Peggy Ahwesh Oliver van den Berg Wafaa Bilal ... - Mathildenhöhe
Peggy Ahwesh Oliver van den Berg Wafaa Bilal ... - Mathildenhöhe
Peggy Ahwesh Oliver van den Berg Wafaa Bilal ... - Mathildenhöhe
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gic, quaint—transformed from urgent, specific<br />
pieces into aesthetic objects. So she<br />
cut and pasted a new series that year, one<br />
that purposely evoked the old because it<br />
seemed to her that people were falling for<br />
the same sort of political manipulations as<br />
they had during Vietnam…<br />
The fresh news and advertising images—many<br />
of them familiar—don’t feel like<br />
art, and so they leach into our bloodstreams<br />
before we can shield ourselves behind aes-<br />
Martha Rosler, The Gray Drape, 2008<br />
thetic responses. But it’s Rosler’s sharp,<br />
wicked eye that energizes them.<br />
Gregg Cook, “Of War and Remembrance.<br />
Martha Rosler’s Montages Conjure Vietnam<br />
and Iraq,” in The Boston Globe, November<br />
11, 2007.<br />
Martha Rosler, Back Gar<strong>den</strong>, aus der Serie / from the series Bringing the War Home: House Beautiful,<br />
New Series, 2004<br />
Martha Rosler, Cleaning the Drapes, aus der Serie / from the series Bringing the War Home:<br />
House Beautiful, 1967–1972<br />
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