Architecture and Modernity : A Critique
Architecture and Modernity : A Critique
Architecture and Modernity : A Critique
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First issue of Das Neue<br />
Frankfurt, October 1926.<br />
was very considerable; when one<br />
bears in mind that Loos built only a<br />
few villas <strong>and</strong> that Le Corbusier’s<br />
greatest achievement in the 1920s<br />
was a tiny estate in Pessac consisting<br />
of some thirty homes, May’s fifteen<br />
thous<strong>and</strong> is an impressive total<br />
in every respect.<br />
Ideas <strong>and</strong> Intentions<br />
May stated his vision of modernity<br />
<strong>and</strong> the goals he had in mind in a programmatic<br />
article in the first issue of<br />
Das Neue Frankfurt (figure 16). 54 In it<br />
he recalled some major metropolises<br />
of the past that he regarded as ex-<br />
16<br />
amples of “unified complexes of culture”:<br />
Babylon, Thebes, Byzantium,<br />
<strong>and</strong> others. In his own epoch, however,<br />
this notion of a “unified cul-ture” was nowhere to be found. In the nineteenth<br />
century, culture had evolved into a chaos of tendencies with the result that humanity<br />
ran the risk of becoming a slave to its own creations in technology <strong>and</strong> industry.<br />
There was, however, some reason for hope. Paradoxically, the world war produced<br />
a change of direction. People had begun to see through the superficiality of the “worship<br />
of the golden calf,” <strong>and</strong> this change paved the way for a “deeper attitude toward<br />
life.” In this way the foundations were laid for a new homogeneous <strong>and</strong> unified culture,<br />
that would compare favorably with any that had come before.<br />
See how all the evidence of present-day design tends toward a single<br />
conclusion! ..... already streams from a hundred <strong>and</strong> a thous<strong>and</strong><br />
springs, brooks <strong>and</strong> rivulets are coming together which will go to make<br />
up a new culture, a closed culture that will flow forward in a wide bed<br />
like a confident river. Everywhere we come across the endeavor to root<br />
out everything that is feeble, imitative, hypocritical <strong>and</strong> false. Everywhere<br />
we notice the purposeful struggle for a bold new design, for honesty<br />
in the use of materials, <strong>and</strong> for truth. 55<br />
To bring about a breakthrough in this new culture, deliberate steps had to be<br />
taken. That was the task May set himself in Frankfurt, <strong>and</strong> it is in this context that the<br />
magazine Das Neue Frankfurt should be seen:<br />
2 Constructing the Modern Movement