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Staring how we look sobre la mirada.pdf - artecolonial

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3<br />

A Cultural History<br />

Because the eye loves novelty and can get used to almost any<br />

scene, even one of horror, much of life can drift into the vague<br />

background of our attention.<br />

—Diane Ackerman, A Natural History of the Senses, 235<br />

Culture regu<strong>la</strong>tes all human behavior, including physiological processes:<br />

sex, eating, elimination, comportment, eye behavior—indeed, everything<br />

our bodies do. How <strong>we</strong> <strong>look</strong> at each other begins as instinct but quickly takes<br />

its p<strong>la</strong>ce alongside other natural bodily functions as a carrier of social meaning.<br />

In this sense, all visual behavior, especially the intense urge to stare, has<br />

a cultural history.<br />

THE UNEASY PRIMACY OF VISION<br />

The modern world, in particu<strong>la</strong>r our era, is ocu<strong>la</strong>rcentric 1 ; it depends on<br />

sight as the primary sensory conduit to the world. 2 We relish <strong>look</strong>ing, produce<br />

endless images, and root our understanding of the world in observation.<br />

Indeed, most information comes to us through sight in this intensely<br />

technological world saturated with advertising and crowded with computer,<br />

television, and video screens. Yet our reliance on seeing as believing has bred<br />

a spirited skepticism. From the Protestant distrust of graven images to our<br />

secu<strong>la</strong>r fascination with magic, sleight-of-hand, or ghosts, <strong>we</strong> avidly question<br />

the truth of what <strong>we</strong> see. 3 Vision is celebrated and scorned, pronounced to be<br />

manipu<strong>la</strong>tive, liberating, rapacious, pornographic, gendered, or dominating.<br />

Nearly everyone seems to agree that vision shapes the modern citizenry. 4<br />

25

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