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iii made it such a po$rerful syrûbol of mants striving for knowledge. The contact r,r¡ith a human being struggling towards a breaking through the limicatlons of his owrl self, society, and age remains aL the root of its irresistible attraction anci challenge" The various personal meens by which authors have handled this theme cornpound the symbols of the Promethean flame of knoin¡Iedge anci the alchemic fire,
Ii\t'I'R0DUCTf Oi,f The aim of ihis stud¡r f5 to examine the literary perspectives of the ParaceLsus 'ûheme with due attenbion being given to representative works from Germany, France, ^-^ ,'* cã.tf \1 lrró-Ld-trLt -"'ì ^É.ì o 't'irc t¿ru ori v¿ +ÉrJ¡ øi n of vt the theme demands bhat emphasis be placed upon Gerrnan literature, yet t,he comparison with works froin ängland and France serves to establish iLs universal appeal. T'he work under principal consicieration is Kolbenheyerîs Paracelsus, a German novel written in this century for conteroporary read.ers, which both in language and theme takes one back to che century concerned. It is central to this studv that the literarv renditions of the theme are esseniially compound symbols of organJ-c human growth or l3ildUng. The Gerrnan word for syrnbol, Sinnbild (picture or image of meaning), suggests the timeless quality of the message which continually takes on new meanings corlrmensurate wiËh the understand-ing brought to bear upon it. The life-force of the works is their symbolic value, and as Paracelsus himself wrote: 1r...the more accomplished an arList would be, the more necesçar]. it is õhat he master the arõ of signs"..tl ro The scope of this study r,vill be limited by the principle that a judicious selection of liberary rvorks will serve to demonstrate the significance of the theme iuithout any detrimental result. 'l'his prínciple is baseci on bhe understanci-ing that tParacelsusf and lFaustusr
Page 1 and 2: PARC,Ji,íitiS l\S r.\ THLi.iX ril
Page 3 and 4: n Qq¡¡Ëi n'¡r ¡'Lutj¿flnvÀ '
Page 5 and 6: PARÀCITLSUS AS Ä. TII¡;JL,iE IiV
Page 7: t_ l_ and to hurnanity as whole, Ï
Page 11 and 12: a )ø has become alienaieci" å rev
Page 13 and 14: )r happens, both the idea and the t
Page 15 and 16: n to rtBlsËu beruft ein Bu-och ze
Page 17 and 18: u je saicl is tha'ü these at best
Page 19 and 20: II. the iinplications of the creati
Page 21 and 22: L2" Paracelsus vras impatient of ex
Page 23 and 24: Ll+" ilasbern Europe. It is signifi
Page 25 and 26: 1/ro. If his teachings and atti-r,u
Page 27 and 28: ad IU6 writingsinthesediffererrtd.i
Page 29 and 30: ^^ áU" Towards his fortieth year P
Page 31 and 32: ^4áø organic Processes alive in c
Page 33 and 34: ?Lþ " Faracelsian trairs upon Ehe
Page 35 and 36: 26" s'ûem in large trleÐ-slrÏ"e
Page 37 and 38: ?s. literaiure (Dichtu-ng) is boih
Page 39 and 40: FARAC¡iLSUii: Cfl,,tPT$R Til'O Tii
Page 41 and 42: 3?. research, he is often much more
Page 43 and 44: 3r+ " the acquisiùÍon of knowledg
Page 46 and 47: 37" in den allen soll ihm nichts ge
Page 48 and 49: a^ )'/ø Gold v¡as fhe inost highl
Page 50 and 51: 1.1 :,ithi¡r the baíÍ'lin¡; cor
Page 52 and 53: +)" 'Ihat the rrryth of the Faracel
Page 54 and 55: tr +/ o and castigaiion. Gerberb, f
Page 56 and 57: tñ 4(. conscientiou_s belief or pr
Page 58 and 59:
Lþ9 ' lines r+Ïrich relate that P
Page 60 and 61:
hl )L o a balance or poin't of reco
Page 62 and 63:
Ci.il{PfdR T|IREE T'f-Ìiì-{E Púl
Page 64 and 65:
,>" cannot repent. Tet rryithin thi
Page 66 and 67:
fñ ./l ø the historical Paracelsu
Page 68 and 69:
59" n^n^+ r¡¡r aoa êcrrre.s to e
Page 70 and 71:
O!. Within the contexb of Ìilarlol
Page 72 and 73:
^ ^4 vJ o ¡'austus eilcolnpasses i
Page 74 and 75:
nh vj. recogniriolr of' this inexor
Page 76 and 77:
Goebhe: tr'a-usi 67" Goethe?s i¡au
Page 78 and 79:
09, an image iviricir reflecis l;he
Page 80 and 81:
7L" the satûe tirne he has contem
Page 82 and 83:
(). confused r^rorl d of fantas¡'
Page 84 and 85:
t), to the eterni.tlr of the su-n t
Page 86 and 87:
. tt j I l¿ then by 'r,he fruic o
Page 88 and 89:
79" -ihe concluding line of this sc
Page 90 and 91:
ql U: ø of i'omantic longing-, he
Page 92 and 93:
Ê? v) o conclu.de with a quesiion
Page 94 and 95:
85. irr the dress of a clerp,)'rtan
Page 96 and 97:
ð^ñ ,3i, in e.-ri.sience i bl. hi
Page 98 and 99:
AO r.¡hich stancls in su:ch slrar.
