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yearbook 2004/05 - The European Film College

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whiteness of the frost. <strong>The</strong> situation is very calm,<br />

underlined by the shot turning into a tracking<br />

shot, following D’Hubert from the road into a<br />

large field. <strong>The</strong> calmness of the entire situation<br />

makes us anticipate a dramatic change in the<br />

action, thus changing the mood.<br />

<strong>The</strong> next shot is a cutaway to the end of the<br />

woods (his Point Of View). This is a time cut,<br />

which becomes apparent as he is now sitting<br />

eating an orange. This enhances the impression<br />

that he is waiting for someone. Furthermore,<br />

the warm colour of the orange contrasts<br />

dramatically to his pale face. It looks as if he<br />

is already dead. <strong>The</strong> camera zooms in on him.<br />

He is completely calm, the surroundings are<br />

completely silent. It is the silence before the<br />

storm. Suddenly the footsteps of three men approaching<br />

from the fringe of the woods, breaks<br />

the silence. <strong>The</strong> camera changes to his POV of<br />

them approaching. Two of the men block the<br />

view of the third but we sense the presence of<br />

Feraud in the background. This is what we have<br />

been waiting for. As the three men approach,<br />

seen from D’Hubert’s POV (wide shot) the<br />

two strangers form an unstable triangle with<br />

D’Hubert as the downward point. <strong>The</strong>y also<br />

FROM THE STUDENTS<br />

appear threateningly larger than him as they are<br />

places in the foreground in a shot filmed with a<br />

wide-angle lens.<br />

All of the persons are shown in multiple closeups,<br />

except Feraud, who is kept in the background,<br />

rendered faceless – as a threatening<br />

ghost. D’Hubert says “…We have come here to<br />

kill each other; any ground is suitable for that”<br />

and by that he shows his rational point of view<br />

and his contempt of the concept of duelling.<br />

But Feraud is determined to go through with<br />

the duel and D’Hubert can not refuse. Feraud<br />

is shown in a close-up of him (the first in the<br />

sequence) – he is now taking part in the action,<br />

agreeing on the rules set up by the protagonist.<br />

<strong>The</strong> dialogue pulls to an end and the adversaries<br />

are seen preparing for the duel in the wide<br />

shot seen earlier. <strong>The</strong> silence and seriousness of<br />

the situation creates a lot of tension. As the antagonist<br />

walks off into the woods, leaving the<br />

protagonist waiting for the sign for the duel to<br />

begin, we hold our breath, waiting alongside<br />

with him. When the assistant says “Forward”<br />

we can finally breathe again. <strong>The</strong> storm begins.<br />

D’Hubert starts walking to the forest when one<br />

of the helpers says “Forward”. With this shout<br />

the final duel starts. From that moment on and<br />

until the first shot, the music underlies the sequence<br />

in which the duellists search for each<br />

other in the forest and around the ruins.<br />

When D’Hubert enters the forest he walks from<br />

lower left to upper right of the frame, it suggests<br />

how the duel will end (this movement signifies<br />

the rise of the character). On the other hand

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