Evidence of Bad Character in Criminal ... - Law Commission
Evidence of Bad Character in Criminal ... - Law Commission
Evidence of Bad Character in Criminal ... - Law Commission
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(2) C, hav<strong>in</strong>g become aware that E has made allegations aga<strong>in</strong>st D, goes to the<br />
police (or responds to a trawl by <strong>in</strong>vestigators) to make false allegations on her<br />
own <strong>in</strong>itiative.<br />
(3) F and G make an agreement both to say that D was wear<strong>in</strong>g a dark blue top.<br />
They may be pool<strong>in</strong>g their recollection and honestly agree<strong>in</strong>g what their<br />
recollection must have been. Neither <strong>of</strong> them may be sure what colour he was<br />
wear<strong>in</strong>g but they agree to say the same th<strong>in</strong>g so as to give the impression that they<br />
are sure. The agreement may be the result <strong>of</strong> negotiation <strong>in</strong> which F is persuaded<br />
by G, or agrees without really be<strong>in</strong>g persuaded, to adopt G’s recollection.<br />
(4) H learns that J has said D’s top was blue, and decides to change or add to her<br />
evidence to the same effect, without collud<strong>in</strong>g with J at all. She may be tell<strong>in</strong>g a<br />
deliberate lie, or have been unconfident about what colour D’s top was and so, on<br />
hear<strong>in</strong>g that J th<strong>in</strong>ks it was dark blue, resolves that she will also say it was dark<br />
blue, and believes she was mistaken <strong>in</strong> th<strong>in</strong>k<strong>in</strong>g it might have been green. In this<br />
scenario, the alteration is conscious, but there is no collusion <strong>in</strong> the sense <strong>of</strong><br />
conspiracy.<br />
(5) K is unconsciously <strong>in</strong>fluenced by L and changes her recollection and account<br />
so that she too says D was wear<strong>in</strong>g a dark blue top, without be<strong>in</strong>g aware that she<br />
has changed it. That is Lord Mustill’s “<strong>in</strong>nocent <strong>in</strong>fection”.<br />
15.5 Situations (1) and (3) <strong>in</strong>volve collusion (<strong>in</strong> the first, complete concoction, and <strong>in</strong><br />
the third, collusion as to an element <strong>of</strong> the evidence) and (1) and (2) <strong>in</strong>volve<br />
concoction. Situations (2), (4) and (5) may all be described as “contam<strong>in</strong>ation”,<br />
but only (5) is “<strong>in</strong>nocent <strong>in</strong>fection”.<br />
15.6 It is mistaken to correlate collusion as <strong>in</strong> (3) with false allegations, and<br />
contam<strong>in</strong>ation (as <strong>in</strong> (4) or (5)) with an essentially truthful story. F and G may<br />
be essentially right that D did what they allege, even though they have agreed to<br />
gild the lily to make it sound better. Conversely, K’s central allegation, which<br />
chimes with L’s through <strong>in</strong>nocent <strong>in</strong>fection, may be a complete (though<br />
unwitt<strong>in</strong>g) fabrication.<br />
15.7 A jury or bench <strong>of</strong> magistrates could allow that there had been collusion (<strong>in</strong> the<br />
sense <strong>of</strong> (3) or contam<strong>in</strong>ation (as <strong>in</strong> (4) or (5)) and yet properly convict. They<br />
could not, though, accept the falsity <strong>of</strong> concoction (1) and properly convict. In<br />
(2) they could only properly convict <strong>of</strong> E’s allegations, not C’s.<br />
THE QUALITY OF EVIDENCE AND ADMISSIBILITY<br />
15.8 Contam<strong>in</strong>ation and collusion have the potential to affect decisions at two stages<br />
<strong>in</strong> the trial: at the time the evidence is ruled admissible or <strong>in</strong>admissible, and after<br />
the evidence has been given. We now consider what view the court should take <strong>of</strong><br />
the quality <strong>of</strong> bad character evidence at the time <strong>of</strong> rul<strong>in</strong>g on admissibility.<br />
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