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Literatur / Literature<br />

naissance/Weimar Republic, could not even be liquidated by the Third Reich’s ‘Degenerate Art’ campaigns, and, with<br />

new media available to further exchanges, is still increasingly empowering and inspiring participants on both sides of the<br />

Atlantic.<br />

vol. 18, 2010, 392 pp., 39,90 €, pb., ISBN 978-3-643-10109-9<br />

Isabel Soto Garcia; Violet M. Johnson (Eds.) NEU<br />

Western Fictions, Black Realities<br />

Meanings of Blackness and Modernities<br />

vol. 19, Spring 2011, ca. 336 pp., ca. 29,90 €, pb., ISBN 978-3-643-10121-1<br />

Simon Dickel NEU<br />

The Harlem Renaissance, the Protest Era, and Constructions of Black Gay Identity in the 1980s and 90s<br />

This book explores key texts of the black gay culture of the 1980s and 90s. Starting with an analysis of the political discourse<br />

in anthologies such as In the Life and Brother to Brother, it identifies the references to the Harlem Renaissance<br />

and the Protest Era as common elements of black gay discourse. This connection to African American cultural and political<br />

traditions legitimizes black gay identity and criticizes the construction of gay identity as white. Readings of Isaac<br />

Julien’s Looking for Langston, Samuel R. Delany’s „Atlantis: Model 1924“ and The Motion of Light in Water,Melvin<br />

Dixon’s Vanishing Rooms, Randall Kenan’s A Visitation of Spirits and Steven Corbin’s No Easy Place to Be demonstrate<br />

how these strategies of signifying are used in affirmative, humorous, and ironic ways.<br />

vol. 20, Spring 2011, ca. 312 pp., ca. 29,90 €, pb., ISBN 978-3-643-10125-9<br />

Christopher M. Bell (Ed.) NEU<br />

Blackness and Disability<br />

Critical Examinations and Cultural Interventions<br />

Disability Studies has emerged as an incisive inquiry into body politics, intersectionality theory and cultural politics.<br />

While its theories have resulted in less stereotypical considerations of mainstream (read: white) disabled subjects, they<br />

have not had as profound an effect on black disabled subjects. Blackness and Disability examines how disability informs<br />

the experience and representation of racialized subjects. The collection of essays discusses disability in terms of<br />

literature, history, education, cultural studies and sociology in an effort to illuminate how disability informs black body<br />

politics.<br />

vol. 21, Spring 2011, ca. 256 pp., ca. 29,90 €, pb., ISBN 978-3-643-10126-6<br />

Erlanger Studien zur Anglistik und <strong>Amerika</strong>nistik<br />

hrsg. von Rudolf Freiburg und Heike Paul<br />

Rudolf Freiburg; Jan Schnitker (Hrsg.)<br />

“Do you consider yourself a postmodern author?”<br />

Interviews with Contemporary English Writers<br />

This book presents a collection of twelve interviews with eminent English contemporary writers held during a period of<br />

four years. The book allows an illuminating insight into a very lively and thought-provoking literary culture, stirred not<br />

only by recent ideas of postmodernism but also by the manifold issues of nationality, culture, and gender subjected to permanent<br />

redefinitions towards the end of the twentieth century. The interviews with Peter Ackroyd, John Banville, Julian<br />

Barnes, Alain de Botton, Maureen Duffy, Tibor Fischer, John Fowles, Romesh Gunesekera, Tim Parks, Terry Pratchett,<br />

Jane Rogers, and Adam Thorpe cover topics such as the relationship between writer and public, the role of the literary<br />

tradition, the relevance of contemporary literary theory for the production of literature, images of nationality, intertextuality,<br />

changes in the attitude towards language and meaning, and the reception of literary texts by critical reviewers and<br />

literary critics.<br />

All the interviewers have worked for the ECCEL (Erlangen Centre for Contemporary English Literature).<br />

Bd. 1, 1999, 248 S., 20,90 €, br., ISBN 3-8258-4395-5<br />

Hannah Jacobmeyer<br />

Märchen und Romanzen in der zeitgenössischen englischen Literatur<br />

Im Zentrum einer vielfach konstatierten Renaissance des “Wunderbaren” in der Kultur des ausgehenden 20. Jahrhunderts<br />

stehen die Formen und Strukturen von Märchen und Romanze. Gelten sie uns einerseits als Merkmale einer prämodernen<br />

Narrativik, so sind sie andererseits zu Konstanten von Literatur geworden, die sich durch die Jahrhunderte bis in die<br />

sogenannte postmoderne Literatur hinein nachweisen lassen. Anhand ausgewählter zeitgenössischer Texte der englischen<br />

Literatur zeigt die Autorin, wie Märchen und Romanzen fortleben - aber auch, wo sie sich überschneiden und auf welche<br />

Weise sie in eine endlose, intertextuelle “Echokammer” eingebunden werden. Romanzenmuster erlauben zudem, Einsicht<br />

in die Gemeinsamkeiten hoher und “trivialer” Literatur zu nehmen. Autoren der detailliert analysierten Märchen und<br />

Romanzen sind u. a. Salman Rushdie, A. S. Byatt, Graham Swift, Angela Carter und Barbara Cartland.<br />

Bd. 2, 2000, 224 S., 35,90 €, br., ISBN 3-8258-4686-5<br />

Dieter Meindl<br />

North American Encounters<br />

Essays in U.S. and English and French Canadian Literature and Culture<br />

These essays (in English except for four items in German and French) provide an intercultural perspective. They deal<br />

with such diverse aspects of North American (including Québécois) literature as “Kanadas Verhältnis zu den USA im<br />

Spiegel seiner Literatur,” “Canada and American Slavery”, the Acadian theme in “Longfellow et Antonine Maillet”<br />

and “The Western Love Code: Faulkner, Hébert, Hemingway, and Ondaatje.” The continental context also pervades<br />

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