Volume 9–2 (Low Res).pdf

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32 ITC Modern, No.216' Light Italic ABCDEFGHIJK LMNOPQRSTU VWXYZ&12345 67890abcdefgh ijklmrnopqrstia vwxyz$SSf,f% (1.4101ECEJAkt 0Wefi,(:;1.!?-"" *) -1-f§
ITC Modern No. 216"was created within a tradition of delicate and refined typeface designs. Stylistically, it is a pure "Modern" typestyle. This classical revival created by Ed Benguiat captures all the dignity and grace of earlier"Modern" designs, and combines them with the best design standards of our time. ITC Modern No.216" was carefully developed with goals of letterform beauty and maxi- mum readability always in mind. Because of this painstaking attention, ITC Modern No. 216' is applicable to a wide variety of typesetting applications. To attempt to list them would only serve to impose limits on this versatile typestyle. ITC Modern No. 216' can be easily recognized by its vertical weight stress and fine tapered serifs. Character stroke transition is smooth and adds to the overall harmony of this typestyle. The easy flow of the italics has an almost script like feel. In keeping with the ITC tradition, small capitals with smaller lining figures have been designed for the Light and Medium roman weights, providing the type user with additional graphic flexibility. Designer Ed Benguiat is well known for his many typeface designs. More than ten typeface families in the ITC Library are the result of his creative genius. He developed the ITC Avant Garde Gothic' Condensed, ITC Bookman; ITC Lubalin Graph" Oblique, ITC Korinna; and ITC Souvenir® families; and was responsible for the design of ITC Barcelona; ITC Bauhaus; ITC Benguiat® with Condensed, ITC Benguiat Gothic; and ITC Many families. ITC Modern No.216; his most recent release, should prove to be a mainstay of typographic usage. 33
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