Astrological Mythology The Meaning of ... - Mandhata Global

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movement could not be considered to be dead. Since the wheel of creation can rotate only when both life and death equally participate in the process, the Universal Mother Aditi approached Martanda, the Sun, to undertake the function of cosmic ideation and in deference to the will of his mother he created day and night as symbols of life and death. It is believed that on dissolution, when the role of the visible Sun is over, all the immortal suns will once again shine in their radiance. This allegory emphasizes the importance of death as an integral part of creation. The egg is a symbol of potential life. The Sun as the creator of life and death is necessarily the beginning and the end, the alpha and the omega. That the Sun came out of the egg also shows that it contains within itself all the potentials of growth and development. The world that we perceive around us is merely an externalization of the Sun's inner powers. The manifestation of the universe is like the swelling of the eternal womb, expanding from within to without, like the bud of the lotus which contains within itself the full potential of all the creative force from which it has arisen. The primary function of the Sun is to externalize what is contained in it. The geometrical symbol of the Sun as the circle with a central point shows this idea of extcrnalizalion with the central point swelling and expanding outward as the periphery of the circle. The central point gradually expands in the evolutionary process until the limit imposed by the circumference is reached which becomes the death of the evolving spirit. In this sense the central point represents origin and birth and the circumference is the end or death. The area circumscribed demarcates the realm of manifestation. Once the restrictive limit imposed by the circumference is reached the life-wave recedes, finally merging back into the central point. It indicates the rhythmic circularity of the evolving spirit. The Sun is therefore essentially one its own eternal nature, Sadaikarupa, the changeless and immutable Self, while in manifestation it is named as Ekaneka-rupa, the One that becomes many. The Sun is eternal as well as transient, both unity and multiplicity. He is the cause of the creation but also part of it and one with it. In the process of his descent to the lower planes of manifestation the Sun is given different names which indicate the level of his expression. These are: 1. THE MAHAPURUSHA OR PARAMATMAN The Supreme Spirit. 2. ATMANORPURVAJA The living spirit of nature
3. INDRIYATMAN OR HRISHIRESHA The intellectual soul. 4. BHUTATMAN The life soul 5. KSHETRAJNA The embodied soul or spirit in matter. 6. BHRANTIDARSHANATA False perception, the material universe. The solar deity is the Primordial Essence, the Atman of the universe. During the course of the evolutionary process it assumes different forms at different levels, but also pervades the universe with its radiant energy and remains in wholeness by itself. The visible Sun can be considered the heart of the solar system while its brain is the solar deity behind it. From it sensation is radiated into every nerve centre of the great body and waves of the lifeessence flow into each artery and vein of the solar system. The planets are the limbs and pulsations of the Sun. Describing the lineage of the Sun, Surya is said to be the son of Kashyapa and Aditi. Kashyapa is a designation used to refer to several degrees of creative energies. In the Vedas he figures in an important way. As a Prajapati or Creator he fathered gods, demons, men, beasts, birds and reptiles. According to the Mahabharata and other accounts, he married Aditi and twelve other daughters of Daksha. He begot the twelve Adityas through Aditi, and from Dili (which means splitting or division) he fathered the Daityas or demons. Surya, our Sun, was the eighth Aditya born to Aditi and Kashyapa. The Sun belongs to a large family with many brothers and sisters. The Sun married the daughter of the celestial architect Vishwakanna, who was called Twashtri or Sanja, but his radiance was unbearable to her. Vishwakanna cut the solar effulgence into several parts from which he made Shiva's trident, Vishnu's disc, Kubera's mace, Yama's rod and Skanda's spear, all of which are invincible weapons. With a view to visiting her parents, Twashtri put her shadow called Chhaya in attendance on the Sun and left him. The Sun became infatuated with Chhaya and through her begot the planet Saturn. Later on, when Twashtri returned to her husband she was dismayed by his union with her shadow and left to wander in the form of a
Page 1 and 2: Contents Part I: Astrological Mytho
Page 3 and 4: Magha Purva Phalguni Uttara Phalgun
Page 5 and 6: The medium of expression for impart
Page 7 and 8: Whether the symbol is a natural obj
Page 9 and 10: churning of the ocean under which t
Page 11 and 12: elationship is represented as the T
Page 13 and 14: y a circle with a central point. Th
Page 15 and 16: The circumference has yet other cha
Page 17 and 18: down even his own body for the task
Page 19 and 20: 1 THE SUN SURYA Hindus give great i
Page 21 and 22: action in the world. Lastly the sym
Page 23: Vivaswat, the early morning, a name
Page 27 and 28: light who guide the evolution of th
Page 29 and 30: The first ray is called Sushumna. I
Page 31 and 32: life and its various expressions ex
Page 33 and 34: indication of surging emotions like
Page 35 and 36: drink of the gods, which it pours d
Page 37 and 38: This led to a war in heaven. The Go
Page 39 and 40: This story emphasizes the helplessn
