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1'0 i., 1. ,i ,.;.1 tÌ-J1l:a ,i-1 . I\.o -fJô -JIfl.UlLlllL i , r-r')i rlr-i-¡lríriì-- Ir, U!i"{ lI l U |J ¡¡lie jede Blüte welkt unci jed-e Jugend- -üem .Alterro¡eicht, btüht jede l,ebensstufe, lltüht jede :'reisheit und jede 'I'ugenci Zu Lhrer ZeLL und darf nicht eivig dau-ern. ¡ìs muss das l-lerz bei jedem Lebensrufe ilereit zum ,libschieC sein unci l$eu-beginn, Um sich in 'I'apferkeit u-ncl ohne Tra-uern In neue a.nd-ere Bindungen zu geben. rie sse
n Qq¡¡Ëi n'¡r ¡'Lutj¿flnvÀ 'l-he airn of this study is to d-evelop an inierpretation of lLrlvin Guid-o fiolbenhe)'erts novel trilogy Paracel-sY$ by examini'ng tire litera-ry per- spectives of jÚhe Paracelsus chene in re;oreseniabj.ve works frora Germany, France, and- England, 1-he central concern is tha-i the li-Uerary representaiions of the .bheroe are cornpound syrnbols of organic human grotuth or Bilduqg, and thai ihese v,¡orks give expression to the rnysreriou.sly niagnetic qualì ty oí a hu¡nan ctestiny con- cej.ved as both sYnbol and rnYth' i]uetothegreatnu¡berofliteraryrvorksin r¡¡hich this therne has been handled it has been necessary to fotlolu selective rather than cornprehensive principles' .ilhe scope of i;his study is thus lirnited by the principle that a judicious selecfion of literar¡¡ works serves to denonstrate the significance of the therne withou-t d-is- turbing the thernatic paitern. This principle is based on the und-erstanding tha.t lParacelsusl and f Fau.stusr represent essentiaS-ly interchangeable themes and that the works so selected represent the theme i¡i a crucial viay" The s-,,ufLy proceeds from historical consideratÍons to ihose of' Iegenci, rnyth, and literatu're' 'theclesj.gnofthestud.yconsistsindevelopÍng the evenfu-al interpretation of liolbenheyerls ulork in four stages: a representation of the historical figure
Page 1: PARC,Ji,íitiS l\S r.\ THLi.iX ril
Page 5 and 6: PARÀCITLSUS AS Ä. TII¡;JL,iE IiV
Page 7 and 8: t_ l_ and to hurnanity as whole, Ï
Page 9 and 10: Ii\t'I'R0DUCTf Oi,f The aim of ihis
Page 11 and 12: a )ø has become alienaieci" å rev
Page 13 and 14: )r happens, both the idea and the t
Page 15 and 16: n to rtBlsËu beruft ein Bu-och ze
Page 17 and 18: u je saicl is tha'ü these at best
Page 19 and 20: II. the iinplications of the creati
Page 21 and 22: L2" Paracelsus vras impatient of ex
Page 23 and 24: Ll+" ilasbern Europe. It is signifi
Page 25 and 26: 1/ro. If his teachings and atti-r,u
Page 27 and 28: ad IU6 writingsinthesediffererrtd.i
Page 29 and 30: ^^ áU" Towards his fortieth year P
Page 31 and 32: ^4áø organic Processes alive in c
Page 33 and 34: ?Lþ " Faracelsian trairs upon Ehe
Page 35 and 36: 26" s'ûem in large trleÐ-slrÏ"e
Page 37 and 38: ?s. literaiure (Dichtu-ng) is boih
Page 39 and 40: FARAC¡iLSUii: Cfl,,tPT$R Til'O Tii
Page 41 and 42: 3?. research, he is often much more
Page 43 and 44: 3r+ " the acquisiùÍon of knowledg
Page 46 and 47: 37" in den allen soll ihm nichts ge
Page 48 and 49: a^ )'/ø Gold v¡as fhe inost highl
Page 50 and 51: 1.1 :,ithi¡r the baíÍ'lin¡; cor
Page 52 and 53:
+)" 'Ihat the rrryth of the Faracel
Page 54 and 55:
tr +/ o and castigaiion. Gerberb, f
Page 56 and 57:
tñ 4(. conscientiou_s belief or pr
Page 58 and 59:
Lþ9 ' lines r+Ïrich relate that P
Page 60 and 61:
hl )L o a balance or poin't of reco
Page 62 and 63:
Ci.il{PfdR T|IREE T'f-Ìiì-{E Púl
Page 64 and 65:
,>" cannot repent. Tet rryithin thi
Page 66 and 67:
fñ ./l ø the historical Paracelsu
Page 68 and 69:
59" n^n^+ r¡¡r aoa êcrrre.s to e
Page 70 and 71:
O!. Within the contexb of Ìilarlol
Page 72 and 73:
^ ^4 vJ o ¡'austus eilcolnpasses i
Page 74 and 75:
nh vj. recogniriolr of' this inexor
Page 76 and 77:
Goebhe: tr'a-usi 67" Goethe?s i¡au
Page 78 and 79:
09, an image iviricir reflecis l;he
Page 80 and 81:
7L" the satûe tirne he has contem
Page 82 and 83:
(). confused r^rorl d of fantas¡'
Page 84 and 85:
t), to the eterni.tlr of the su-n t
Page 86 and 87:
. tt j I l¿ then by 'r,he fruic o
Page 88 and 89:
79" -ihe concluding line of this sc
Page 90 and 91:
ql U: ø of i'omantic longing-, he
Page 92 and 93:
Ê? v) o conclu.de with a quesiion
Page 94 and 95:
85. irr the dress of a clerp,)'rtan
Page 96 and 97:
ð^ñ ,3i, in e.-ri.sience i bl. hi
Page 98 and 99:
AO r.¡hich stancls in su:ch slrar.
