To My Family and Uğraş Uzun - Bilkent University

More documents

Recommendations

Info

Figure S. Standing half-nude male figure (Fig. 80). The body is shown frontally, and the head is slightly turned to his left. The weight of the body is on the left leg, which is straight. The right leg is at ease, curved from the knee. The upper body is nude. The muscles of his abdomen are indicated. The right part of his abdomen has been chipped off (not obviously ancient damage). A chlamys is draped over the left shoulder tied with a conical brooch, and surrounds the lower body from the back and crosses diagonally to his left side to cover the upper part of the right leg from the front. The left arm is covered by the chlamys, and the left hand is holding the fold of the chlamys just below the waist level so as to cover the upper right leg and the genitals. The pubic hair is slightly visible above the cloth. The right arm is raised rightwards from the elbow, and the forefinger and the second finger of the right arm are stretched forward and the third and the fourth fingers are bent. The feet are bare and the little toes are bent over. The curly hair was cut short at the nape. He is beardless and young. The face does not have a portrait character, however, the facial features are clear. The pupils have not been carved. There are encrustations under his right arm. Figure T. Standing veiled female figure in a chiton and a himation (Fig. 81). The weight of the body is on the right leg, the left leg is at ease and slightly curved from the knee. The body is shown frontally and the head is in profile, turned to her left. The right arm is wrapped in the himation, curved up from the elbow and the broken forefinger (ancient damage) of the right hand used to be touching her chin. The thumb of the right hand rests along her neck and the second, third and the fourth fingers are bent. The left arm is again wrapped in the himation and rests along the body horizontally from the left to the right side at the waist level. The left hand is holding a fold of the himation at the right side at the 54
waist level. She has calcei on her feet. The curly hair is visible at the front of the head. The facial features are clear, although do not demonstrate a portrait character. There are encrustations within the folds of her clothes. Figure U. Standing young male (Fig. 82) in a belted short chiton and a chlamys draped on the right shoulder fastened with a conical brooch. The body and the head are slightly turned to his right. The weight of the body is on the right leg and left leg is at ease, curved from the knee. The right arm is curved up from the elbow, but the arm is broken just below the elbow (ancient damage). The left arm is within the chlamys and the left hand is holding a fold of chlamys at the waist level, slightly drawing it aside. He is wearing boots without laces. The hair was cut short at the nape. He is beardless and young. The face does not have a portrait character, however, the facial features are clear. The pupils have been indicated. There are encrustations under his right arm. 4.5.5. Lid Figure V. Putto (?) seated at the corner of the mattress (Fig. 83). Only the legs, genitals and the lower stomach have remained which are parted and nude. On his right side is a head of a horse emerging from the edge of the mattress. The body of the horse is not preserved (ancient damage) except for the remains of two animal paws leaping behind the animal’s neck: two more paws are visible some distance behind the horse. The body of the leaping animal has not been preserved either. On the left of the putto, there is the lower part of a folded cloth which he used to be wearing, probably a chlamys. The upper part of the cloth is missing (ancient damage). There are encrustations under his legs and on his feet. Figure W. Two erotes facing each other, boxing (Fig. 84). Both are nude. 55
Page 1 and 2:
To My Family and Uğraş Uzun
Page 3 and 4:
APPROVAL PAGE I certify that I have
Page 5 and 6:
ÖZET ANTAKYA LAHDİ: BEZEK UNSURLA
Page 7 and 8:
TABLE OF CONTENTS ABSTRACT.........
Page 9 and 10:
CHAPTER VI: DATING.................
Page 11 and 12:
LIST OF FIGURES Fig. 1. Map of Roma
Page 13 and 14:
Fig. 35. Map of Ancient Antioch. (K
Page 15 and 16:
Fig. 68. Sarcophagus from Via Amend
Page 17 and 18:
Fig. 101. Diadora. 140-30 BC. Delos
Page 19 and 20:
CHAPTER I INTRODUCTION The Antakya
Page 21 and 22: Antakya sarcophagus is proposed and
Page 23 and 24: Matz’s unfinished “Corpus der A
Page 25 and 26: described the Iznik S (Iznik- Nikai
Page 27 and 28: Fittschen and W. Trillmich are toge
Page 29 and 30: The question of who owned the marbl
Page 31 and 32: Other evidence for the high price o
