Staring how we look sobre la mirada.pdf - artecolonial

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Figure 8.1. “David Looking Up.” www.davidroche.com. FACES 109 his starers’ anxieties as he offers a story about finding his own inner beauty and strength from what seems to be a flaw. He claims his own dignity and humanity as well by asserting, “I am proud to be part of the emerging culture of disability” and recounts stories that politely let starers know he is sexually active and attractive (D. Roche, “About David”; figure 8.2). Roche’s most incisive and detailed account of staring comes in a longer written piece called “Finding My Voice.” Here, Roche suggestively recounts his experience of undergoing what Michel Foucault (1975) calls “the clinical gaze”. Roche’s story begins in the medical waiting room, which collects people together as facially pathological. This diagnostic gathering sets everyone on edge by muting their individuality and highlighting their
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STARING
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STARING How We Look ROSEMARIE GARLA
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To Allison Hobgood and Sarah Peters
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ACKNOWLEDGMENTS I am grateful for t
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CONTENTS PART I About Staring 1 Why
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PART I About Staring 1
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1 Why Do We Stare? LOOKING INTO STA
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Figure 1.2. Jacob Lawrence, Blind B
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WHY DO WE STARE? 7 We can see how a
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WHY DO WE STARE? 9 photo (figure 1.
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WHY DO WE STARE? 11 people who have
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PART II What Is Staring? . . . star
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WHAT IS STARING? 15 fundamental for
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2 A Physical Response . . . the hum
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A PHYSICAL RESPONSE 19 in search of
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A PHYSICAL RESPONSE 21 modern psych
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A PHYSICAL RESPONSE 23 of the elder
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3 A Cultural History Because the ey
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A CULTURAL HISTORY 27 enemies and o
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A CULTURAL HISTORY 29 body before t
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A CULTURAL HISTORY 31 modern world.
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4 A Social Relationship One is not
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A SOCIAL RELATIONSHIP 35 the swift
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THE UNEXPECTED AND EXTRAORDINARY A
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A SOCIAL RELATIONSHIP 39 with the p
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A SOCIAL RELATIONSHIP 41 But human
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A SOCIAL RELATIONSHIP 43 The kind o
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A SOCIAL RELATIONSHIP 45 conditions
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5 Knowledge Gathering CURIOUS STARI
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KNOWLEDGE GATHERING 49 is, then,
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KNOWLEDGE GATHERING 51 out as alien
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KNOWLEDGE GATHERING 53 be trapped i
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KNOWLEDGE GATHERING 55 The growing
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KNOWLEDGE GATHERING 57 Weegee himse
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KNOWLEDGE GATHERING 59 up to a body
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PART III Don’t Stare 61
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6 Regulating Our Looks AGAINST CURI
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REGULATING OUR LOOKS 65 Staring, as
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REGULATING OUR LOOKS 67 subjects to
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REGULATING OUR LOOKS 69 any woman,
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REGULATING OUR LOOKS 71 such strict
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REGULATING OUR LOOKS 73 places of p
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REGULATING OUR LOOKS 75 need to be
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PART IV Starers and Starees 77
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7 Looking Away, Staring Back LOOKIN
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LOOKING AWAY, STARING BACK 81 throu
Page 186: LOOKING AWAY, STARING BACK 83 glanc
Page 190: LOOKING AWAY, STARING BACK 85 make
Page 194: LOOKING AWAY, STARING BACK 87 Figur
Page 198: LOOKING AWAY, STARING BACK 89 in ma
Page 202: Figure 7.6. Kevin Connolly, “Man
Page 206: Figure 7.8. Kevin Connolly, “Woma
Page 210: PART V Scenes of Staring [W]e fear
Page 214: 8 Faces FACEDNESS . . . the basic m
Page 218: FACES 99 began the Trojan War. Medu
Page 222: FACES 101 will make an equal claim.
Page 226: FACES 103 Familiarity determines ou
Page 230: FACES 105 respect, and appear smart
Page 234: FACES 107 by allowing a starer to m
Page 240: 110 SCENES OF STARING Figure 8.2. V
Page 244: 112 SCENES OF STARING face is so st
Page 248: 114 SCENES OF STARING Figure 8.3. T
Page 252: 116 SCENES OF STARING internal—so
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118 SCENES OF STARING baroque stari
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120 SCENES OF STARING fingers. Fina
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122 SCENES OF STARING fingerspell t
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124 SCENES OF STARING Figure 9.1. P
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126 SCENES OF STARING kill. The vic
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128 SCENES OF STARING response. The
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130 SCENES OF STARING Figure 9.3. A
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132 SCENES OF STARING prosthetic ho
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134 SCENES OF STARING In an era of
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136 SCENES OF STARING Their poetic
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138 SCENES OF STARING Ability,” F
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142 SCENES OF STARING imbricated br
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144 SCENES OF STARING Breast starer
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146 SCENES OF STARING is a wholesom
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148 SCENES OF STARING widely to inc
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150 SCENES OF STARING Figure 10.3.
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154 SCENES OF STARING a plunging, o
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156 SCENES OF STARING medical photo
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158 SCENES OF STARING change our mi
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162 SCENES OF STARING of dead body
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164 SCENES OF STARING are publicly
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166 SCENES OF STARING now use telev
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168 SCENES OF STARING GIANTS Giants
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170 SCENES OF STARING Arbus’s ren
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172 SCENES OF STARING physical mino
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176 SCENES OF STARING A portrait of
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178 SCENES OF STARING them into dom
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180 SCENES OF STARING in its revive
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182 SCENES OF STARING Yet in this m
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186 A LAST LOOK dead bodies. For So
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188 A LAST LOOK encounters. Scarry
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190 A LAST LOOK Figure 12.1. John M
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192 A LAST LOOK unremarkable in her
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194 A LAST LOOK called baroque star
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196 A LAST LOOK “This new cadre o
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198 NOTES TO PAGES 9-19 the least r
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200 NOTES TO PAGES 25-34 chapter 3
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202 NOTES TO PAGES 46-50 word fills
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204 NOTES TO PAGES 68-93 Laura Mulv
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206 NOTES TO PAGES 113-124 a term w
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208 NOTES TO PAGES 135-147 10. Mary
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210 NOTES TO PAGES 164-172 text. Wh
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212 NOTES TO PAGES 186-194 purpose
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216 REFERENCES Aristotle. Historia
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218 REFERENCES Burson, Nancy, and J
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220 REFERENCES Elsner, John, and Ro
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222 REFERENCES Gould, Stephen Jay.
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224 REFERENCES Kennedy, Dan. Little
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226 REFERENCES The Manners That Win
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228 REFERENCES Quigley, Christine.
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230 REFERENCES ——— . On Photo
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232 REFERENCES Yoshino, Kenji. Cove
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234 INDEX attention, 199n11. See al
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236 INDEX Davis, Lennard, 31 Deaf p
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238 INDEX Genesis, 209n2 The Gentle
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240 INDEX “Marked up for Amputati
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242 INDEX race disability and, 42,
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244 INDEX “Two Sisters Together F
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Staring how we look sobre la mirada.pdf - artecolonial

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