To My Family and Uğraş Uzun - Bilkent University
To My Family and Uğraş Uzun - Bilkent University
To My Family and Uğraş Uzun - Bilkent University
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Wiegartz 1965: 15). It has also been suggested in other sources that the tomb<br />
portal is normally on the left short side, at the feet of the reclining couple (Koch<br />
<strong>and</strong> Sichtermann, 1982: 503). These suggestions certainly do not fit the Antakya<br />
Sarcophagus, whose portal is on the right side, at the head of the reclining people.<br />
The same arrangement is the case for Antalya N (Sarcophagus of Domitias<br />
Filiskas) (Fig. 96). It is possible that the Antakya Sarcophagus <strong>and</strong> Antalya N are<br />
exhibited in the museums with their lids placed on the wrong direction. For the<br />
Antakya Sarcophagus, as mentioned before, the museum officers cannot give any<br />
information whether the lid was actually found as placed in the direction it now<br />
is. However, the unfinished nature of the side with the hunting scene indicates<br />
that this side was to the rear, <strong>and</strong> testifies to the correctness of the lid’s current<br />
position. Consequently, the Antakya Sarcophagus suggests there are exceptions<br />
to the rule that the tomb portal is always on the left side, <strong>and</strong> at the feet of the<br />
reclining couple.<br />
The tomb portal, within the architectural frame, is always closed <strong>and</strong> the<br />
long rectangular panels are usually undecorated, <strong>and</strong> sometimes the surface was<br />
left entirely smooth (Lawrence, 1958: 273). On the Antakya Sarcophagus, the<br />
tomb-portal is divided into two long rectangular panels, otherwise left<br />
unmoulded.<br />
The Romans had a widespread belief in the afterlife, <strong>and</strong> the tomb was<br />
perceived as the house of the dead (domus aeternae) (Wiegartz, 1965: 24;<br />
Ferguson, 1982: 134). The Docimeum columnar sarcophagi in particular, with the<br />
columns forming an architectural frame for the tomb, may have been thought of<br />
as a house or a temple for the dead (Cormack, 1997: 147). Accordingly, the door<br />
motif represented the door of the tomb itself, as well as the “door of death” or the<br />
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