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yearbook 2004/05 - The European Film College

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KLØVEDAL gave an introduction to the skill<br />

of ‘writing for TV’, while long time producer<br />

LISE LENSE MØLLER did the selection and<br />

external evaluation of the documentaries. Director<br />

HEIDI MARIA FAISST (former student by<br />

the way) assisted Esben during his last directing<br />

course also involving a bunch of acting students<br />

from the acting school in Odense. Also former<br />

student, BARBARA OSTENFELD, offered a<br />

course in production management which included<br />

an introduction to the Movie Magic<br />

scheduling computer programme.<br />

Guest lecturers<br />

<strong>The</strong> college offers a line-up of so-called “Common<br />

lectures” during course periods, designed<br />

to give inspiration and food for thought. If students<br />

were to decide, all common lectures would<br />

deal with film related matters. For students it is<br />

hard to understand that there actually is something<br />

else besides film out there. Immigrant actor<br />

FAHSAD KHOLGI gave a talk on immigration,<br />

cultural differences between a Muslim<br />

society such as Iran and a streamlined democracy<br />

such as Denmark. Philosopher EMILY KA-<br />

PLERS talked about the concept of time in film<br />

in general and in Kurosawa’s films in particular.<br />

Historian TINE HØISGAARD JENSEN gave<br />

a lecture on ‘conflict prevention’ based on a special<br />

Indian philosophy. In November we were<br />

visited by belly dancer ANNI BRØGGER who<br />

has studied and made theories in conjunction<br />

with the National Museum about the clothing<br />

of the “Egtved Girl” – a remarkable find from<br />

the stone age in Denmark. Former student AN-<br />

DREAS DALGAARD came by with his new<br />

documentary shot in Afghanistan. He also put<br />

the question “What happens after Ebeltoft?”,<br />

an other documentarist, KAREN LITTHAU-<br />

ER, showed her most recent film from Greenland<br />

and told about film production under extreme<br />

conditions. Freelance philosopher KELD<br />

BRIKNER gave a brisk and provocative lecture<br />

titled ‘When individualism beat solidarity”.<br />

CHRISTOPHER WINTLE, senior lecturer in<br />

music at King’s <strong>College</strong> London, lectured on<br />

the construction of a soundtrack and the choice<br />

SUMMER 2003<br />

of music based on the screening of the classic<br />

British film ‘<strong>The</strong> Queen of Spades (1948) directed<br />

by Thorold Dickinson and with music<br />

by Georges Auric.<br />

In January two former students, KASPER<br />

TORSTING and MARTIN ZANDVLIET<br />

presented their highly successful documentary<br />

“Rocket Brothers” on the band ‘Kashmir’ and<br />

also Kasper’s TV-programme with David Bowie<br />

being interviewed by Thomas Vinterberg.<br />

GRAHAM EDMONDSON, film marketing<br />

manager from Dolby Laboratories, lectured on<br />

sound on film from the very beginning, including<br />

the first stereo tests by Alan Blumlein, Disney’s<br />

Fantasound format, Cinerama to the latest<br />

Dolby Digital EX audio technology extravaganza.<br />

In March further input on sound was given<br />

by STEPHEN SCHWARTZ, veteran radio<br />

‘painter-of-sound’ at DR since the early sixties.<br />

On a cold and rainy Sunday afternoon the first<br />

president of the board of the EFC, film director<br />

MORTEN ARNFRED, passed by and screened<br />

his successful low budget comedy “Move On”<br />

and conducted a Q&A session afterwards in<br />

dining hall.<br />

Former students, ULRIK EHRHORN<br />

NIELSEN and KASPER BIRCH (95/96), now<br />

Cuban Night<br />

Photo: Jens Rykær

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