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Animal Influence I - Antennae The Journal of Nature in Visual Culture

Animal Influence I - Antennae The Journal of Nature in Visual Culture

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Kelty McK<strong>in</strong>non<br />

Janet Rosenberg and Associates’ Red / Research Evolve Design, competition f<strong>in</strong>alist<br />

ecosystem conditions. Climate change will result<br />

<strong>in</strong> evolv<strong>in</strong>g migration patterns- scientists estimate<br />

migrational behaviour will shift over the next 30<br />

years. Ol<strong>in</strong> created habitat modules, similar to a<br />

green ro<strong>of</strong>, which allows vegetation to be easily<br />

<strong>in</strong>serted and removed from the bridge’s structural<br />

grid, should the need arise to change habitat<br />

type. <strong>The</strong>se habitat modules would be glassre<strong>in</strong>forced<br />

plastic trays that arrive on the site preplanted<br />

with species.<br />

<strong>Animal</strong>s learn and adapt their behaviour<br />

accord<strong>in</strong>g to environmental circumstance. Early<br />

cross<strong>in</strong>g research <strong>in</strong> Banff showed that large<br />

carnivores like grizzly bears and wolves, while<br />

<strong>in</strong>itially wary and reluctant to cross bridges, <strong>in</strong> five<br />

years changed their migration patterns to accept<br />

them. Cross<strong>in</strong>g bridges need to be adaptive to<br />

grow<strong>in</strong>g research. Observation has shown that<br />

animals prefer a more open cross<strong>in</strong>g, and bridges<br />

have subsequently widened to accommodate<br />

this. Early cross<strong>in</strong>gs <strong>in</strong> Europe were narrow and<br />

sparsely vegetated- animals were <strong>in</strong> full view and<br />

earshot <strong>of</strong> the road. <strong>Animal</strong>s obviously prefer<br />

cross<strong>in</strong>gs that screen them from the noise and<br />

bright lights <strong>of</strong> highway traffic. Most <strong>of</strong> the<br />

49<br />

competition entries responded with scooped<br />

shapes with wide centers and flipped up sides,<br />

creat<strong>in</strong>g a valley landscape that puts wildlife at<br />

ease by block<strong>in</strong>g sightl<strong>in</strong>es and traffic noise (4).<br />

F<strong>in</strong>ally, the bridges needed to be<br />

educational, revelatory, and communicative. <strong>The</strong><br />

creation <strong>of</strong> iconic, aesthetically compell<strong>in</strong>g<br />

structures raises public awareness <strong>of</strong> the function<br />

<strong>of</strong> the bridge, and the issues <strong>of</strong> landscape<br />

fragmentation. Janet Rosenberg’s scheme<br />

created an iconic, recognizable form – a bright<br />

red, wood-core fibreglass bridge that extended 3<br />

meander<strong>in</strong>g f<strong>in</strong>gers <strong>in</strong>to the forest to encourage<br />

animals to cross. Rosenberg’s team worked with<br />

Temple Grand<strong>in</strong> to help them understand the<br />

highly sensory world <strong>of</strong> the animal, and learned<br />

that animals prefer to move <strong>in</strong> curves, and<br />

navigate through smell, touch, sound and vision<br />

(5).<br />

HYAPER NATURE- MVVA<br />

First place went to the jo<strong>in</strong>t team <strong>of</strong> Michael Van<br />

Valkenburgh Associates and HNTB Eng<strong>in</strong>eers, who<br />

succeeded <strong>in</strong> provid<strong>in</strong>g wildlife bridges four

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