Kartell Loves Milano - Fondazione Umberto Veronesi
Kartell Loves Milano - Fondazione Umberto Veronesi
Kartell Loves Milano - Fondazione Umberto Veronesi
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7<br />
Andrea Branzi • <strong>Milano</strong> Mobiles<br />
Sedia Lizz in tecnopolimero termoplastico colorato<br />
in massa (design Piero Lissoni) con stampa digitale<br />
colorata su PVC applicata sullo schienale.<br />
Visti i tempi, viste le guglie, vista questa <strong>Milano</strong> tardogotica<br />
troppo sicura di sé, propongo questo mega<br />
“mobil” di Calder che rende bene l’idea di un’epoca<br />
sempre in bilico…<br />
(Andrea Branzi)<br />
Lizz chair of batch coloured technopolymer thermoplastic<br />
(design Piero Lissoni) with coloured digital<br />
printing on PVC applied to the chair back.<br />
In view of the times, in view of the spires, in view<br />
of this too self-assured late Gothic Milan, I suggest<br />
Calder’s mega mobile which gives a good idea of an<br />
era always balancing on the edge...<br />
(Andrea Branzi)<br />
Sedia in policarbonato trasparente Louis Ghost<br />
(design Philippe Starck) con applicazioni di tubi al neon<br />
bianco sull’intero perimetro della sedia.<br />
M’illumino d’immenso!<br />
8<br />
Piero Lissoni • Eureka<br />
Louis Ghost chair of transparent polycarbonate<br />
(design Philippe Starck) with the application of white<br />
neon lighting tubes around the entire perimeter of<br />
the chair.
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