Page 100 and 101:
91" i^¡ou-Id- be tnor.e ju.s-uifie
Page 102 and 103:
O? ./J ê nricrocosm to macrocosrÌ
Page 104 and 105:
95. a pause wi'[h knor',¡Iedge, an
Page 106 and 107:
(\ t'1 Al. confession of the naËLr
Page 108 and 109:
99" lrGodl Thou. art lovet , bu.ild
Page 110 and 111:
tOr " enct päSSjons. Ii i5 in this
Page 112 and 113:
03. d-espii;e his in.üenticns" ÎT
Page 114 and 115:
Schni tzle:: ira::acelsu-s LV )/ ë
Page 116 and 117:
107. fell sirort of sus'i;aining" ,
Page 118 and 119:
109. pervades the v¡hole fabri-c o
Page 120 and 121:
tlL Uno alles Lebens lrülte unc Ve
Page 122 and 123:
Ir3 -.rt',¡in CuiCo 1''olbenheYer:
Page 124 and 125:
ttÃ LL ) . so that each r.,voi'k c
Page 126 and 127:
LL7 " reflection of '¿he ciiijlere
Page 128 and 129:
1rg" ôf the ¿|l so'6r-'i n:ì -nr
Page 130 and 131:
121. nl yrv:ggvp, oi ¡rìes â g e
Page 132 and 133:
| /< Ltu) ' i4enschen-Herzen gehen,
Page 134 and 135:
I Lk ^,- ) ø has fu-sed his con"ù
Page 136 and 137:
L2'7 " qf.¡¡ï.rn hi s ha¡rt qi
Page 138 and 139:
Lzg " iïanderer to the ,Ùeggar ha
Page 140 and 141:
t
Page 142 and 143:
1?? L) ) ë clevelopments oí tire
Page 144 and 145:
1-r L2 -/ o throu.gh each of these
Page 146 and 147:
1 2') L-) I o rela-tivii:5' of ti-r
Page 148 and 149:
jl ¡L ^ L39. jlì -^i I n ¡¡rr
Page 150 and 151:
l4l " in+a-a^-¡n+-o#-ìnn of ihe p
Page 152 and 153:
LL?. anc'bh.e need io enieri;he r"
Page 154 and 155:
| /, ¿\ L+/. scene of ihe great pi
Page 156 and 157:
Ll+7' The siinilarit5r betr,;een th
Page 158 and 159:
L49. creatu-reliness. It is the i:r
Page 160 and 161:
I Tf !JLø universal" This iraolies
Page 162 and 163:
1 Ta L./-/ 6 sc:civing fi¡:r,:-re
Page 164 and 165:
L>> " dialectical, as no .i:hir"d.
Page 166 and 167:
1 8,',1 L) I ' Llnirji oÍ the work
Page 168 and 169:
1 r^ L-/./ 6 enhâneerJ br¡ the pr
Page 170 and 171:
\ a-1 LOI hirii for )rears, ancì w
Page 172 and 173:
a /^ Lo). dition of lul-ira-ho¡rri
Page 174 and 175:
1^x LV)O reítiains ever alive to .
Page 176 and 177:
L67 " lra-::acaLsr-isI couccpr oÍ'
Page 178 and 179:
j.IPP¡]iiiJTC¡S
Page 180 and 181:
L7L " riPP!,ìrjIX A (contld) ^^r--
Page 182 and 183:
¡-ra-lLz i1."ein, ire-racQlsus v,
Page 184 and 185:
L75 ÀPPriii\Dt-X D ( con-tr d") Un
Page 186 and 187:
1'7'7 LI I O llcTds Tü rlr{TIr,0li
Page 188 and 189:
L79, L9 " irara-celsus, in Agnes il
Page 190 and 191:
.\1 IöI o 7 " Pa.raceJ-su-s, tbic1
Page 192 and 193:
Chri st.onher i;aflowe u vv lJ¿¡v
Page 194 and 195:
lB5 " 35" Goether op. cii., Ð. 2O,
Page 196 and 197:
-urc1\rnr-nå 1 cirl Lal. i\0'i ji3
Page 198 and 199:
f ci^ LOJ o )3. Pèr'e Teilhano de
Page 200 and 201:
76" 77" ñ.1 lo o tbicl,, :[]ri rl
Page 202 and 203:
T i t orr r.i¡ t'nrlrrII UUt G¿ Y
Page 204 and 205:
L95. jleVaire, 'dillia-m ci¡rcìs,
Page 206 and 207:
]O? LJ ! O äa¡'nondr - ',rii11t"t
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