Animal Influence I - Antennae The Journal of Nature in Visual Culture
Animal Influence I - Antennae The Journal of Nature in Visual Culture
Animal Influence I - Antennae The Journal of Nature in Visual Culture
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Lisa Jevbratt<br />
Mantis Shrimp Unknown [+endnote with http://anakegoodall.wordpress.com/2012/05/22/mantis-shrimp/ <strong>in</strong> it]<br />
mollusk forag<strong>in</strong>g <strong>in</strong> the swamps along the coast. I<br />
was carefully lead<strong>in</strong>g my discussions with the guides<br />
towards practices <strong>of</strong> becom<strong>in</strong>g animal. Overly<br />
afraid <strong>of</strong> be<strong>in</strong>g too direct made me far too vague.<br />
How does one br<strong>in</strong>g these issues up without be<strong>in</strong>g<br />
disrespectful and assum<strong>in</strong>g, or without<br />
sound<strong>in</strong>g/feel<strong>in</strong>g ridiculous? F<strong>in</strong>ally, I had a short but<br />
important exchange with an aborig<strong>in</strong>al man at the<br />
conference I was head<strong>in</strong>g to after my ra<strong>in</strong>forest<br />
excursion. He told me that, as I had started to<br />
suspect, it would be the aborig<strong>in</strong>al dancers that<br />
could have a concept <strong>of</strong> shape shift<strong>in</strong>g, but that I<br />
might have to work with one <strong>of</strong> them maybe for the<br />
rest <strong>of</strong> my life to get <strong>in</strong>formation, and I might end<br />
up not gett<strong>in</strong>g any <strong>in</strong>formation at all. My whole life,<br />
well the project has a due date. This woke me up,<br />
made me see how I approached para-scientific<br />
knowledge acquisition <strong>in</strong> a scientific way. I want this<br />
<strong>in</strong>formation, and I want it now. In the para-scientific<br />
paradigm you might have to be <strong>in</strong>itiated and<br />
shown to be worthy and trustworthy <strong>of</strong> <strong>in</strong>formation<br />
86<br />
before receiv<strong>in</strong>g it. Not know<strong>in</strong>g how to approach<br />
<strong>in</strong>digenous people with my actual <strong>in</strong>quiry, I was<br />
seek<strong>in</strong>g their presence and advice <strong>in</strong> a somewhat<br />
roundabout, and to some extent dishonest, way. I<br />
had a heal<strong>in</strong>g session with Walk<strong>in</strong>g Thunder, a D<strong>in</strong>é<br />
(Navajo) medic<strong>in</strong>e woman. Dur<strong>in</strong>g the session I<br />
mentioned to her my quest to learn how animals<br />
see, how I wanted to make us more respectful <strong>of</strong><br />
other species. She told me “you should hum to the<br />
animals, I see waves around you” (<strong>in</strong>terest<strong>in</strong>g s<strong>in</strong>ce I<br />
for some years now have practiced overtone<br />
s<strong>in</strong>g<strong>in</strong>g particularly <strong>in</strong> nature), but noth<strong>in</strong>g about<br />
shape shift<strong>in</strong>g. I had hoped to learn someth<strong>in</strong>g<br />
about “sk<strong>in</strong>-walkers”: <strong>in</strong> the Navajo tradition a<br />
human dressed <strong>in</strong> animal pelt transform<strong>in</strong>g <strong>in</strong>to an<br />
animal and perform<strong>in</strong>g morally questionable acts<br />
as that animal. But why would she talk to me about<br />
that? I talked with a young Hopi White Buffalo<br />
dance performer. He was approachable, and<br />
open about his feel<strong>in</strong>gs <strong>of</strong> merg<strong>in</strong>g with the buffalo<br />
as he dances it. However, he belongs to a dance