online environment, which makes them look <strong>more</strong> approachable <strong>to</strong> other cus<strong>to</strong>mers. These online fans are also offline cus<strong>to</strong>mers that might vis<strong>it</strong> the actual museum. 57
4 METHODOLOGY In order <strong>to</strong> find out what Finnish art museums do in social media, w<strong>it</strong>h respect <strong>to</strong> their cus<strong>to</strong>mer relationships, in-depth interviews w<strong>it</strong>h the museum staff are required. The aim is <strong>to</strong> find out also the underling thoughts behind the actions of the museums, which requires qual<strong>it</strong>ative methods. Qual<strong>it</strong>ative methods allow a <strong>more</strong> thorough investigation of the <strong>to</strong>pic, separately w<strong>it</strong>h each informant. (see e.g. Rasmussen, Östergaard & Beckmann, 2006, 94). Previous l<strong>it</strong>erature creates the frame of reference for the present research, offering a context for the findings. Primary data, then again, is compiled from in-depth interviews. The un<strong>it</strong> of analysis for the present research is an art museum in Finland. The aim of the research is <strong>to</strong> find out the current state of affairs in utilizing social media in the Finnish art museums, thus the context of the research is Finnish art museums. The present research does not strive for comparisons of the different un<strong>it</strong>s of analysis, as the comparison of different quant<strong>it</strong>ative data can be tricky (see e.g. Pöntinen, 2004, 42). Rather, the aim is at forming a general idea on how social media is utilized in the museum field. The study design of the present research is deductive, instead of inductive. In an inductive research general conclusions are drawn from empirical observations. Then again in deduction, a research already has a setting; a frame of theoretical reference. (Ghauri, Grönhaug & Kristianslund, 1995, 9). 4.1 Un<strong>it</strong>s of analysis According <strong>to</strong> the museot.fi service (Museoli<strong>it</strong><strong>to</strong>, 2011) <strong>there</strong> are 68 museums, listed as art museums, in Finland (see Appendix 1). In the election of the museums <strong>to</strong> be studied, the 68 organizations were divided according <strong>to</strong> two fac<strong>to</strong>rs: their geographical location, and their size. The first fac<strong>to</strong>r, the geographical location of the museum, was included in<strong>to</strong> the cr<strong>it</strong>eria of which museums <strong>to</strong> include in<strong>to</strong> the research, in order <strong>to</strong> get as wide range of different un<strong>it</strong>s of analysis as possible. Only one museum per <strong>to</strong>wn in Finland was included in<strong>to</strong> the research. The second fac<strong>to</strong>r, the size of the museum, in this research is based on the number of visi<strong>to</strong>rs w<strong>it</strong>hin the year 2009, the most vis<strong>it</strong>ed museums being the largest ones. The ones chosen <strong>to</strong> the research, however, are not only the largest museums, but all sizes; large, medium and small museums. The different sized museums were elected <strong>to</strong> the sample in order <strong>to</strong> get a <strong>more</strong> comprehensive take on the subject, and not <strong>to</strong> dis<strong>to</strong>rt the results only from the perspective of larger museums. 58
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Is there more to it than posting a
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Tiivistelmä Tämä tutkimus osalli
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5 FINDINGS OF THE RESEARCH ........
- Page 7 and 8: 1 INTRODUCTION “Winning and keepi
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- Page 27 and 28: fact that a service is created at t
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- Page 49 and 50: 3.5.1 Social media applications Soc
- Page 51 and 52: & Leighton 2011). Kozinets et al. (
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- Page 103 and 104: 8 REFERENCES Alasuutari, P. Laadull
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- Page 107 and 108: Grönroos Christian. ”Service Qua
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McDaniel Clay. ”3 Key Metrics To
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Passebois Juliette & Philippe Aurie
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Sorav Jain. ”40 Most Popular Soci
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APPENDIX 1: List of Finnish art mus