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In <strong>2012</strong> the Animatie Collectie Nederland<br />
inventory study was completed and presented<br />
to the Ministry of Education, Cultural Affairs<br />
and Science, EYE Film Instituut Nederland and<br />
Nederlands Instituut voor Beeld en Geluid.<br />
These institutes contributed to the realisation<br />
of this study. Work on the study began in 2010<br />
and it was intended to provide the Beelden<br />
voor de Toekomst project with an overview<br />
of animation films that could be restored,<br />
archived and digitalised. Owing to the<br />
spending cuts by the Ministry of Education,<br />
Cultural Affairs and Science this project was<br />
prematurely terminated in 2010.<br />
In October <strong>2012</strong> the first open access issue<br />
of Tijdschrift voor Mediageschiedenis was<br />
presented. This first number was a special issue<br />
featuring animation film and the <strong>NIAf</strong> assisted<br />
with the editing.<br />
De Fantasie Fabriek, Animatie in Nederland was<br />
the largest exhibition that the <strong>NIAf</strong> organised<br />
in the period 2009 – <strong>2012</strong>. It was on display in<br />
Noordbrabants Museum (January – April 2010).<br />
Handelingen by Maarten Isaäk de Heer was<br />
subsequently presented during the Expo 2010<br />
World Exhibition in Shanghai. In 2011 and <strong>2012</strong><br />
the <strong>NIAf</strong> was one of the organisations that<br />
contributed to the successful workshops at the<br />
Dutch Design Week in Eindhoven: this included<br />
presentations, installations, film screening and<br />
debate.<br />
P R O M O T I O N<br />
In the knowledge that the <strong>NIAf</strong>’s activities<br />
would have to be phased out, promoting<br />
Dutch animation, and the <strong>NIAf</strong> in particular<br />
and entering into new collaborations was no<br />
easy task. In <strong>2012</strong> we continued searching<br />
for alternatives for a new start. This was also<br />
important in order to maintain our motivation<br />
and ability to produce the best work possible,<br />
right to the end.<br />
At the close of 2010 we appointed a staff<br />
member to develop our publicity and<br />
promotional activities further and, in particular,<br />
to highlight the importance of the <strong>NIAf</strong> for the<br />
film sector. Unfortunately we were only able to<br />
take advantage of the situation for one year.<br />
We were unable to continue the contract<br />
owing to the uncertain financial situation.<br />
D I S T R I B U T I O N<br />
Producers and filmmakers regret the<br />
disappearance of the <strong>NIAf</strong>’s distribution<br />
activities. By pooling the distribution to festivals<br />
abroad and due to the fact that such festivals<br />
could apply to the <strong>NIAf</strong> for information and<br />
films, we have been able to make a valuable<br />
contribution to the promotion of Dutch<br />
Animation. The <strong>NIAf</strong> has hired out films since<br />
1993, but it did so predominantly for the films<br />
that the <strong>NIAf</strong> itself produced and those in the<br />
distribution collection. In 2000 the <strong>NIAf</strong> received<br />
an extra subsidy from the Ministry of Education,<br />
Cultural Affairs and Science making it possible<br />
to expand this activity. Producers and the then<br />
Animatie Producenten Overleg requested the<br />
<strong>NIAf</strong> to take over the specific festival distribution<br />
for newly-produced animation films. In 2000<br />
and 2001 we were able to demonstrate our<br />
capabilities with the intensive festival distribution<br />
of the much sought-after, highly successful film<br />
FATHER AND DAUGHTER by Michael Dudok de<br />
Wit, that won an Oscar in March 2001.<br />
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