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Staring how we look sobre la mirada.pdf - artecolonial

Staring how we look sobre la mirada.pdf - artecolonial

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viii ACKNOWLEDGMENTS<br />

studies community, sustained my work. Many kind colleagues responded to<br />

my ideas about <strong>look</strong>ing and kept an eye out for me, as it <strong>we</strong>re: Rachel Adams,<br />

Brenda Brueggemann, Lisa Cartwright, Lenny Cassuto, Bill Cohen, Sumi<br />

Colligan, Michael Davidson, Lennard Davis, Anne Finger, Ann Fox, Sander<br />

Gilman, Kim Hall, Diane Price Herndl, Martha Stoddard Holmes, Lynne<br />

Huffer, Mark Jeffries, Joy and John Kasson, Georgina Kleege, Chris Krentz,<br />

Catherine Kudlick, Petra Kuppers, Cindy LaCom, Gary Laderman, Simi and<br />

David Linton, Paul Longmore, Dee McGraw, Ben Reiss, Robert McRuer,<br />

David Mitchell, Carrie Sandahl, Susan Sch<strong>we</strong>ik, Pame<strong>la</strong> Scully, Tobin Siebers,<br />

Sharon Snyder, Nikki Sullivan, and Gail Weiss. Most every colleague I encountered<br />

during this project had something perceptive to say about staring;<br />

I am grateful for all that collective wisdom and interest.<br />

In particu<strong>la</strong>r, this book honors the many starees who generously shared<br />

their experiences with staring and those who graciously offered images of<br />

themselves.<br />

Portions of this book appeared in earlier forms in Paul Longmore and<br />

Laurie Umansky’s The New Disability History (New York University Press,<br />

2000), Phillip Aus<strong>la</strong>nder and Carrie Sandahl’s Bodies in Commotion: Disability<br />

and Performance (University of Michigan Press, 2004), the Journal of<br />

Visual Culture (summer 2006), and Narrative (January 2007).

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