To My Family and Uğraş Uzun - Bilkent University

W1: The eros on the viewer’s left (Fig. 84). The bent left leg is stretching
forward and the straight right leg is behind. The arms are broken above the
elbows, and the face is badly weathered. There are encrustations on his legs.
W2: The eros on the viewer’s right (Fig. 84). The head is broken. The
bent right leg is stretching forward and the straight left leg is behind. The left and
the right arms are broken below and above the elbows, respectively. There are
encrustations on his legs.
Figure X. Putto standing on the rail in front of the mattress (Fig. 85). He
is on the left corner of the lid and is leaning to his left. The weight of the body is
on the right leg, and the left leg is diagonally placed over the right leg. The toes
of the left foot touch the ground at the right of the right foot. He is nude except
for a chlamys draped over the right shoulder fastened with a conical brooch. The
right arm is broken below the elbow. Under the left arm is a body of a bird (a
goose?) the head of which is missing (ancient damage). On the left of the putto is
a head of a horse emerging from the edge of the mattress. There are encrustations
under his right arm and on his feet.
Figure Y1: Female figure reclining on the lid wearing a chiton and a
himation (Fig. 64). She is turned to her left side leaning on her left elbow in a
banqueting position. The left leg is bent below the right one and is not visible.
The left hand is holding the fold of cloth falling over the mattress. The right arm
is broken below the elbow (modern damage), and was probably holding the fold
of cloth up. The marble was roughly blocked out for a portrait head, but it was
never carved. There are encrustations within the folds of her clothes.
Figure Y2: Male figure reclining on the lid at the back of the female figure
(Fig. 63). He is turned to his left side leaning on his left elbow in a banqueting
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