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ITC LEGACY SANS Excellence in typography is the result of nothing more than an attitu de. Its appeal comes from the understanding used in its planning; the designer must care. In contemporary advertising the perfect integra tion of design elements often demands unorthodox typography. It m ay require the use of compact spacing, minus leading, whatever is ne 8/9 30 Excellence in typography is the result of nothing more t han an attitude. Its appeal comes from the understand ing used in its planning; the designer must care. In cont emporary advertising the perfect integration of design elements often demands unorthodox typography. It ma 10/11 Book ABCDEFGHIJKL MNOPQRSTU VWXYZabcdefghij klmnopqrstuvw xyz1234567890&$ (tE(YoceVECERco (:;,. ! ?--"" 6789*BcDEFGH I J KLM NOPQRSTUV WXYZ Excellence in typography is the result of nothin g more than an attitude. Its appeal comes from the understanding used in its planning; the de signer must care. In contemporary advertising the perfect integration ofdesign elements ofte n demands unorthodox typography. It may req 12/13 Excellence in typography is the result of nothing more than an attitude. Its appe al comes from the understanding used i n its planning; the designer must care. In contemporary advertising the perfect in tegration of design elements often dem 14/15 Excellence in typography is the result of nothing more than an attitude. Its ap peal comes from the understanding used in its planning; the designer must car e. In contemporary advertising the perfect integration ofdesign elements often demands unorthodox typography. It may require the use of compact spacing, m inus leading, whatever is needed to get the job done. Excellence in typography 8/9 Excellence in typography is the result of nothing more than an attitude. Its appeal comes from the understanding used in its planning; the designer must care. In contemporary advertising the perfect integration ofdesign elements often demands unor thodox typography. It may require the use of compact spacing 10/11 Book Italic ABCDEFGHUKLM NOPQRSTUV WXYZabcdefghijklm nopqrstuvwxyz12 34567890 &$ (tE% calECEflcodee #*)[tt§›>
Excellence in typography is the result of nothing more than an attitude. Its appeal comes from the understanding used in its planning; the designer mu st care. In contemporary advertising the perfect integration of design elem ents often demands unorthodox typography. It may require the use ofcomp act spacing, minus leading, whatever is needed to get the job done. Excelle 8/9 Excellence in typography is the result of nothing more than an attitude. Its appeal comes from the understanding used in its planning; the designer must care. In contemporary ad vertising the perfect integration ofdesign elements often de mands unorthodox typography. It may require the use of co 10/11 Medium Italic ABCDEFGHIJKL MNOPQRSTU VWXYZabcdefghij klmnopqrstuvwx yz1234567890&$(t E%cOVECEIgco& -#'9[1.-1-4.0«1234 567890] Excellence in typography is the result ofnothingm ore than an attitude. Its appeal comes from the un derstanding used in its planning; the designer must care. In contemporary advertising the perfect inte gration ofdesign elements often demands unorth odox typography. It may require the use of compa 12/13 Excellence in typography is the result ofno thing more than an attitude. Its appeal com es from the understanding used in its plann ing; the designer must care. In contempora ry advertising the perfect integration ofde sign elements often demands unrthodox ty 14/15 Excellence in typography is the result of nothing more than an at titude. Its appeal comes from the understanding used in its plan ning; the designer must care. In contemporary advertising the p erfect integration of design elements often demands unorthodo x typography. It may require the use of compact spacing, minus 8/9 Excellence in typography is the result of nothing mo re than an attitude. Its appeal comes from the unde rstanding used in its planning; the designer must ca re. In contemporary advertising the perfect integrat ion of design elements often demands unorthodox 10/11 Bold ABCDEFGHIJKL MNOPQRSTU VWXYZabcdefgh ijklmnopqrstuv wxyz1234567890 &$(PE%c0./ECE fgcott:efifl w°(:;,.! 01234567890] Excellence in typography is the result of not hing more than an attitude. Its appeal com es from the understanding used in its plann ing; the designer must care. In contempora ry advertising the perfect integration of de sign elements often demands unorthodox 12/13 Excellence in typography is the result of nothing more than an attitude. Its appeal comes from the understandin g used in its planning; the designer m ust care. In contemporary advertising the perfect integration of design elem 14/15 Excellence in typography is the result of nothing more than an attitude. It s appeal comes from the understanding used in its planning; the designer must care. In contemporary advertising the perfect integration ofdesign elements often demands unorthodox typography. It may require the use ofcompact spacing, minus leading, whatever is needed to get the job don 8/9 Excellence in typography is the result of nothing more than an attitude. Its appeal comes from the understanding use din its planning; the designer must care. In contemporary advertising the perfect integration of design elements of n de mands unorthodox typography. It may require the use 10/11 Bold Italic ABCDEFGHIJKL MNOPQRSTU VWXYZabcdefghij klmnopqrstuv wxyz 1234567890 CEfkocieefifl "(:; ,- 1 ?-111Y#V1 tc»o] Excellence in typography is the result ofnothing more than an attitude. Its appeal comes from the understanding used in its planning; the designer must care. In contemporary advertising the pert ect integration ofdesign elements often demands unorthodox typography. It may require the use o 12/13 Excellence in typography is the result ofn othing more than an attitude. Its appeal comes from the understanding used in its planning; the designer must care. In conte mporary advertising the perfect integrati on ofdesign elements often demands uno tuvwxyz1234567890&$4£%c0/ECE50iiififl In of the Jenson roman is due in part to its imperfection and fitter relative to another is one of the contributing factors to the mellow style, while ITC Legacy Sans could only be called an original design statement. 14/15 31
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