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Conception des modèles d'observation audio temps réel à l ... - atiam

Conception des modèles d'observation audio temps réel à l ... - atiam

Conception des modèles d'observation audio temps réel à l ... - atiam

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Nom du <strong>des</strong>cripteurNombre de dimensionscuidado :AudioHarmonicPower 1cuidado :AudioNoisePower 1mpeg7 :AudioFundamentalFrequency 1mpeg7 :AudioHarmonicity 1cuidado :AudioInharmonicity 1mpeg7 :HarmonicSpectralCentroid 6mpeg7 :HarmonicSpectralSpread 6HarmonicSpectralSkewness 6cuidado :HarmonicSpectralKurtosis 6cuidado :HarmonicSpectralSlope 6mpeg7 :HarmonicSpectralVariation 3mpeg7 :HarmonicSpectralDeviation 3cuidado :HarmonicSpectralOERatio 3cuidado :HarmonicSpectralTristimulus1 3cuidado :HarmonicSpectralTristimulus2 3cuidado :HarmonicSpectralTristimulus3 3Total : 53TAB. 5.4 – Les 16 <strong>des</strong>cripteurs harmoniques (E harmonique ).Nom du <strong>des</strong>cripteurNombre de dimensionsAudioFilterbankDeviation 3AudioFilterbankOERatio 3cuidado :AudioFilterbankTristimulus1 3cuidado :AudioFilterbankTristimulus2 3cuidado :AudioFilterbankTristimulus3 3Total : 15TAB. 5.5 – Les 5 <strong>des</strong>cripteurs harmonico-perceptifs (E harmonico−perceptif ).

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