Architecture and Modernity : A Critique

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264 N Nägele, Rainer, 108–109 Negation, 23, 27, 42, 67, 140, 172, 186–188 Negative thought, 129, 136–141, 145, 147 New Objectivity (Neue Sachlichkeit), 121, 122–128, 134–135 Nietzsche, Friedrich, 14, 141 Nihilism, 27, 140–141, 147 Norberg-Schulz, Christian, 18–23, 223 O Offermans, Cyrille, 97 Olbrich, Joseph Maria, 75 Ornament, 5, 28, 64, 78, 95, 111, 122–124 P Pastoral concept of modernity, 5, 13–14, 29, 43, 46, 70, 73–74, 95, 128, 146, 149, 180, 223 Paz, Octavio, 9 Pevsner, Nikolaus, 75 Picasso, Pablo, 39, 189 Piranesi, Giambattista, 168, 170 Plato, 193–194, 196 Poelzig, Hans, 134 Poggioli, Renato, 27 Postmodernism, 12–13 Provos, 157, 160 R Rationalization, 5, 29, 49, 60, 67–68, 129, 132–135, 136, 139, 151 Reification, 184, 186, 187, 191 Rimbaud, Arthur, 158, 185, 191 Rodríguez-Lores, Juan, 68, 69 Ruskin, John, 148 S Sant’Elia, Antonio, 32, 36 Scheerbart, Paul, 32, 100, 110, 140 Schlemmer, Oskar, 66 Schmidt, Hans, 66 Schütte-Lihotsky, Grethe, 49 Schoenberg, Arnold, 80, 204, 206, 207 Schwab, Alex<strong>and</strong>er, 127 Schwitters, Kurt, 66, 130, 137 Sezession, 75, 78 Shklovsky, Viktor, 131 Simmel, Georg, 73–74, 130, 135, 136, 138 Situationism, 6, 150, 151–157 Socialisme ou Barbarie, 150, 156 Spengler, Oswald, 142, 176 Stam, Mart, 33, 47, 50, 51 Surrealism, 67, 131 265
T Tafuri, Manfredo, 5, 53, 69, 117, 128–136, 143–147, 191 Taut, Bruno, 117, 124, 125, 134, 140 Taylorism, 46 Tiedemann, Rolf, 106 Tönnies, Ferdin<strong>and</strong>, 135, 142, 176 Tradition, 9–10, 12, 15, 18, 19, 27, 63–64, 67, 78–79, 93–95, 98–100, 118, 172, 220, 222 Transitory concept of modernity, 11–13, 28, 29, 35–37, 42, 47, 67, 118, 152, 172–173, 175, 183, 217, 223 U Uhlig, G., 68, 69 Umfunktionierung, 118, 126, 127 Unheimlich, 224 Unitary urbanism, 150, 151–155, 158 Unwin, Raymond, 55 Utopia, 53, 118–121, 122, 126–128, 143, 147, 151–152, 172–175, 176, 187, 190, 208, 216 Utzon, Jørn, 39 V Van de Velde, Henry, 95, 111–113, 148 Van Doesburg, Theo, 8, 41, 64, 65, 69, 164 Vaneigem, Raoul, 154–155, 156 W Wagner, Martin, 117, 134 Weber, Max, 11, 135 Werkbund, 75, 78, 124, 140, 148 Wigley, Mark, 195–196 Wittgenstein, Ludwig, 179 Z Zevi, Bruno, 128 Index
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MIT Press | Cambridge, Massachusett
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© 1999 Massachusetts Institute of
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viii Acknowledgments 2 Introduction
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Beauty today can have no other meas
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Introduction This book grew out of
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4 3, “Reflections in a Mirror,”
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6 modern architecture and its disco
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Man must constantly destroy himself
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10 modernity is thus a condition th
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12 view places great emphasis on th
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14 the same time, that threatens to
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16 Truth here is not a state of aff
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18 1 modern, mobile, and unstable s
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20 2 Ludwig Mies van der Rohe, proj
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Place and the organic relationship
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fissure that is typical of modernit
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opposed to every rational ordering
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Pont Transbordeur (1905) and harbor
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served as a guideline for future de
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organized around a sequence of some
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functionality, industry, experiment
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Picasso, L’Arlésienne, 1911-1912
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technologies on the one hand with a
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Giedion’s arguments in Space, Tim
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First issue of Das Neue Frankfurt,
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the stage coach to the railways, fr
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joy a minimum of modern comforts (f
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19 20 Aerial photograph of the Sied
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On the level of the morphology of t
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inaugurate the new era by developin
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houses no longer built face to face
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that the architecture of all the ro
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Westhausen, pedestrian path giving
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The result is a Siedlung in which a
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Theo van Doesburg, Space-Time Const
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Frankfurt were factors that could n
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“A homogeneous metropolitan publi
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The modern was present already, he
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well form an obstacle in the way of
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Josef Hoffmann, Palais Stoclet, Bru
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where it is built. Architects who t
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40 Adolf Loos, Moller House, Vienna
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Adolf Loos, Moller House, axonometr
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ing room is dominated by the dining
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Adolf Loos, Moller House, stairs fr
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exterior is distinguished by the ex
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49 Adolf Loos, house on the Michael
