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Maglieria Italiana n° 183 - 1° semestre 2016

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ENGLISH TRANSLATION<br />

of layered effects, while the second experiments with knits to<br />

give rise to interesting color-block motifs. “I wanted create a<br />

collection that appears to be the fruit of an active collaboration<br />

between Nand and Riccardo Legoretta, as if he were still<br />

alive”, Nette Sandström was eager to explain. Last February<br />

the brand participated in the Stockholm Fashion Week and<br />

was prominantly featured in the group fashion show entitled,<br />

Swedish Fashion Talents, presenting to the pubic the collections<br />

of the most promising new talents on the Swedish<br />

fashion landscape.<br />

STYLE NOTES on page 24<br />

KELE CLOTHING- TIMELESS KNITWEAR<br />

Simple and beautiful: the timeless knits of the Hungarian<br />

designer, Ildikó Kele, is already a must<br />

Clean styling, pure colors and few patterns other than a<br />

selection of dramatic ones. One senses a getting back to<br />

the roots, a quest for the honest simplicity and practical<br />

comfort of work attire, but with a contemporary twist. These<br />

are the guidelines inspiring the new style represented by Kele<br />

Clothing, the brand of knits founded in 2010 in Budapest,<br />

an expression of the unique flair of Ildikó Kele, a fashion<br />

designer who specialized in knits at the University of Art &<br />

Design in the Hungarian capital. Everything is based on the<br />

quality of the yarns, the best on the market. It’s the yarns<br />

that “give voice” to the garments, whose minimalist look has<br />

been painstakingly perfected to transcend the fickle vicissitudes<br />

of fashion. Ildikó determined to focus on tradition in<br />

order to give rise to a new concept of knits. Her passion was<br />

kindled sixteen years ago when, by chance, she happened<br />

to see a knitting machine in action, remaining transfixed by<br />

the needles which created the knit fabric. She was immediately<br />

inspired by the potential freedom these remarkable<br />

machines grant the designer: infinite opportunities in terms<br />

of mixing yarns and colors, inventing forms and details.<br />

From that fateful moment, Kele was sure about what work<br />

she wanted to pursue.<br />

She is an all-round talent, not contenting herself with a<br />

sketch; she actively participates in every step of the process<br />

of creating a garment, from the initial sketch to the final<br />

prototype. From her parents she inherited a sense of tradition,<br />

concern with sustainability and quality no matter what.<br />

This made her a perfectionist and she obsessively oversees<br />

everything, right down to the tiniest detail. Each garment has<br />

a soul and a personal story to tell. The fall-winter <strong>2016</strong>/17<br />

collection draws inspiration from the female industrialist,<br />

Ilonka Kárász, in order to illustrate The heavenly tenants of<br />

William Maxwell; a crystal-clear night, almost mystical, with<br />

the fading colors of the day punctuated by the stars in the<br />

celestial vault, and the memories of children looking at the<br />

stars with their noses pointing skyward.<br />

Nights that are blue, green and white dominate the scene,<br />

coloring protective garments in which it’s pleasant to be<br />

enfolded in order to fee snug and safe in the softness of the<br />

extra-fine Merino wool, the wool-silk blends and downy-soft<br />

pure cotton. Sweaters, dresses, jumpsuits, pants and cardigans<br />

feature light and simple silhouettes, for a child-like look<br />

that will appeal to those who have managed not to completely<br />

abandon or loose touch with the child lurking within us all.<br />

NEW TALENTS on page 50<br />

KA WA KEY CHOW - EAST MEETS WEST<br />

A tactile, textural experience that combines technology,<br />

craftsmanship, Orient and Occident<br />

Chow Ka Wa Key, born in 1990, is a young Chinese designer<br />

specializing in menswear. He amazed the fashion world with<br />

his work on textures, the fruit of an intense study of surfaces,<br />

creating with the utilization of luxury fibers and materials and<br />

the most innovative textile technologies. His distinctive use<br />

of color is also quite unique and has frequently compared<br />

to Impressionistic art. Indeed, the designer has always acknowledged<br />

the works of such giants as Matisse and Monet as<br />

important sources of inspiration. Original prints and patterns<br />

and roomy, relaxed silhouettes that mix elements of both<br />

oriental and occidental attire account for the rest of the look.<br />

The result is an avant-garde fashion vision, both ethereal and<br />

explosively disruptive, one that has won him numerous awards<br />

and prizes. In 2012, after obtaining his degree in Fashion Design<br />

from the Hong Kong Polytechnic University, specializing<br />

in knitwear, this iconoclastic young designer won the Hong<br />

Kong Young Design Talent Award (YDTA), which included a<br />

scholarship of 250,000 HK$. That same year he won the Hong<br />

Kong Fashion Designers’ Association Talent Award. In 2015,<br />

Key was one of the lucky Vogue Talents selected by Vogue<br />

Italia an among the finalists of the LVMH Prize for Graduates,<br />

having just obtained his Masters in Fashion Menswear from<br />

the Royal College of Art in London. And recently he was<br />

even a finalist in the H&M <strong>2016</strong> Design Awards competition.<br />

Knits are the uncontested protagonists in the creations designed<br />

by Key. This innovative designer is obsessed with the<br />

possibility of combining time-honored craft-based techniques<br />

with the most cutting-edge technologies of digital printing.<br />

His stunning collection for the spring-summer season of<br />

<strong>2016</strong> has be3en inspired by the Grinder app, used to find<br />

partners within the gay community. In particular, the collection<br />

is named after a blunt declaration of preference frequently<br />

found on Grinder: ‘NO Asians Please’. The Asian designer<br />

was struck by the undeniable racist and cruel overtones of<br />

this self-hating specification, especially as this preference is<br />

frequently included by none other than Asian users of the<br />

app, quite baffling and sadly disturbing, to say the least. So,<br />

he decided to pay tribute to the aesthetic qualities and special<br />

sensuality associated with the Orient, presenting a light collection<br />

brimming with romantic colors in which smooth surfaces<br />

have been deftly alternated with textured, fancy ones. Despite<br />

the heterogeneity of materials, knit stitches and silhouettes,<br />

the garments manage to achieve a lovely balance and allure<br />

that is ethereal as it is contemporary.<br />

FIBERS&YARNS on page 310<br />

FILMAR - INTRODUCING NILO<br />

The company’s latest new product is a high-quality organic<br />

cotton yarn, the fruit of an ethical, fair and sustainable project<br />

With the spring-summer 2017 collection, Filmar is presenting<br />

Nilo, a high-end yarn that is both ethical and organic, the fruit<br />

of the Cottonforlife initiative, the five-year plan promoted by<br />

Filmar with the support of Alexbank and the Intesa San Paolo

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