Page 41 and 42: Kosha or Intelligence sheath (relat
Page 43 and 44: Vishnu, the preserver of the univer
Page 45 and 46: The energy which illumines the mind
Page 47 and 48: superimposed at the top of the circ
Page 49 and 50: individual will become debauched or
Page 51 and 52: of energy as Shukra and assigned it
Page 53 and 54: The marriage of Devayani, daughter
Page 55 and 56: the working of karma. Though he kne
Page 57 and 58: from boundless thirst for the unkno
Page 59 and 60: planet represented by its geometric
Page 61 and 62: Narayana lays on his serpent-coiled
Page 63 and 64: existence which makes them vital an
Page 65 and 66: desire to experience the pleasures
Page 67 and 68: the esoteric. With great patience a
Page 69 and 70: instead of an arc. This difference
Page 71 and 72: Saturn is known as "Shanishcharacha
Page 73 and 74: These are: 1. WILL Working on the S
Page 75 and 76:
nothing to hold on to and feel secu
Page 77 and 78:
the universe. Garuda was an elder b
Page 79 and 80:
In Western thought, Saturn is repre
Page 81 and 82:
unconventional, even perverse. What
Page 83 and 84:
These predictive possibilities of R
Page 85 and 86:
Sun is obscured by Rahu, it portend
Page 87 and 88:
Rahu as always ready to bestow on h
Page 89 and 90:
protection by higher forces. But th
Page 91 and 92:
9 KETU THE SOUTH NODE OF THE MOON K
Page 93 and 94:
ehind the veil of objective manifes
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Kelu is born under Abhijit. This as
Page 97 and 98:
gone beyond illusion. They both pro
Page 99 and 100:
1. Aries 2. Taurus 3. Gemini 4. Can
Page 101 and 102:
1 ARIES Mesha Aries is symbolized b
Page 103 and 104:
sign are highly creative but have m
Page 105 and 106:
From the standpoint of the supreme
Page 107 and 108:
Taurus represents the stage of cosm
Page 109 and 110:
Divine energy, the Gemini impulse b
Page 111 and 112:
4 CANCER KARKATA Cancer, the fourth
Page 113 and 114:
connection with its original elemen
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At this stage in cosmogenesis, the
Page 117 and 118:
arc shows that the ultimate goal of
Page 119 and 120:
for the fructification of all human
Page 121 and 122:
it acquires knowledge and power of
Page 123 and 124:
attachment to matter and awaken the
Page 125 and 126:
expansion as the material sheath be
Page 127 and 128:
sign as well as the scorpion and th
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divinity, though still beset with t
Page 131 and 132:
there is the union between the conc
Page 133 and 134:
The crocodile as a symbol of Capric
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special benediction, guidance, and
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Ganymede, the object of lust person
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the fish was important to them beca
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super-terrestrial Adam and his thre
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These lunar mansions appear in Chin
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This allegory describes the beginni
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2 BHARANI Bhatani extends from 13°
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conform to his highest ideals. He h
Page 151 and 152:
the soul and enables them to operat
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entire manifestation, which concret
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Rohini leads the soul into the mund
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In both these myths, Tara, the wife
Page 159 and 160:
y Mercury. Its symbol is a human he
Page 161 and 162:
7 PUNARVASU Punarvasu extends from
Page 163 and 164:
The same idea is expressed by the s
Page 165 and 166:
have been demarcated and the necess
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absorbed into its own system. It is
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necessary for completing its mundan
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During the course of one's hectic l
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12 UTTAM PHALGUNI Uttara Phalguni,
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13 HASTA Hasta extends from 160° 0
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consciousness, there is no real dif
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momentary flash becomes the guiding
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affected by the surrounding environ
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Vishakha stands for transformation.
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of vague disillusionment with the s
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pain and anguish. Under Anuradha th
Page 189 and 190:
forefinger. It is the reward he has
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19 MULA Mula extends from 240° 00'
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One feels extremely disturbed if im
Page 195 and 196:
veils the Supreme force energizing
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physical garb trying to purify and
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have already attained their status
Page 201 and 202:
peripheral activities are trimmed,
Page 203 and 204:
with universal sympathy and compass
Page 205 and 206:
evolutionary process. In human bein
Page 207 and 208:
as ordained to him; the direction c
Page 209 and 210:
with speech and action. Where these
Page 211 and 212:
etween a warrior and a cow. The sym
Page 213 and 214:
individual towards liberation but i
Page 215:
The exaltation of Venus in the last
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