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of the mezzanine the interior fills
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interiors that are decorated by pro
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ecause it is an authentic expressio
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The hallmark of modernity is the de
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Paul Klee, Angelus Novus, 1920. (Th
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tential for reversal (Umschlag), as
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56 57 Passage des Panoramas, Paris,
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ety. This assessment of modern arch
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opposition between allegory and sym
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The primal form of all dwelling is
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had animated genuine humanism. A ne
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the term with flexibility and adapt
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Architecture, Modernity, and Dwelli
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Leipzig. The regime there was initi
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architecture, with all its flamboya
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It goes without saying that communi
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Modernism as a Breaking Point withi
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anything in functionalism that migh
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these views were formulated more pr
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the process of social modernization
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chaos. Tafuri argues, however, that
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Furthermore, as Tafuri points out,
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Paul Citroën, Metropolis, 1923. (R
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with the process of rationalization
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to a “school of resistance.” Un
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Nonetheless, says Dal Co, modern ar
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plays a kind of materialism based o
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never ends definitively. 191 And ye
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ing educational institutions and th
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International situationism was the
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of individuals. The term suggests t
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urbanism. This causes a subversion
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played an important part. The Provo
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Culture has always been created in
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During the first years of New Babyl
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Constant, New Babylon, interior vie
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Constant, New Babylon, drawing, 196
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Constant, New Babylon, labyrinth wi
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Constant, Ode à l’Odéon, 1969.
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Constant, Terrain vague, 1973. (Col
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each the pure kernel of authenticit
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the center of contemporary antinomi
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The final star in Adorno’s conste
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ment, to escape the identifying, to
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and emancipation risk becoming illu
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time as the Dialectic of Enlightenm
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diating between rationality and mim
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thoroughly negative one, showing as
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ut for this gesture. In his analyse
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that determine their condition. In
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For Heidegger the Greek temple is a
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explore the theme of mimesis in any
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fectly. The dream of a perfect auto
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the design process at which an arch
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Daniel Libeskind, extension of the
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Daniel Libeskind, extension of the
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an endless list of names, dates of
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in history, a hole that swallows up
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A Tower of Babel To stay viable aft
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Office for Metropolitan Architectur
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Page 233 and 234: A reflection on dwelling leads one
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Page 239 and 240: Architecture Facing Modernity 1 Epi
Page 241 and 242: Press, 1979). See also Georges Teys
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Page 245 and 246: tently, arrogantly and with loathin
Page 247 and 248: würdigen Unterkunft harren. Wären
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Page 251 and 252: for people. This mask takes a form
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Page 255 and 256: 74 Benjamin, Gesammelte Schriften,
Page 257 and 258: 107 See Benjamin, Berliner Kindheit
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Page 263 and 264: 19 Ibid.: “Nous avons inventé l
Page 265 and 266: 50 Ibid., p. 163; German text: “W
Page 267 and 268: 79 This point of view is related to
Page 269 and 270: 115 Bernhard Schneider, “Daniel L
Page 273 and 274: B Bahr, Hermann, 72-73, 74, 76, 141
Page 275: K Kabbala, 95, 176 Kabouters, 157 K
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