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FRANZ LISZT - nca - new classical adventure

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of Pittsburgh, Washington, San Francisco, Detroit,<br />

Toronto, and the Saint Paul Chamber Orchestra.<br />

In 2009 he made his debut with the symphony<br />

orchestras of Vancouver and Sydney. Numerous<br />

engagements as guest conductor await Martin<br />

Haselböck in Europe, N.America and Asia during<br />

the coming season, including his debut with the<br />

Malaysian Philharmonic Orchestra.<br />

Martin Haselböck was appointed chief conductor<br />

of Musica Angelica, Los Angeles, in 2004. He makes<br />

regular appearances in California and abroad with<br />

this ensemble. In 2007 together with the Wiener<br />

Akademie he undertook an extensive tour comprising<br />

46 47<br />

13 performances of Bach’s St Matthew Passion in<br />

Mexico, the USA, Spain, Italy, Hungary, Germany and<br />

Austria.<br />

As an opera conductor Martin Haselböck can look<br />

back on a distinguished career since his debut at the<br />

Handel Festival, Göttingen. He was the first conductor<br />

to work on <strong>new</strong> productions in the German language<br />

of Mozart’s operas played on original instruments,<br />

and for his production of Don Giovanni received the<br />

Mozart Prize from the City of Prague in 1991.<br />

Since 2000 he has conducted 14 <strong>new</strong> productions<br />

at the Salzburg, Schwetzingen and Vienna<br />

festivals, and appeared as guest conductor at the<br />

opera houses of Hamburg, Hanover, Cologne and<br />

Halle. In 2007 he bacame artistic director of the<br />

Reinsberg Festival in lower Austria, where he so<br />

far has directed acclaimed productions of Der<br />

Freischutz, Fidelio, and Hänsel und Gretel.<br />

Along with the Ameican actor John Malkovich<br />

and the Austrian director Michael Sturminger<br />

Martin Haselböck developed the music drama<br />

“The Infernal Comedy” (taking as its subject the<br />

Austrian serial murderer Jack Unterweger) written<br />

for actor, 2 sopranos and orchestra on stage.<br />

Martin Haselböck has received several prizes<br />

and awards for his work, among which are the<br />

Österreichische Ehrenkreuz (Austrian Cross of<br />

Honour) for Science and Art, the Prague Mozart<br />

Prize and the Hungarian Liszt Prize and lastly the<br />

Große Ehrenzeichen (Grand Cross of Honour) for<br />

Services to the Republic of Austria.<br />

www.haselboeck.org<br />

A CONCERT HALL AT THE<br />

FOUNTAIN-HEAD<br />

The Franz Liszt concert hall, which seats about<br />

600, is located in the centre of Raiding, the<br />

birthplace of Franz Liszt, in the immediate vicinity<br />

of the house where the composer was born. The<br />

architects were Atelier Kempe Thill, of Rotterdam,<br />

who were chosen from 150 participants from<br />

11 countries, in an internationally publicised<br />

architectural competition.<br />

Professor Karlheinz Müller, of Munich, the leading<br />

expert in this field, was engaged as acoustic advisor.<br />

All involved in the project had the common goal of<br />

realising the criteria “See – Hear – Experience”.<br />

The walls, supporting sufficiently thick surfaces,<br />

are regarded as ideal for chamber music. With a<br />

seating capacity of 570, a volume coefficient of<br />

about 8m³ per person will be achieved, so that<br />

excellent spatial acoustic properties are to be<br />

expected.<br />

In October 2006 the hall was opened in the course<br />

of the 1 st International Franz Liszt Festival “Liszten<br />

in Raiding”.<br />

To make it possible to create a Liszt commemoration<br />

centre in Raiding, suitable infrastructure<br />

developments were undertaken. In particular, a<br />

<strong>new</strong> garden area was landscaped to unite Franz<br />

Liszt’s historic birthplace with the grounds of the<br />

concert hall.<br />

Translation: Stefan Lerche<br />

english

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