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Journal of Film Preservation - FIAF

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<strong>FIAF</strong> 53rd General Meeting will be held in Cartagena (Columbia) from April 20 to 26,<br />

1997. It will include an international symposium on the Amateur <strong>Film</strong>: the present Open<br />

Forum is proposed as an introduction to this important symposium.<br />

Experiences <strong>of</strong> an Amateur<br />

<strong>Film</strong>maker<br />

W.N. McLaren<br />

At the meeting <strong>of</strong> the Royal Photographic Society, held at 35, Russell Square,<br />

W.C.1. on December 8th, 1936, Mr W.N. McLaren, <strong>of</strong> the G.P.O. <strong>Film</strong> Unit,<br />

gave the following interesting account <strong>of</strong> his experiences as an amateur, and<br />

showed two films made when he was a student <strong>of</strong> the Glasgow School <strong>of</strong> Art.<br />

The President, Dr. D.A. Spencer, was in the chair.<br />

The meeting was held in connection with the Exhibition <strong>of</strong> Kinematography,<br />

and was arranged by the Association <strong>of</strong> Cine-Technicians.<br />

I was an amateur for about four years before becoming a pr<strong>of</strong>essional,<br />

and in my spare time I still carry on amateur work, on substandard film,<br />

because, although an amateur is limited in technical equipment, he has a<br />

freedom in certain respects which is not possessed by a pr<strong>of</strong>essional. He<br />

has a freedom <strong>of</strong> choice <strong>of</strong> subject matter and treatment <strong>of</strong> subject matter,<br />

and there is no censorship <strong>of</strong> 16mm film. The only dictatorship that<br />

exists in the case <strong>of</strong> the amateur is the dictatorship <strong>of</strong> limitation <strong>of</strong> technical<br />

means: but that in itself is not a bad thing. Often limited resources<br />

call forth greater ingenuity in the amateur; circumstances encourage him<br />

to think <strong>of</strong> fresh ways <strong>of</strong> doing things which, if he had more resources,<br />

he would not consider.<br />

I am going to show you two <strong>of</strong> the films that I had a part in making and<br />

to describe very briefly my experiences as an amateur with an amateur<br />

group. When I was a student at the Glasgow School <strong>of</strong> Art there was an<br />

amateur group composed <strong>of</strong> about four people, who were very enthusiastic<br />

and willing to devote all their spare time to making films, and there<br />

were about a dozen people who were interested and anxious to help. We<br />

had one Cine-Kodak, a B.B. Junior model, with a 50ft capacity and a 1.9<br />

Kodak anastigmat lens. We had for lighting equipment two 1.000 watt<br />

lamps in stands and reflectors. We had to work within £10.<br />

The first question we had to decide was the subject matter <strong>of</strong> our film.<br />

There were a hundred and one suggestions made, because like all amateurs<br />

who are about to make a first film, we did not realise the difficulties.<br />

After much discussion, I managed to convince the rest <strong>of</strong> the group<br />

that we should treat the material at our own doorstep, for the very good<br />

reason that we knew this subject matter well, it would be easy and<br />

cheap to film, and we should be working amongst people who we knew<br />

and could rely on for co-operation. There were about four hundred stu-<br />

31 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 53 / 1996<br />

Open Forum:<br />

Le Cinéma amateur<br />

The Amateur <strong>Film</strong><br />

La 53e Assemblée générale de la<br />

<strong>FIAF</strong> se tiendra à Cartagena<br />

(Colombie) du 20 au 26 avril<br />

1997. Un symposium international<br />

sur le cinéma amateur viendra<br />

compléter les travaux de<br />

l’Assemblée; le présent Open<br />

Forum constitute en quelque sorte<br />

une introduction aux travaux de ce<br />

symposium.

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