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STARING
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STARING How We Look ROSEMARIE GARLA
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To Allison Hobgood and Sarah Peters
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ACKNOWLEDGMENTS I am grateful for t
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CONTENTS PART I About Staring 1 Why
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PART I About Staring 1
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1 Why Do We Stare? LOOKING INTO STA
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Figure 1.2. Jacob Lawrence, Blind B
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WHY DO WE STARE? 7 We can see how a
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WHY DO WE STARE? 9 photo (figure 1.
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WHY DO WE STARE? 11 people who have
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PART II What Is Staring? . . . star
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WHAT IS STARING? 15 fundamental for
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2 A Physical Response . . . the hum
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A PHYSICAL RESPONSE 19 in search of
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A PHYSICAL RESPONSE 21 modern psych
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A PHYSICAL RESPONSE 23 of the elder
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3 A Cultural History Because the ey
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A CULTURAL HISTORY 27 enemies and o
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A CULTURAL HISTORY 29 body before t
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A CULTURAL HISTORY 31 modern world.
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4 A Social Relationship One is not
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A SOCIAL RELATIONSHIP 35 the swift
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THE UNEXPECTED AND EXTRAORDINARY A
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- Page 102: A SOCIAL RELATIONSHIP 41 But human
- Page 106: A SOCIAL RELATIONSHIP 43 The kind o
- Page 110: A SOCIAL RELATIONSHIP 45 conditions
- Page 114: 5 Knowledge Gathering CURIOUS STARI
- Page 118: KNOWLEDGE GATHERING 49 is, then,
- Page 122: KNOWLEDGE GATHERING 51 out as alien
- Page 126: KNOWLEDGE GATHERING 53 be trapped i
- Page 130: KNOWLEDGE GATHERING 55 The growing
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- Page 138: KNOWLEDGE GATHERING 59 up to a body
- Page 142: PART III Don’t Stare 61
- Page 146: 6 Regulating Our Looks AGAINST CURI
- Page 152: 66 DON’T STARE admonishes his fel
- Page 156: 68 DON’T STARE time. This visual
- Page 160: 70 DON’T STARE potentially hostil
- Page 164: 72 DON’T STARE Disabilities” fr
- Page 168: 74 DON’T STARE 1, 4-7). 13 Starin
- Page 172: 76 DON’T STARE public codes. Asto
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- Page 180: 80 STARERS AND STAREES created ten
- Page 184: 82 STARERS AND STAREES us “to dra
- Page 188: 84 STARERS AND STAREES our staring
- Page 192: 86 STARERS AND STAREES Refusing to
- Page 196: 88 STARERS AND STAREES Sawisch (200
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90 STARERS AND STAREES Figure 7.5.
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92 STARERS AND STAREES Figure 7.7.
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94 STARERS AND STAREES greet him as
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96 SCENES OF STARING be thought of
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98 SCENES OF STARING express emotio
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100 SCENES OF STARING soul (in reli
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102 SCENES OF STARING and make sens
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104 SCENES OF STARING as using the
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106 SCENES OF STARING response was
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108 SCENES OF STARING ways as well.
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110 SCENES OF STARING Figure 8.2. V
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112 SCENES OF STARING face is so st
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114 SCENES OF STARING Figure 8.3. T
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116 SCENES OF STARING internal—so
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118 SCENES OF STARING baroque stari
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120 SCENES OF STARING fingers. Fina
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122 SCENES OF STARING fingerspell t
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124 SCENES OF STARING Figure 9.1. P
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126 SCENES OF STARING kill. The vic
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128 SCENES OF STARING response. The
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130 SCENES OF STARING Figure 9.3. A
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132 SCENES OF STARING prosthetic ho
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134 SCENES OF STARING In an era of
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136 SCENES OF STARING Their poetic
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138 SCENES OF STARING Ability,” F
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142 SCENES OF STARING imbricated br
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144 SCENES OF STARING Breast starer
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146 SCENES OF STARING is a wholesom
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148 SCENES OF STARING widely to inc
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150 SCENES OF STARING Figure 10.3.
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152 SCENES OF STARING Figure 10.5.
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154 SCENES OF STARING a plunging, o
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156 SCENES OF STARING medical photo
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158 SCENES OF STARING change our mi
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162 SCENES OF STARING of dead body
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164 SCENES OF STARING are publicly
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166 SCENES OF STARING now use telev
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168 SCENES OF STARING GIANTS Giants
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170 SCENES OF STARING Arbus’s ren
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172 SCENES OF STARING physical mino
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174 SCENES OF STARING Figure 11.5.
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176 SCENES OF STARING A portrait of
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178 SCENES OF STARING them into dom
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180 SCENES OF STARING in its revive
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182 SCENES OF STARING Yet in this m
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186 A LAST LOOK dead bodies. For So
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188 A LAST LOOK encounters. Scarry
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190 A LAST LOOK Figure 12.1. John M
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192 A LAST LOOK unremarkable in her
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194 A LAST LOOK called baroque star
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196 A LAST LOOK “This new cadre o
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198 NOTES TO PAGES 9-19 the least r
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200 NOTES TO PAGES 25-34 chapter 3
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202 NOTES TO PAGES 46-50 word fills
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204 NOTES TO PAGES 68-93 Laura Mulv
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206 NOTES TO PAGES 113-124 a term w
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208 NOTES TO PAGES 135-147 10. Mary
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210 NOTES TO PAGES 164-172 text. Wh
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212 NOTES TO PAGES 186-194 purpose
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216 REFERENCES Aristotle. Historia
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218 REFERENCES Burson, Nancy, and J
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220 REFERENCES Elsner, John, and Ro
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222 REFERENCES Gould, Stephen Jay.
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224 REFERENCES Kennedy, Dan. Little
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226 REFERENCES The Manners That Win
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228 REFERENCES Quigley, Christine.
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230 REFERENCES ——— . On Photo
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232 REFERENCES Yoshino, Kenji. Cove
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234 INDEX attention, 199n11. See al
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236 INDEX Davis, Lennard, 31 Deaf p
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238 INDEX Genesis, 209n2 The Gentle
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240 INDEX “Marked up for Amputati
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242 INDEX race disability and, 42,
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244 INDEX “Two Sisters Together F