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Anthony Testa - The Key of the Abyss.pdf

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encouraged to pursue <strong>the</strong> explication <strong>of</strong> this complex <strong>of</strong> symbols in<br />

those works.<br />

As <strong>the</strong> quote from Magick at <strong>the</strong> beginning <strong>of</strong> this chapter<br />

demonstrates, for Crowley, Babalon was intimately bound up with and<br />

a part <strong>of</strong> his key concept, <strong>The</strong>lema (Greek. ‘Will’) and <strong>the</strong> symbol <strong>of</strong><br />

<strong>the</strong> Holy Grail (he calls it <strong>the</strong> Graal, anticipating <strong>the</strong> Holy Blood, Holy<br />

Grail controversies <strong>of</strong> <strong>the</strong> 80’s by <strong>the</strong> better part <strong>of</strong> a century), along<br />

with, as we have seen, <strong>the</strong> Beast <strong>of</strong> Revelation, etc. <strong>The</strong> main<br />

explication <strong>of</strong> <strong>the</strong>se symbols is found in what may be, in my opinion,<br />

<strong>the</strong> most important work written by Crowley (at least from <strong>the</strong><br />

standpoint <strong>of</strong> practical magick), Liber 418, <strong>the</strong> Vision and <strong>the</strong> Voice.<br />

<strong>The</strong> actual working by Crowley and Neuberg has been documented<br />

many times over. <strong>The</strong> first and most interesting that I came across was<br />

<strong>the</strong> description in Israel Regardie’s <strong>The</strong> Eye in <strong>the</strong> Triangle and also<br />

<strong>the</strong> biography <strong>of</strong> Neuberg, <strong>the</strong> Magical Dilemma <strong>of</strong> Victor Neuberg 65<br />

both <strong>of</strong> which are ei<strong>the</strong>r in print or can be obtained through a book<br />

reseller. <strong>The</strong> Vision and <strong>the</strong> Voice has, likewise, been republished<br />

many times. <strong>The</strong> earliest that is still in print was Regardie’s Gems from<br />

<strong>the</strong> Equinox 66 , and it is now available on <strong>the</strong> Internet as well as in a<br />

very nice edition in <strong>The</strong> Equinox, Volume IV, No. 2. <strong>The</strong> operation is<br />

described in Crowley’s introduction: <strong>The</strong> Seer had with him a great<br />

golden topaz (set in a Calvary Cross <strong>of</strong> six squares, made <strong>of</strong> wood,<br />

and painted vermillion) which was engraved with a Greek Cross <strong>of</strong><br />

five squares charged with <strong>the</strong> Rose <strong>of</strong> 49 petals. He held this, as a rule,<br />

in his hand. After choosing a spot where he was not likely to be<br />

disturbed he would take this stone and recite <strong>the</strong> Enochian Call, and<br />

after satisfying himself that <strong>the</strong> forces invoked were actually present,<br />

made <strong>the</strong> topaz play a part not unlike that <strong>of</strong> <strong>the</strong> looking glass in <strong>the</strong><br />

case <strong>of</strong> Alice. (He had long learned not to trouble himself to travel to<br />

any particular place in his Body <strong>of</strong> Light. He realized that Space was<br />

not a thing in itself, but merely a convenient category [one <strong>of</strong> many<br />

such] by reference to which we can distinguish objects from each<br />

65<br />

<strong>The</strong> Magical Dilemma <strong>of</strong> Victor Neuburg, Jean Overton Fuller. This was a library book,<br />

sorry no publisher info.<br />

66<br />

Gems from <strong>the</strong> Equinox, Israel Regardie, Falcon Press, 1988<br />

52

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