail, the petals<br />

the flower–girl scatters under the feet of the bride. And then the colors of it,<br />

sometimes an almost golden red,<br />

or a black vermilion, the drop that leaps<br />

and opens slowly in the water, gel<br />

sac of a galaxy,<br />

the black–violet, lobed pool, calm<br />

as a lake on the back of the moon, it is all<br />

woundless, even the little spot<br />

in jet and crimson spangled tights who<br />

flings her fine tightrope out<br />

to the left and to the right in that luminous arena,<br />

green upper air of the toilet bowl,<br />

she cannot die. There will be an egg in there,<br />

somewhere, minute, winged with massive<br />

uneven pennons of serum, cell that up<br />

close is a huge, sodden, pocked planet,<br />

but it was not anyone yet. Sometimes,<br />

when I watch the <strong>del</strong>icate show,<br />

like watching snow, or falling stars,<br />

I think of men, what could it seem to them<br />

that we see the blood pour slowly from our sex,<br />

as if the earth sighed, slightly,<br />

and we felt it, and saw it,<br />

as if life moaned a little, in wonder, and we were it.<br />

85

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