yearbook 2004/05 - The European Film College
yearbook 2004/05 - The European Film College
yearbook 2004/05 - The European Film College
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
whiteness of the frost. <strong>The</strong> situation is very calm,<br />
underlined by the shot turning into a tracking<br />
shot, following D’Hubert from the road into a<br />
large field. <strong>The</strong> calmness of the entire situation<br />
makes us anticipate a dramatic change in the<br />
action, thus changing the mood.<br />
<strong>The</strong> next shot is a cutaway to the end of the<br />
woods (his Point Of View). This is a time cut,<br />
which becomes apparent as he is now sitting<br />
eating an orange. This enhances the impression<br />
that he is waiting for someone. Furthermore,<br />
the warm colour of the orange contrasts<br />
dramatically to his pale face. It looks as if he<br />
is already dead. <strong>The</strong> camera zooms in on him.<br />
He is completely calm, the surroundings are<br />
completely silent. It is the silence before the<br />
storm. Suddenly the footsteps of three men approaching<br />
from the fringe of the woods, breaks<br />
the silence. <strong>The</strong> camera changes to his POV of<br />
them approaching. Two of the men block the<br />
view of the third but we sense the presence of<br />
Feraud in the background. This is what we have<br />
been waiting for. As the three men approach,<br />
seen from D’Hubert’s POV (wide shot) the<br />
two strangers form an unstable triangle with<br />
D’Hubert as the downward point. <strong>The</strong>y also<br />
FROM THE STUDENTS<br />
appear threateningly larger than him as they are<br />
places in the foreground in a shot filmed with a<br />
wide-angle lens.<br />
All of the persons are shown in multiple closeups,<br />
except Feraud, who is kept in the background,<br />
rendered faceless – as a threatening<br />
ghost. D’Hubert says “…We have come here to<br />
kill each other; any ground is suitable for that”<br />
and by that he shows his rational point of view<br />
and his contempt of the concept of duelling.<br />
But Feraud is determined to go through with<br />
the duel and D’Hubert can not refuse. Feraud<br />
is shown in a close-up of him (the first in the<br />
sequence) – he is now taking part in the action,<br />
agreeing on the rules set up by the protagonist.<br />
<strong>The</strong> dialogue pulls to an end and the adversaries<br />
are seen preparing for the duel in the wide<br />
shot seen earlier. <strong>The</strong> silence and seriousness of<br />
the situation creates a lot of tension. As the antagonist<br />
walks off into the woods, leaving the<br />
protagonist waiting for the sign for the duel to<br />
begin, we hold our breath, waiting alongside<br />
with him. When the assistant says “Forward”<br />
we can finally breathe again. <strong>The</strong> storm begins.<br />
D’Hubert starts walking to the forest when one<br />
of the helpers says “Forward”. With this shout<br />
the final duel starts. From that moment on and<br />
until the first shot, the music underlies the sequence<br />
in which the duellists search for each<br />
other in the forest and around the ruins.<br />
When D’Hubert enters the forest he walks from<br />
lower left to upper right of the frame, it suggests<br />
how the duel will end (this movement signifies<br />
the rise of the character). On the other hand