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Animal Influence I - Antennae The Journal of Nature in Visual Culture

Animal Influence I - Antennae The Journal of Nature in Visual Culture

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Introduction<br />

An animal without a backbone that can walk<br />

upright on two appendages is an affront to<br />

human exceptionalism. But there are eight-armed<br />

<strong>in</strong>vertebrates that can do just that—octopuses<br />

from Indonesia and Australia that move bipedally<br />

on sand. Instead <strong>of</strong> their regular crawl<strong>in</strong>g motion,<br />

<strong>in</strong>dividual octopuses stride on one pair <strong>of</strong> arms,<br />

draw<strong>in</strong>g the other six arms around their body to<br />

rema<strong>in</strong> disguised. It is believed that Octopus<br />

marg<strong>in</strong>atus is mimick<strong>in</strong>g common coconuts<br />

roll<strong>in</strong>g along the sandy bottom.[i] A walk<strong>in</strong>g<br />

coconut. Besides be<strong>in</strong>g the first evidence <strong>of</strong><br />

underwater bipedal locomotion, these octopuses<br />

live <strong>in</strong> an area with an abundance <strong>of</strong> coconuts<br />

THE CASE OF THE MIMIC<br />

OCTOPUS: AGENCY AND<br />

WORLD MAKING<br />

Mimicry <strong>in</strong>volves a relational history between a creative, alive body, its perceptual abilities, and the environment it<br />

f<strong>in</strong>ds itself <strong>in</strong>. To claim the lived experience <strong>of</strong> space and wear and perform it over time is mimicry. One can show<br />

and act space by chang<strong>in</strong>g shape, colour, movement, and behaviour as wondrous examples <strong>of</strong> octopus mimicry will<br />

demonstrate. Space is relational to place and to potencies known and unknown by human be<strong>in</strong>gs, from gravity to<br />

the texture <strong>of</strong> substrates to other more-than-human be<strong>in</strong>gs nearby with their unique sensory capacities.<br />

Text by Leesa Fawcett<br />

… and try to love the questions themselves,<br />

like locked rooms and like books<br />

that are written <strong>in</strong> a foreign tongue.<br />

And the po<strong>in</strong>t is, to live everyth<strong>in</strong>g<br />

Live the questions now.<br />

Perhaps you will then gradually<br />

without notic<strong>in</strong>g it,<br />

Live along some distant day<br />

<strong>in</strong>to the answer.<br />

(Ra<strong>in</strong>er Maria Rilke)<br />

58<br />

float<strong>in</strong>g along the sea floor, so they can walk their<br />

coconut way out <strong>of</strong> trouble. Beyond that, there<br />

are species <strong>of</strong> octopuses that can climb out <strong>of</strong><br />

the sea and walk on land, as fish have done s<strong>in</strong>ce<br />

time immemorial.<br />

Part <strong>of</strong> my larger project is to radically<br />

question/alter who gets to count as a subject <strong>in</strong><br />

relations (i.e. octopus), and how that reworks the<br />

material relations <strong>of</strong> production and<br />

environmental and social justice. Questions<br />

surface, float, walk, crawl and s<strong>in</strong>k across wavy<br />

discipl<strong>in</strong>ary boundaries.<br />

I assume that philosophy (questions about<br />

existence) and biology (questions about liv<strong>in</strong>g

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