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Animal Influence I - Antennae The Journal of Nature in Visual Culture

Animal Influence I - Antennae The Journal of Nature in Visual Culture

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Lisa Jevbratt<br />

Photoshop Interface Mockup, 2008 Lisa Jevbratt<br />

to be created and it will allow for people to make<br />

their own creative projects <strong>in</strong>volv<strong>in</strong>g animal vision<br />

simulation. By select<strong>in</strong>g a species from a pull down<br />

menu <strong>in</strong> the filter section the current image is<br />

transformed <strong>in</strong>to a simulation <strong>of</strong> what the selected<br />

species see. Photoshop was chosen because it is<br />

widely used and it is where the concept <strong>of</strong> image<br />

filters was first made popular. Insert<strong>in</strong>g a menu <strong>of</strong><br />

animal names and the correspond<strong>in</strong>g simulations <strong>in</strong><br />

its list <strong>of</strong> filters is <strong>in</strong>tended to function as a<br />

“parasitic”[4] art work, stopp<strong>in</strong>g people <strong>in</strong> their<br />

tracks, ask<strong>in</strong>g them to consider the experiences <strong>of</strong><br />

non-human animals. However, people will have to<br />

consciously download and <strong>in</strong>stall the filters, so the<br />

parasitic effect is somewhat lost, except <strong>in</strong> multiuser<br />

environments, such as a school where a<br />

system adm<strong>in</strong> might have <strong>in</strong>stalled the filters. <strong>The</strong><br />

Flickr based onl<strong>in</strong>e <strong>in</strong>terface is somewhat more<br />

conducive to the parasitic effect. A user can<br />

stumble upon the project <strong>in</strong> the Flickr “app garden”<br />

while look<strong>in</strong>g for someth<strong>in</strong>g else, and it is free and<br />

easily accessible. <strong>The</strong> project hopes to encourage<br />

people to not only use the filters on exist<strong>in</strong>g images,<br />

but to take images with the filters <strong>in</strong> m<strong>in</strong>d,<br />

79<br />

ask<strong>in</strong>g them to imag<strong>in</strong>e themselves as non-human<br />

animals <strong>in</strong> the various situations and environments<br />

they f<strong>in</strong>d themselves <strong>in</strong> dur<strong>in</strong>g the course <strong>of</strong> their<br />

day.<br />

<strong>The</strong> iPhone/iPad app filters the camera feed<br />

<strong>in</strong> real-time, provid<strong>in</strong>g a more direct experience <strong>of</strong><br />

the animal’s vision, while also provid<strong>in</strong>g image and<br />

video captur<strong>in</strong>g. <strong>The</strong> iPhone/iPad app is truly<br />

ubiquitous; their users carry their devise most <strong>of</strong> the<br />

time. Experienc<strong>in</strong>g the filters <strong>in</strong> everyday situations,<br />

at work, <strong>in</strong> a café, <strong>in</strong> the library, on the subway, can<br />

help the users imag<strong>in</strong>e the presence <strong>of</strong> a nonhuman<br />

animal <strong>in</strong> that location, h<strong>in</strong>t<strong>in</strong>g at a<br />

breakdown <strong>of</strong> the boundaries between<br />

culture/nature, tame/wild, us/other. Several different<br />

ways <strong>of</strong> list<strong>in</strong>g the species will be provided:<br />

Alphabetical, Taxonomical, Geographical (with a<br />

“Show Species Near Me” button) and Favorites.[5]<br />

<strong>The</strong> pull down menus <strong>in</strong> Photoshop and the Flickr<br />

<strong>in</strong>terface, and the app list<strong>in</strong>gs are important <strong>in</strong><br />

themselves. While an enormous effort is go<strong>in</strong>g <strong>in</strong>to<br />

develop<strong>in</strong>g the simulation algorithms, the mere<br />

<strong>in</strong>vitation to imag<strong>in</strong>e the world from the po<strong>in</strong>t <strong>of</strong><br />

view <strong>of</strong> another species, embodied <strong>in</strong> the various

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