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he <strong>Sikh</strong> <strong>Bulletin</strong> cyq-vYYyswK 542 nwnkSwhI March-April 2010<br />
fools!<br />
<strong>The</strong> next pauree returns to provide a detailed<br />
pronouncement on Gavna. It begins with the question so<br />
dru kyhw so Gru kyhw ijqu bih srb smwly Meaning: what<br />
is the nature of the door and of the abode from within<br />
which God resides? <strong>The</strong> answer is provided in terms of<br />
music, raag, instruments, taal, singing and song.<br />
so dru kyhw so Gru kyhw ijqu bih srb smwly ]<br />
vwjy nwd Anyk AsMKw kyqy vwvxhwry ]<br />
kyqy rwg prI isau khIAin kyqy gwvxhwry ]<br />
gwvih quhno pauxu pwxI bYsMqru gwvY rwjw Drmu duAwry ]<br />
gwvih icqu gupqu iliK jwxih iliK iliK Drmu vIcwry ]<br />
gwvih eIsru brmw dyvI sohin sdw svwry ]<br />
gwvih ieMd iedwsix bYTy dyviqAw dir nwly ]<br />
gwvih isD smwDI AMdir gwvin swD ivcwry ]<br />
gwvin jqI sqI sMqoKI gwvih vIr krwry ]<br />
gwvin pMifq pVin rKIsr jugu jugu vydw nwly ]<br />
gwvih mohxIAw mnu mohin surgw mC pieAwly ]<br />
gwvin rqn aupwey qyry ATsiT qIrQ nwly ]<br />
gwvih joD mhwbl sUrw gwvih KwxI cwry ]<br />
gwvih KMf mMfl vrBMfw kir kir rKy Dwry ]<br />
syeI quDuno gwvih jo quDu Bwvin rqy qyry Bgq rswly ]<br />
hor kyqy gwvin sy mY iciq n Awvin nwnku ikAw vIcwry ]<br />
soeI soeI sdw scu swihbu swcw swcI nweI ]<br />
hY BI hosI jwie n jwsI rcnw ijin rcweI ]<br />
rMgI rMgI BwqI kir kir ijnsI mwieAw ijin aupweI ]<br />
kir kir vyKY kIqw Awpxw ijv iqs dI vifAweI ]<br />
jo iqsu BwvY soeI krsI hukmu n krxw jweI ]<br />
so pwiqswhu swhw pwiqswihbu nwnk rhxu rjweI ]<br />
Melody vibrates Your door step, and countless<br />
musicians play countless instruments, singing countless<br />
raags and songs. <strong>The</strong> wind, water and fire are engaged<br />
in a song. <strong>The</strong> angels who record actions and the judge<br />
who judges also sing at Your door. Shiva, Brahma and<br />
many gods and goddesses, ever adorned, sing. Inder,<br />
seated upon his throne, sings at Your door. <strong>The</strong><br />
Siddhas in meditation sing; the Saadhus sing in<br />
contemplation.<br />
<strong>The</strong> celibates, the truth seekers, the pacifists and the<br />
fearless warriors sing. <strong>The</strong> scholars, who recite the<br />
Vedas, with the supreme sages of all the ages, sing.<br />
<strong>The</strong> celestial bodies created by You, and the sixtyeight<br />
places of pilgrimage sing. <strong>The</strong> brave and mighty<br />
warriors sing; the spiritual heroes and the four sources<br />
of creation sing.<br />
<strong>The</strong> planets and galaxies, created and arranged by<br />
Your Hand, sing. <strong>The</strong>y alone sing, who are pleasing to<br />
Your Will. Your devotees are imbued with the nectar<br />
of Your essence. Many others that do not come to<br />
mind sing. O Nanak, how can I count them all?<br />
<strong>The</strong> Lord is true, forever true, and true is His<br />
existence. He is and shall always be. He shall not<br />
depart, even when this universe which He has created<br />
departs. He created the world, with its various colors<br />
and variety of species. Having created the creation, He<br />
watches over it Himself, by His greatness. He does<br />
what He pleases. No order can be issued to Him. He is<br />
the king, the king of kings, the supreme lord and<br />
master of kings. Nanak remains subject to His will.<br />
Such is the importance of this pauree that it appears<br />
three times in the GGS with very slight poetic<br />
variations. Its second appearance is in Rehras on page<br />
8 of the GGS. In the Rehras version, the word “Terey”<br />
meaning ‘Yours’ appears prominently in every line. It<br />
appears yet again in Aasa Raag on page 347. <strong>The</strong><br />
second appearance of any shabad in the GGS is indeed<br />
rare. That one entire composition on Gavna appears<br />
three times definitely speaks volumes of the<br />
importance of the concept.<br />
<strong>Sikh</strong>i is thus a spiritual and Godly song. <strong>The</strong> essence of<br />
<strong>Sikh</strong> spirituality is Gavna. Guru Nanak introduced<br />
Gavna in pauree three as the first concept of <strong>Sikh</strong>i<br />
practice – right after introducing Hukam as the first<br />
concept of <strong>Sikh</strong> philosophy. He then lays out a<br />
practical flow chart for <strong>Sikh</strong> spirituality that flows out<br />
of Gavna into Suneay which flows into Maney and on<br />
into Parvaan. After the Parvaan pauree Guru Nanak<br />
returns to the concept of the Creator’s supremacy in<br />
order to root this concept firmly in the mind of the<br />
journeying <strong>Sikh</strong>. <strong>The</strong> Baba’s spiritual wisdom<br />
regarding the supremacy of God is established through<br />
ten paurees: the Asankh Aant, Kaytay and the Amul.<br />
Twenty four paurees after introducing Gavna – the<br />
starting point of the flow chart, and after framing<br />
Gavna within the supremacy of the Creator in ten<br />
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