Page 100 and 101:
91" i^¡ou-Id- be tnor.e ju.s-uifie
Page 102 and 103:
O? ./J ê nricrocosm to macrocosrÌ
Page 104 and 105:
95. a pause wi'[h knor',¡Iedge, an
Page 106 and 107:
(\ t'1 Al. confession of the naËLr
Page 108 and 109:
99" lrGodl Thou. art lovet , bu.ild
Page 110 and 111:
tOr " enct päSSjons. Ii i5 in this
Page 112 and 113:
03. d-espii;e his in.üenticns" ÎT
Page 114 and 115:
Schni tzle:: ira::acelsu-s LV )/ ë
Page 116 and 117:
107. fell sirort of sus'i;aining" ,
Page 118 and 119:
109. pervades the v¡hole fabri-c o
Page 120 and 121:
tlL Uno alles Lebens lrülte unc Ve
Page 122 and 123:
Ir3 -.rt',¡in CuiCo 1''olbenheYer:
Page 124 and 125:
ttÃ LL ) . so that each r.,voi'k c
Page 126 and 127:
LL7 " reflection of '¿he ciiijlere
Page 128 and 129:
1rg" ôf the ¿|l so'6r-'i n:ì -nr
Page 130 and 131:
121. nl yrv:ggvp, oi ¡rìes â g e
Page 132 and 133:
| /< Ltu) ' i4enschen-Herzen gehen,
Page 134 and 135:
I Lk ^,- ) ø has fu-sed his con"ù
Page 136 and 137:
L2'7 " qf.¡¡ï.rn hi s ha¡rt qi
Page 138 and 139:
Lzg " iïanderer to the ,Ùeggar ha
Page 140 and 141:
t
Page 142 and 143:
1?? L) ) ë clevelopments oí tire
Page 144 and 145:
1-r L2 -/ o throu.gh each of these
Page 146 and 147:
1 2') L-) I o rela-tivii:5' of ti-r
Page 148 and 149:
jl ¡L ^ L39. jlì -^i I n ¡¡rr
Page 150 and 151:
l4l " in+a-a^-¡n+-o#-ìnn of ihe p
Page 152 and 153:
LL?. anc'bh.e need io enieri;he r"
Page 154 and 155:
| /, ¿\ L+/. scene of ihe great pi
Page 156 and 157:
Ll+7' The siinilarit5r betr,;een th
Page 158 and 159:
L49. creatu-reliness. It is the i:r
Page 160 and 161:
I Tf !JLø universal" This iraolies
Page 162 and 163:
1 Ta L./-/ 6 sc:civing fi¡:r,:-re
Page 164 and 165:
L>> " dialectical, as no .i:hir"d.
Page 166 and 167:
1 8,',1 L) I ' Llnirji oÍ the work
Page 168 and 169:
1 r^ L-/./ 6 enhâneerJ br¡ the pr
Page 170 and 171:
\ a-1 LOI hirii for )rears, ancì w
Page 172 and 173:
a /^ Lo). dition of lul-ira-ho¡rri
Page 174 and 175:
1^x LV)O reítiains ever alive to .
Page 176 and 177:
L67 " lra-::acaLsr-isI couccpr oÍ'
Page 178 and 179:
j.IPP¡]iiiJTC¡S
Page 180 and 181:
L7L " riPP!,ìrjIX A (contld) ^^r--
Page 182 and 183:
¡-ra-lLz i1."ein, ire-racQlsus v,
Page 184 and 185:
L75 ÀPPriii\Dt-X D ( con-tr d") Un
Page 186 and 187:
1'7'7 LI I O llcTds Tü rlr{TIr,0li
Page 188 and 189:
L79, L9 " irara-celsus, in Agnes il
Page 190 and 191:
.\1 IöI o 7 " Pa.raceJ-su-s, tbic1
Page 192 and 193:
Chri st.onher i;aflowe u vv lJ¿¡v
Page 194 and 195:
lB5 " 35" Goether op. cii., Ð. 2O,
Page 196 and 197:
-urc1\rnr-nå 1 cirl Lal. i\0'i ji3
Page 198 and 199:
f ci^ LOJ o )3. Pèr'e Teilhano de
Page 200 and 201:
76" 77" ñ.1 lo o tbicl,, :[]ri rl
Page 202 and 203:
T i t orr r.i¡ t'nrlrrII UUt G¿ Y
Page 204 and 205:
L95. jleVaire, 'dillia-m ci¡rcìs,
Page 206 and 207:
]O? LJ ! O äa¡'nondr - ',rii11t"t
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