Staring how we look sobre la mirada.pdf - artecolonial

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CONTENTS PART I About Staring 1 Why Do We Stare? 3 PART II What Is Staring? 2 A Physical Response 17 3 A Cultural History 25 4 A Social Relationship 33 5 Knowledge Gathering 47 PART III Don’t Stare 6 Regulating Our Looks 63 PART IV Starers and Starees 7 Looking Away, Staring Back 79 PART V Scenes of Staring 8 Faces 9 Hands 119 10 Breasts 141 11 Bodies 161 97
Page 2: STARING
Page 6: STARING How We Look ROSEMARIE GARLA
Page 10: To Allison Hobgood and Sarah Peters
Page 14: ACKNOWLEDGMENTS I am grateful for t
Page 20: x CONTENTS PART VI A Last Look 12 B
Page 24: This page intentionally left blank
Page 28: 4 ABOUT STARING Figure 1.1. Appleto
Page 32: 6 ABOUT STARING This contradiction
Page 36: 8 ABOUT STARING whether they like i
Page 40: 10 ABOUT STARING is the matter of a
Page 48: 14 WHAT IS STARING? interactions ar
Page 56: 18 WHAT IS STARING? effects for bot
Page 60: 20 WHAT IS STARING? through closeti
Page 64: 22 WHAT IS STARING? checked, networ
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26 WHAT IS STARING? We build the wo
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28 WHAT IS STARING? from the multip
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30 WHAT IS STARING? culture, endles
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32 WHAT IS STARING? In everyday lif
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34 WHAT IS STARING? To behave towar
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36 WHAT IS STARING? Figure 4.1. Mik
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38 WHAT IS STARING? Furthermore, so
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40 WHAT IS STARING? often or more i
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42 WHAT IS STARING? status in socia
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44 WHAT IS STARING? the advantage o
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46 WHAT IS STARING? notes, “disru
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48 WHAT IS STARING? the way we imag
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50 WHAT IS STARING? BAROQUE STARING
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52 WHAT IS STARING? staring at the
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54 WHAT IS STARING? drawn and quart
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56 WHAT IS STARING? fixed on the ob
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58 WHAT IS STARING? the one hand, t
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64 DON’T STARE Figure 6.1. Dan Re
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66 DON’T STARE admonishes his fel
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68 DON’T STARE time. This visual
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70 DON’T STARE potentially hostil
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72 DON’T STARE Disabilities” fr
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74 DON’T STARE 1, 4-7). 13 Starin
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76 DON’T STARE public codes. Asto
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80 STARERS AND STAREES created ten
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82 STARERS AND STAREES us “to dra
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84 STARERS AND STAREES our staring
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86 STARERS AND STAREES Refusing to
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88 STARERS AND STAREES Sawisch (200
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90 STARERS AND STAREES Figure 7.5.
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92 STARERS AND STAREES Figure 7.7.
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94 STARERS AND STAREES greet him as
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96 SCENES OF STARING be thought of
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98 SCENES OF STARING express emotio
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100 SCENES OF STARING soul (in reli
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102 SCENES OF STARING and make sens
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104 SCENES OF STARING as using the
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106 SCENES OF STARING response was
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108 SCENES OF STARING ways as well.
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110 SCENES OF STARING Figure 8.2. V
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112 SCENES OF STARING face is so st
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114 SCENES OF STARING Figure 8.3. T
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116 SCENES OF STARING internal—so
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118 SCENES OF STARING baroque stari
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120 SCENES OF STARING fingers. Fina
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122 SCENES OF STARING fingerspell t
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124 SCENES OF STARING Figure 9.1. P
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126 SCENES OF STARING kill. The vic
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128 SCENES OF STARING response. The
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130 SCENES OF STARING Figure 9.3. A
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132 SCENES OF STARING prosthetic ho
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134 SCENES OF STARING In an era of
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136 SCENES OF STARING Their poetic
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138 SCENES OF STARING Ability,” F
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142 SCENES OF STARING imbricated br
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144 SCENES OF STARING Breast starer
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146 SCENES OF STARING is a wholesom
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148 SCENES OF STARING widely to inc
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150 SCENES OF STARING Figure 10.3.
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154 SCENES OF STARING a plunging, o
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156 SCENES OF STARING medical photo
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158 SCENES OF STARING change our mi
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162 SCENES OF STARING of dead body
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164 SCENES OF STARING are publicly
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166 SCENES OF STARING now use telev
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168 SCENES OF STARING GIANTS Giants
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170 SCENES OF STARING Arbus’s ren
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172 SCENES OF STARING physical mino
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176 SCENES OF STARING A portrait of
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178 SCENES OF STARING them into dom
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180 SCENES OF STARING in its revive
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182 SCENES OF STARING Yet in this m
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186 A LAST LOOK dead bodies. For So
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188 A LAST LOOK encounters. Scarry
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190 A LAST LOOK Figure 12.1. John M
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192 A LAST LOOK unremarkable in her
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194 A LAST LOOK called baroque star
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196 A LAST LOOK “This new cadre o
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198 NOTES TO PAGES 9-19 the least r
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200 NOTES TO PAGES 25-34 chapter 3
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202 NOTES TO PAGES 46-50 word fills
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204 NOTES TO PAGES 68-93 Laura Mulv
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206 NOTES TO PAGES 113-124 a term w
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208 NOTES TO PAGES 135-147 10. Mary
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210 NOTES TO PAGES 164-172 text. Wh
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212 NOTES TO PAGES 186-194 purpose
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216 REFERENCES Aristotle. Historia
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218 REFERENCES Burson, Nancy, and J
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220 REFERENCES Elsner, John, and Ro
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222 REFERENCES Gould, Stephen Jay.
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224 REFERENCES Kennedy, Dan. Little
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226 REFERENCES The Manners That Win
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228 REFERENCES Quigley, Christine.
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230 REFERENCES ——— . On Photo
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232 REFERENCES Yoshino, Kenji. Cove
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234 INDEX attention, 199n11. See al
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236 INDEX Davis, Lennard, 31 Deaf p
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238 INDEX Genesis, 209n2 The Gentle
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240 INDEX “Marked up for Amputati
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242 INDEX race disability and, 42,
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244 INDEX “Two Sisters Together F
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