Page 33 and 34: specially for carrying marble, whic
Page 35 and 36: The columnar sarcophagi were, there
Page 37 and 38: type” (Morey, 1924: 29). This typ
Page 39 and 40: certainly makes sense, given their
Page 41 and 42: Indeed, G.W. Elderkin compares the
Page 43 and 44: the barracks today strengthens this
Page 45 and 46: The necklace found in the sarcophag
Page 47 and 48: During the joint reign of Gallienus
Page 49 and 50: 4.3 Dimensions The dimensions of th
Page 51 and 52: A (Selefkeh) (Lawrence, 1958: 289).
Page 53 and 54: standing in the bays are at the sam
Page 55 and 56: The rear side of the sarcophagus is
Page 57 and 58: On the inner-acroteria of the lunet
Page 59 and 60: 4.4.6 Lid The lid is composed of tw
Page 61 and 62: corner (Fig. 66) has slimmer propor
Page 63 and 64: ight leg, and the left leg is at ea
Page 65 and 66: 4.5.2 Right Side The right side is
Page 67 and 68: low relief. The right forefoot of t
Page 69 and 70: and the left hand are entirely invi
Page 71: him. The boundary between his left
Page 75 and 76: position. He is wearing a chiton an
Page 77 and 78: Other than the hunting side, the ot
Page 79 and 80: west allegedly after the aristocrac
Page 81 and 82: 1999: 144). On the other hand, the
Page 83 and 84: he and his wife his wife Julia Domn
Page 85 and 86: inging offerings to stelae, with or
Page 87 and 88: “Gates of Hades” through which
Page 89 and 90: The seated and standing male figure
Page 91 and 92: similar to that of the Antakya Sarc
Page 93 and 94: Hunting acquired a different signif
Page 95 and 96: theme on these sarcophagi, on Istan
Page 97 and 98: 1939: 110). Another suggestion is t
Page 99 and 100: CHAPTER VI DATING Proposing a date
Page 101 and 102: stylistic grounds difficult. The ch
Page 103 and 104: Crassus (Morey, 1924: 15). This sug
Page 105 and 106: the Antakya Sarcophagus (on the cen
Page 107 and 108: portal of the Antakya Sarcophagus.
Page 109 and 110: portrait characters and they may ha
Page 111 and 112: and the deep strong drill work appl
Page 113 and 114: craftsmen and the inspirations for
Page 115 and 116: early 3rd centuries must be studied
Page 117 and 118: Bland, R.F. 1996. “The Developmen
Page 119 and 120: Herz, N., and D.B. Wenner. 1981.
Page 121 and 122: Morwood, J. 1994. The Pocket Oxford
Page 123 and 124:
Waelkens, M. 1982. Dokimeion: Die W
Page 125 and 126:
FIGURES 107
Page 127 and 128:
Fig. 2. Distribution map of Phrygia
Page 129 and 130:
Fig. 4. Rome B (Torre Nova) Sarcoph
Page 131 and 132:
Fig. 6. Antalya M (Herakles Sarcoph
Page 133 and 134:
Fig. 8. Melfi Sarcophagus. 160-70 A
Page 135 and 136:
Fig. 10. The Nereid Monument. c.390
Page 137 and 138:
Fig. 12. Reconstruction of the Hero
Page 139 and 140:
Fig. 15. The scaenae frons of the t
Page 141 and 142:
Fig. 17. Marble cornice from the th
Page 143 and 144:
Fig. 20. “Mourning Women Sarcopha
Page 145 and 146:
Fig. 22. Istanbul A (Selefkeh) Sarc
Page 147 and 148:
Fig. 24. Iznik Sarcophagus. Late He
Page 149 and 150:
Fig. 26. Drawing of the front side
Page 151 and 152:
Fig. 28. Drawing of the right side
Page 153 and 154:
Fig. 30. Drawing of the rear side o
Page 155 and 156:
Fig. 32. Drawing of the left side o
Page 157 and 158:
Fig.4. Map of the Antioch Excavatio
Page 159 and 160:
Fig. 36. Plan of Antioch in 1931 dr
Page 161 and 162:
Fig. 38. Gold earrings from the Ant
Page 163 and 164:
Fig. 44. Roman copy of Doryphoros f
Page 165 and 166:
Fig. 48. Column capital of the Melf
Page 167 and 168:
Fig. 52. Detail of the first bay of
Page 169 and 170:
Fig. 56. The corner figure of the r
Page 171 and 172:
Fig. 60. Lid on the right side of t
Page 173 and 174:
Fig. 63. Right part of the lid on t
Page 175 and 176:
Fig. 68. Sarcophagus from Via Amend
Page 177 and 178:
Fig. 71. Figure E on the Antakya Sa
Page 179 and 180:
Fig. 75. Figure J1, J2, and K on th
Page 181 and 182:
Fig. 80. Figure S on the Antakya Sa
Page 183 and 184:
Fig. 86. Reconstruction of the Athe
Page 185 and 186:
Fig. 88. Cremating and inhuming are
Page 187 and 188:
Fig. 90. Panel from triumphal arch
Page 189 and 190:
Fig. 94. South frieze of the Ara Pa
Page 191 and 192:
Fig. 97. Lid of the Sarcophagus of
Page 193 and 194:
Fig. 99. Large and Small Herculaneu
Page 195 and 196:
Fig. 102. Chrysippos, Stoic. Origin
Page 197 and 198:
Fig. 107. Satrap Sarcophagus from t
Page 199 and 200:
Fig. 109. Lid of an Etruscan sarcop
Page 201 and 202:
Fig. 111. Detail of the architectur
Page 203 and 204:
Fig. 115. Detail of the architectur
Page 205 and 206:
Fig. 119. The Adana Sarcophagus. c.
Page 207 and 208:
Fig. 122. Melos Aphrodite. 2 nd cen
Page 209 and 210:
Fig. 124. Bust of Queen Cleopatra V
show all

To My Family and Uğraş Uzun - Bilkent University

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?