yearbook 2004/05 - The European Film College
yearbook 2004/05 - The European Film College
yearbook 2004/05 - The European Film College
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KLØVEDAL gave an introduction to the skill<br />
of ‘writing for TV’, while long time producer<br />
LISE LENSE MØLLER did the selection and<br />
external evaluation of the documentaries. Director<br />
HEIDI MARIA FAISST (former student by<br />
the way) assisted Esben during his last directing<br />
course also involving a bunch of acting students<br />
from the acting school in Odense. Also former<br />
student, BARBARA OSTENFELD, offered a<br />
course in production management which included<br />
an introduction to the Movie Magic<br />
scheduling computer programme.<br />
Guest lecturers<br />
<strong>The</strong> college offers a line-up of so-called “Common<br />
lectures” during course periods, designed<br />
to give inspiration and food for thought. If students<br />
were to decide, all common lectures would<br />
deal with film related matters. For students it is<br />
hard to understand that there actually is something<br />
else besides film out there. Immigrant actor<br />
FAHSAD KHOLGI gave a talk on immigration,<br />
cultural differences between a Muslim<br />
society such as Iran and a streamlined democracy<br />
such as Denmark. Philosopher EMILY KA-<br />
PLERS talked about the concept of time in film<br />
in general and in Kurosawa’s films in particular.<br />
Historian TINE HØISGAARD JENSEN gave<br />
a lecture on ‘conflict prevention’ based on a special<br />
Indian philosophy. In November we were<br />
visited by belly dancer ANNI BRØGGER who<br />
has studied and made theories in conjunction<br />
with the National Museum about the clothing<br />
of the “Egtved Girl” – a remarkable find from<br />
the stone age in Denmark. Former student AN-<br />
DREAS DALGAARD came by with his new<br />
documentary shot in Afghanistan. He also put<br />
the question “What happens after Ebeltoft?”,<br />
an other documentarist, KAREN LITTHAU-<br />
ER, showed her most recent film from Greenland<br />
and told about film production under extreme<br />
conditions. Freelance philosopher KELD<br />
BRIKNER gave a brisk and provocative lecture<br />
titled ‘When individualism beat solidarity”.<br />
CHRISTOPHER WINTLE, senior lecturer in<br />
music at King’s <strong>College</strong> London, lectured on<br />
the construction of a soundtrack and the choice<br />
SUMMER 2003<br />
of music based on the screening of the classic<br />
British film ‘<strong>The</strong> Queen of Spades (1948) directed<br />
by Thorold Dickinson and with music<br />
by Georges Auric.<br />
In January two former students, KASPER<br />
TORSTING and MARTIN ZANDVLIET<br />
presented their highly successful documentary<br />
“Rocket Brothers” on the band ‘Kashmir’ and<br />
also Kasper’s TV-programme with David Bowie<br />
being interviewed by Thomas Vinterberg.<br />
GRAHAM EDMONDSON, film marketing<br />
manager from Dolby Laboratories, lectured on<br />
sound on film from the very beginning, including<br />
the first stereo tests by Alan Blumlein, Disney’s<br />
Fantasound format, Cinerama to the latest<br />
Dolby Digital EX audio technology extravaganza.<br />
In March further input on sound was given<br />
by STEPHEN SCHWARTZ, veteran radio<br />
‘painter-of-sound’ at DR since the early sixties.<br />
On a cold and rainy Sunday afternoon the first<br />
president of the board of the EFC, film director<br />
MORTEN ARNFRED, passed by and screened<br />
his successful low budget comedy “Move On”<br />
and conducted a Q&A session afterwards in<br />
dining hall.<br />
Former students, ULRIK EHRHORN<br />
NIELSEN and KASPER BIRCH (95/96), now<br />
Cuban Night<br />
Photo: Jens Rykær