yearbook 2004/05 - The European Film College

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gave solid information and analysis on the magic universe of Kieslowski. Also JANNE GIESE, director of the new born festival in Copenhagen, art historian HANS EDVARD NØR- REGÅRD-NIELSEN and PETER LUND MADSEN (“Brain-Madsen”) chipped in. Prescreenings included the Danish Rembrandt and the British Calender Girls. Film director and journalist CHRISTIAN BRAAD THOMSEN presented a course on “Small and Off-beat Films”. EVA JØRHOLT opened the show with the neo-realistic classic Bicycle Thief, priest and film connaisseur JOHS. H. CHRISTENSEN brought in Truffaut and Bergman while BRAAD handled his old icons Godard and the unavoidable Fassbinder. Special guest star, the renowned German actress IRM SUMMER 2003 HERMANN, told about her collaboration with Fassbinder and her career on film and on stage. The rapidly rising new Danish director CHRIS- TOPHER BOE presented his Cannes winner (“Camera d’Or”) Reconstruction – an intriguing love story that never really unfolds. Experimental film director and painter JYTTE REX brought her Mirrors of the Planet for discussion and pre-screened her latest work - The River. New on board this summer was CLAUS HES- SELBERG, writer and cinema manager, whose course dealt with humour on film. Distinguished guests were POUL MALMKJÆR, who dealt with W.C. Fields, Chaplin and the Marx Brothers, journalist and playwright ANN MARIAG- ER took on the screw ball comedies and Woody Allen, television host and cartoon expert JACOB Morten Grunwald on the Terrace Photo: Jens Rykær
SUMMER 2003 Irm Hermann Morten Arnfred, Birthe Neumann, Ib Tardini Per Stig Møller, Susanne Katz Peter Schepelern Michael Falch og Jens Rykær Mogens Rukov Susanne Brandt, Anette Per Fly & Claus Hesselberg STEGEL- MANN gave an in depth analysis of the masters of the animated short film outside the Disney universe followed by scholar IB LINDBERG who knows everything about Laurel and Hardy. The popular highlight of this course was maybe the live performance of the beloved “Benny” from the series “The Olsen Gang” – the actor and for many years also theatrical manager MORTEN GRUNWALD. Of course the audience in addition enjoyed Mel Brooks, Jacques Tati, Jerry Lewis, Walter Matthau and Jack Lemmon. That week certainly was a laughing matter. Copenhagen University lecturer PETER SCHEPELERN again managed a successful course focusing on the national film. This summer he had gathered four of the most important directors of their generation – SØREN KRAGH- JACOBSEN, MORTEN ARNFRED, NILS MALMROS and BILLE AUGUST. Each of them have during the past season released new films and therefore very strongly contribute to the present success of Danish film. Another vet- eranprofessional, screen writer and script doctor, MOGENS RUKOV from the national film school in Copenhagen, gave interesting views on how to compose convincing dramaturgy on film. The controversial and highly successful producer, the unorthodox REGNER GRASTEN, went through the modes in a long and intense interview in which the commercial aspect of the film industry was highlighted. We also enjoyed the presence of BIRTHE NEUMANN, supporting actress in so many films and now a star in her own right. Of course EFC-editing teacher ALLAN KAR- TIN and TV2-photographer MICHAEL LINDEBJERG conducted their practical and creative course “And Action” over two weeks. Jens Rykær organizes the summer folk high school in conjunction with Susanne Katz, Susanne Brandt and Bettie Brendorp.
Page 1 and 2: The Yearbook of the European Film C
Page 3 and 4: The Yearbook of the European Film C
Page 5 and 6: Executive Board og the European Fil
Page 7 and 8: Life after the EFC By Jens Rykær I
Page 9 and 10: Creating the documentary on Don Rob
Page 11 and 12: was to make extreme efforts to show
Page 13 and 14: The New Student Lounge Cleaning Dut
Page 15 and 16: stone. Now she has made a feature-l
Page 17: Photo: Jens Rykær The summer that
Page 21 and 22: SUMMER 2003 Harriet Knitter and the
Page 23 and 24: SUMMER 2003 “For example”, cont
Page 25 and 26: Diary 2003-04 By Jens Rykær SUMMER
Page 27 and 28: SUMMER 2003 Chr. Brand Thomsen & Ho
Page 29 and 30: Photo: Jens Rykær Christopher Wint
Page 31 and 32: SUMMER 2003 0
Page 33 and 34: Jubilee Celebrations By Mark Le Fan
Page 35 and 36: During the weekend, guests from abr
Page 37 and 38: Ebeltoft Lecture By Mark Le Fanu EV
Page 39 and 40: EVENTS spent a wonderful summer wor
Page 41 and 42: EVENTS ly. Peter left school early
Page 43 and 44: Photo: Jean Leander News Year’s C
Page 45 and 46: at the school we began the behind-t
Page 47 and 48: FROM THE TEACHERS Visiting the Film
Page 49 and 50: Ghosts of EFC By James Fernald FROM
Page 51 and 52: Why Seek Globally... By Esben Høil
Page 53 and 54: FROM THE TEACHERS lectic process of
Page 55 and 56: FROM THE TEACHERS Having said that
Page 57 and 58: FROM THE STUDENTS At a slight angle
Page 59 and 60: Present State of Art and some Recom
Page 61 and 62: FROM THE STUDENTS [The] artists wer
Page 63 and 64: The Greeks at the EFC By Persefone
Page 65 and 66: A step on the journey By Nahed Awwa
Page 67 and 68: Framing the Subjective By Laurent Z
Page 69 and 70:
The Duellists By Bue B. Petersen Em
Page 71 and 72:
FROM THE STUDENTS Feraud walks from
Page 73 and 74:
The Berlinale Experience By Kjetil
Page 75 and 76:
My left foot AWAY FROM THE EFC Rott
Page 77 and 78:
AWAY FROM THE EFC
Page 79 and 80:
Are you bored? LET’S GO TO THE MO
Page 81 and 82:
Photo: Jens Rykær LET’S GO TO TH
Page 83 and 84:
This also meant that all teachers a
Page 85 and 86:
Staff News By Jens Rykær WHO’s W
Page 87 and 88:
Principal and teachers: Jens Rykær
Page 89 and 90:
to the “script”: preliminary re
Page 91 and 92:
Guess who’s coming to dinner The
Page 93 and 94:
Richard Martin: Teachers’ assista
Page 95 and 96:
education as a kitchen assistant in
Page 97:
Students 2003-2004 Adler, Sonny Ana
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yearbook 2004/05 - The European Film College

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