Staring how we look sobre la mirada.pdf - artecolonial

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Figure 7.6. Kevin Connolly, “Man and Girl; Reykjavik, Iceland.” LOOKING AWAY, STARING BACK 91 In other words, Connolly’s starers often engage him in composing a story for themselves that explains his leglessness. In Bosnia, someone thought he was a landmine victim; in Romania, a gypsy vagabond; in Ukraine, a beggar; in New Zealand, a shark attack survivor; in the United States, a wounded Iraq war veteran. Starers’ curiosity often extends beyond explanations for Connolly’s leglessness into wonder as well regarding how he does quotidian tasks such as going to the bathroom, cooking, reaching places built for the fully legged—and especially about his girlfriend. People work to fit him into what they do know already in an effort to figure out something that is quite new to them. Apparently they need to know how someone who seems so much like themselves can at the same time be so different. 3 Whereas some starees find
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STARING
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STARING How We Look ROSEMARIE GARLA
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To Allison Hobgood and Sarah Peters
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ACKNOWLEDGMENTS I am grateful for t
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CONTENTS PART I About Staring 1 Why
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PART I About Staring 1
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1 Why Do We Stare? LOOKING INTO STA
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Figure 1.2. Jacob Lawrence, Blind B
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WHY DO WE STARE? 7 We can see how a
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WHY DO WE STARE? 9 photo (figure 1.
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WHY DO WE STARE? 11 people who have
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PART II What Is Staring? . . . star
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WHAT IS STARING? 15 fundamental for
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2 A Physical Response . . . the hum
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A PHYSICAL RESPONSE 19 in search of
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A PHYSICAL RESPONSE 21 modern psych
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A PHYSICAL RESPONSE 23 of the elder
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3 A Cultural History Because the ey
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A CULTURAL HISTORY 27 enemies and o
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A CULTURAL HISTORY 29 body before t
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A CULTURAL HISTORY 31 modern world.
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4 A Social Relationship One is not
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A SOCIAL RELATIONSHIP 35 the swift
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THE UNEXPECTED AND EXTRAORDINARY A
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A SOCIAL RELATIONSHIP 39 with the p
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A SOCIAL RELATIONSHIP 41 But human
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A SOCIAL RELATIONSHIP 43 The kind o
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A SOCIAL RELATIONSHIP 45 conditions
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5 Knowledge Gathering CURIOUS STARI
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KNOWLEDGE GATHERING 49 is, then,
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KNOWLEDGE GATHERING 51 out as alien
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KNOWLEDGE GATHERING 53 be trapped i
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KNOWLEDGE GATHERING 55 The growing
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KNOWLEDGE GATHERING 57 Weegee himse
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KNOWLEDGE GATHERING 59 up to a body
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PART III Don’t Stare 61
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6 Regulating Our Looks AGAINST CURI
Page 150: REGULATING OUR LOOKS 65 Staring, as
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Page 158: REGULATING OUR LOOKS 69 any woman,
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Page 170: REGULATING OUR LOOKS 75 need to be
Page 174: PART IV Starers and Starees 77
Page 178: 7 Looking Away, Staring Back LOOKIN
Page 182: LOOKING AWAY, STARING BACK 81 throu
Page 186: LOOKING AWAY, STARING BACK 83 glanc
Page 190: LOOKING AWAY, STARING BACK 85 make
Page 194: LOOKING AWAY, STARING BACK 87 Figur
Page 198: LOOKING AWAY, STARING BACK 89 in ma
Page 204: 92 STARERS AND STAREES Figure 7.7.
Page 208: 94 STARERS AND STAREES greet him as
Page 212: 96 SCENES OF STARING be thought of
Page 216: 98 SCENES OF STARING express emotio
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Page 240: 110 SCENES OF STARING Figure 8.2. V
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116 SCENES OF STARING internal—so
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118 SCENES OF STARING baroque stari
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120 SCENES OF STARING fingers. Fina
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122 SCENES OF STARING fingerspell t
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124 SCENES OF STARING Figure 9.1. P
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126 SCENES OF STARING kill. The vic
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128 SCENES OF STARING response. The
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130 SCENES OF STARING Figure 9.3. A
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132 SCENES OF STARING prosthetic ho
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134 SCENES OF STARING In an era of
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136 SCENES OF STARING Their poetic
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138 SCENES OF STARING Ability,” F
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142 SCENES OF STARING imbricated br
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144 SCENES OF STARING Breast starer
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146 SCENES OF STARING is a wholesom
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148 SCENES OF STARING widely to inc
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150 SCENES OF STARING Figure 10.3.
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154 SCENES OF STARING a plunging, o
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156 SCENES OF STARING medical photo
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158 SCENES OF STARING change our mi
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162 SCENES OF STARING of dead body
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164 SCENES OF STARING are publicly
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166 SCENES OF STARING now use telev
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168 SCENES OF STARING GIANTS Giants
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170 SCENES OF STARING Arbus’s ren
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172 SCENES OF STARING physical mino
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176 SCENES OF STARING A portrait of
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178 SCENES OF STARING them into dom
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180 SCENES OF STARING in its revive
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182 SCENES OF STARING Yet in this m
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186 A LAST LOOK dead bodies. For So
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188 A LAST LOOK encounters. Scarry
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190 A LAST LOOK Figure 12.1. John M
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192 A LAST LOOK unremarkable in her
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194 A LAST LOOK called baroque star
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196 A LAST LOOK “This new cadre o
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198 NOTES TO PAGES 9-19 the least r
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200 NOTES TO PAGES 25-34 chapter 3
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202 NOTES TO PAGES 46-50 word fills
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204 NOTES TO PAGES 68-93 Laura Mulv
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206 NOTES TO PAGES 113-124 a term w
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208 NOTES TO PAGES 135-147 10. Mary
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210 NOTES TO PAGES 164-172 text. Wh
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212 NOTES TO PAGES 186-194 purpose
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216 REFERENCES Aristotle. Historia
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218 REFERENCES Burson, Nancy, and J
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220 REFERENCES Elsner, John, and Ro
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222 REFERENCES Gould, Stephen Jay.
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224 REFERENCES Kennedy, Dan. Little
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226 REFERENCES The Manners That Win
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228 REFERENCES Quigley, Christine.
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230 REFERENCES ——— . On Photo
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232 REFERENCES Yoshino, Kenji. Cove
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234 INDEX attention, 199n11. See al
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236 INDEX Davis, Lennard, 31 Deaf p
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238 INDEX Genesis, 209n2 The Gentle
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240 INDEX “Marked up for Amputati
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242 INDEX race disability and, 42,
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244 INDEX “Two Sisters Together F
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Staring how we look sobre la mirada.pdf - artecolonial

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